Hostname: page-component-6766d58669-6mz5d Total loading time: 0 Render date: 2026-05-22T18:49:27.403Z Has data issue: false hasContentIssue false

Stressed lax triggers in Eastern Andalusian Spanish harmony: The effects of final -r and -s deletion

Published online by Cambridge University Press:  08 May 2026

Maialen Casquete de la Puente*
Affiliation:
Spanish and Portuguese, University of Illinois at Urbana-Champaign , USA
Rights & Permissions [Opens in a new window]

Abstract

Eastern Andalusian Spanish (EAS), spoken in southern Spain, is characterized by the loss of most word-final consonants in casual speech. This deletion leads to adjacent vowel laxing which, in turn, drives harmony: the open quality of the final vowel spreads leftwards to the stressed syllable, as in beso [ˈbe.so] ‘kiss, sg’ vs. besos [ˈbɛ.sɔ] ‘kiss, pl’ (Navarro Tomás 1939; Rodríguez Castellano & Palacio 1948; among others). While the nature of triggers (deletion of -s) and targets (stressed syllables) has been assumed, other patterns remain understudied. For this study, I recorded 18 EAS speakers’ production of oxytonic words containing two mid vowels, with and without underlying final -r/-s (e.g., triplets such as bebé ‘baby’, beber ‘to drink’, and bebés ‘babies’). First and second formants of final and penultimate vowels were extracted. Participants also completed a perception experiment, where they had to match a written word with a recording ending in unpronounced -r, -s, or bare vowel. Results show that deletion of -r and -s produce comparable changes in the two preceding vowels; final vowels become lax, and preceding vowels undergo harmony. Speakers can also identify whether a word ends in an underlying consonant, as well as determining which (-r or -s) above chance (albeit with limited success). These results suggest that EAS harmony (a) is stress-independent and (b) can be triggered by deletion of fricatives and liquids. I propose V-to-V coarticulation as a potential origin of harmony in EAS, aligning with its role as the most common cause of harmony cross-linguistically.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of The International Phonetic Association
Figure 0

Table 1. Mid vowel harmony in EAS

Figure 1

Table 2. Number of tokens by vowel and context

Figure 2

Figure 1. Final vowel (V2) by Condition (Bark normalized).

Figure 3

Figure 2. F1 (first formant) of the two vowels within the word: (a) mid, front vowel /e/; (b) mid, back vowel /o/.

Figure 4

Table 3. Estimated medians and Confidence Intervals (CI), in Hz.

Figure 5

Figure 3. F2 (second formant) of the two vowels within the word: (a) mid, front vowel /e/; (b) mid, back vowel /o/.

Figure 6

Table 4. F2 median and Confidence Intervals (CI), in Hz.

Figure 7

Figure 4. Sample stimulus presented to participants in Qualtrics.

Figure 8

Figure 5. Perception, by condition: (a) native speakers; (b) non-native speakers.

Figure 9

Figure 6. Perception, by vowel quality (accuracy: tense-vowel ending; lax-consonant ending): (a) native speakers; (b) non-native speakers.