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Sand in the gears: Sabotage in world politics

Published online by Cambridge University Press:  20 October 2025

Joshua Rovner*
Affiliation:
International Relations, School of International Service, American University, Washington, DC, USA
Rory Cormac
Affiliation:
International Relations, School of Politics and International Relations, University of Nottingham, Nottingham, UK
Lennart Maschmeyer
Affiliation:
Cybersecurity Policy, Ivan Allen College of Liberal Arts, Georgia Institute of Technology, Atlanta, GA, USA
*
Corresponding author: Joshua Rovner; Email: jrovner@american.edu
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Abstract

Sabotage is ubiquitous but little understood in international relations. Sabotage, especially in terms of attacks on infrastructure and property, has increased in recent years and has taken a more central role in national security discourse across Europe. Unfortunately, scholarship is underdeveloped and fragmented across disciplinary silos, leading to conceptual confusion about the nature and scope of sabotage as a form of statecraft. This article seeks to provide conceptual clarity, and in doing so, lay the foundations to better understand and respond to such activity. It does so first by synthesizing ideas from disjointed literatures on conflict, intelligence, terrorism, public administration, and cybersecurity, before distilling key characteristics of sabotage and offering a novel definition. The article finds that sabotage is the weaponization of friction to degrade the performance of systems from within. Sabotage has a strategic logic distinct from related concepts of covert action and subversion: corrosively turning friction into advantage. This logic limits its impact as stand-alone tool but makes it particularly well-placed to enhance and enable other policy instruments. By placing sabotage on the research agenda and theoretically advancing scholarship on ‘secret statecraft’ more widely, this article has significant implications for understanding and responding to contemporary security challenges.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press on behalf of The British International Studies Association.
Figure 0

Table 1. Key Attributes of the Dark Arts