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Passover, Liberation, and the Defeat of Death and the Devil in Hebrews: A Proposal for the Descensus Christi and the Harrowing of Hades in Hebrews 2:14-15

Published online by Cambridge University Press:  26 May 2026

Katie Marcar*
Affiliation:
Theology, University of Otago, Dunedin, New Zealand
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Abstract

According to David M. Moffitt, Passover themes permeate Hebrews 1–2. While Passover is normally understood to be apotropaic, Jesus’ death in 2.14–15 defeats the devil. How is this defeat achieved? This article proposes that this victory is a synthesis of several strands of Jewish and early Christian tradition, conflating traditions about Jesus’ paschal death and war against demonic evil. This conflation likely reflects contemporary Jewish beliefs about angels. In Second Temple literature, Michael, Melchizedek and the heavenly hosts fight against demonic forces opposed to God. In Hebrews, the Passover typologically foreshadows the liberating work of Christ, with the devil taking the place of Pharaoh and the realm of the dead as Egypt, the place of bondage. Just as Moses leads the Israelites out of slavery in Egypt, so does Christ liberate the dead from death and slavery to the devil through his complete experience of human death and his triumphant resurrection. This article therefore suggests that Hebrews contains early evidence for Christian belief in the descensus Christi and the harrowing of Hades, conceived as a new exodus from the bondage of death to heavenly glory. Therefore, when Christ rises from the dead, he does not do so alone, but rises as the first of those liberated from death, providing new significance to the quotation of Isa 8.18 in Heb 2.13.

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Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press.