Hostname: page-component-6766d58669-bp2c4 Total loading time: 0 Render date: 2026-05-18T03:31:35.981Z Has data issue: false hasContentIssue false

Backchannels in conversations between autistic adults are less frequent and less diverse prosodically and lexically

Published online by Cambridge University Press:  21 June 2023

Simon Wehrle*
Affiliation:
Institut für Linguistik-Phonetik, University of Cologne, Cologne, Germany
Kai Vogeley
Affiliation:
Department of Psychiatry, University Hospital Cologne, Medical Faculty, University of Cologne, Cologne, Germany Cognitive Neuroscience, Institute of Neuroscience and Medicine (INM-3), Research Center Jülich, Jülich, Germany
Martine Grice
Affiliation:
Institut für Linguistik-Phonetik, University of Cologne, Cologne, Germany
*
Corresponding author: Simon Wehrle; Email: simon.wehrle@uni-koeln.de
Rights & Permissions [Opens in a new window]

Abstract

Backchannels (BCs; listener signals such as ‘mmhm’ or ‘okay’) are a ubiquitous and essential feature of spoken interaction. They are used by listeners predominantly to support the ongoing turn of their interlocutor and to signal understanding and agreement. Listeners seem to be highly sensitive to the exact realisations of BCs and to judge deviations from typical forms as negative. Very little is known about the use of BCs by speakers diagnosed with autism spectrum disorder (ASD). In dialogue recordings of 28 German adults in two groups of disposition-matched dyads (i.e., both interlocutors were either autistic or non-autistic), we found that the ASD group was characterised by (1) a lower rate of BCs per minute (particularly in the early stages of conversation), (2) less diversity in the lexical realisation of BCs and (3) a less diverse and flexible mapping of different intonation contours to different BC types. We interpret these results as reflecting more general characteristics of autistic as compared to non-autistic individuals, namely different strategies in signalling attention towards an interlocutor and less flexible behaviour in social interaction.

Information

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2023. Published by Cambridge University Press
Figure 0

Table 1. Subject information by group

Figure 1

Figure 1. Example of Map Task materials. The instruction giver’s map, with a route leading from “Start” (top left) to “Ziel” (finish; bottom left), is in the left panel. Mismatches between maps are highlighted with red circles.

Figure 2

Figure 2. Example excerpt of a GAT transcription. Examples of backchannels are highlighted in bold (lines 14, 16, 21).

Figure 3

Figure 3. Rate of backchannels produced per minute of dialogue by dyad. ASD group in blue, CTR group in green.

Figure 4

Figure 4. Rate of backchannels per minute by dialogue stage (before and after resolution of the first Mismatch). CTR group in green, ASD group in blue.

Figure 5

Figure 5. Stacked bar charts showing proportions of different backchannel types for the two speakers with the highest entropy value (M13, CTR group; 𝐻 = 2.23) and the lowest entropy value (M10A, ASD group; 𝐻 = 1.18), respectively.

Figure 6

Figure 6. Entropy as a measure of the diversity of lexical types of backchannel produced, by speaker. ASD group in blue, CTR group in green.

Figure 7

Figure 7. Intonational realisation of backchannels by type in semitones (pooled across speakers and groups). Negative values indicate falling contours; positive values indicate rising contours. Blue diamonds represent mean values.

Figure 8

Table 2. Intonational realisation of BCs by type and group. Negative values indicate falling contours; positive values indicate rising contours (ST = semitone)

Figure 9

Figure 8. Intonation contour by group and backchannel type. Rising contours in yellow, level contours in orange, and falling contours in red. Level contours were defined as all tokens with a pitch difference in the range of +/- 1 semitone.

Figure 10

Figure 9. Intonation contour by speaker and backchannel type. ASD speakers in the first two rows and with blue outlines; CTR speakers in the bottom two rows and with green outlines. Dyads are separated by vertical lines. Rising contours in yellow, level contours in orange and falling contours in red. Level contours were defined as all tokens with a pitch difference in the range of +/- 1 semitone.

Figure 11

Table 3. Shannon entropy (H), measuring the diversity of intonation contours, by BC type and group

Supplementary material: PDF

Wehrle et al. supplementary material

Figures S1-S2 and Table S1

Download Wehrle et al. supplementary material(PDF)
PDF 611.6 KB