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‘Deaf people are one, as they say’: Articulating ‘deaf space’ and deaf-hearing communication in a Ugandan market

Published online by Cambridge University Press:  20 September 2024

Julia Modern*
Affiliation:
SOAS, University of London, UK
*
Address for correspondence: Julia Modern SOAS, University of London 10 Thornhaugh Street Russell Square London WC1H 0XG, UK jm121@soas.ac.uk juliamodern@gmail.com
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Abstract

This article investigates visual communication practices among members of a disabled people's organisation (DPO) in a market in Uganda. Deaf members and many of the hearing members are proficient in Ugandan Sign Language (UgSL) and use it daily. I examine three communicative settings within the market, identifying varied modes of visual communication in use, ranging from loosely conventionalised multimodal improvisation to standard UgSL. Deaf stallholders value the varied forms of linguistic community accessed through these different modes, which are complementary rather than opposing, except at key moments of tension. By combining ‘deaf space’ theory with Silverstein's distinction between speech and language communities, I link the visual communication practices of deaf and hearing marketgoers to the varying forms of solidarity that underly linguistic communities. Deaf marketgoers creatively articulate different visual communication potentialities and the communities they arise from and index, including negotiating linguistic access through strategically opposing deaf and hearing communities. (Deaf space, sign language, language communities)*

Information

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2024. Published by Cambridge University Press
Figure 0

Figure 1. Spatial layout of Tusobora's section of Kicweka market.

Figure 1

Figure 2. Ssenyondo Nasser demonstrates the ‘k’ handshape and ‘profit’ sign in UgSL. (Note: When performed upside down, as it is in the ‘profit’ sign, the ‘k’ handshape is very similar to, and often confused with, the letter ‘p’ in the UgSL alphabet; Sam Lutalo-Kiingi, p.c.).

Figure 2

Figure 3. Ssenyondo Nasser demonstrates the ‘try+’ sign phrase.

Figure 3

Figure 4. Ssenyondo Nasser demonstrates the UgSL sign ‘unity’.