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“Is Peking Man Still Our Ancestor?”—Genetics, Anthropology, and the Politics of Racial Nationalism in China

Published online by Cambridge University Press:  27 July 2017

Yinghong Cheng*
Affiliation:
Yinghong Cheng (ycheng@desu.edu) is Professor of History at Delaware State University.

Abstract

In 1993, in response to the international Human Genome Project pioneered by the United States, the Chinese government began to sponsor national projects in conjunction with the international effort. The result of this scientific endeavor confirmed international geneticists’ conclusions regarding a very recent “African origin” of all modern humans, or Homo sapiens. This scientific development confronted the longstanding nationalist belief that the “Chinese” had lived in “China” as an independent human group since Homo erectus, represented by the 700,000-year-old Peking Man. By examining the still pervasive political uses of a presumed prehistoric ancestor of the people as well as the controversy sparked by the scientific challenge that has provoked public discussions, this article identifies a potent racial discourse in contemporary Chinese nationalism and connects it to a broader international context.

Information

Type
Research Article
Copyright
Copyright © The Association for Asian Studies, Inc. 2017 
Figure 0

Figure 1. Anthropologist Liu Dongsheng lit the torch with fire created by wood-drilling. The torch was held by young people in caveman costumes who would pass the torch to cultural and athletic celebrities to start a relay from Zhoukoudian to the center of Beijing (Renmin ribao2008).

Figure 1

Figure 2. On August 8, 2008, the Olympic torch relay's route in the Beijing area started in Zhoukoudian, where a daylong mass rally was organized with various patriotically themed activities. The bronze head statue projects facial features of Peking Man. Feng Gong, the torch bearer, is a popular actor who was escorted by bodyguards. The same bodyguards also appeared on the torch's global multi-city relay in the same year to fend off various groups of people protesting Beijing's hosting of the Olympics (Zhonghua Renmin Gongheguo Zhongyang Renmin Zhengfu 2008).

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Figure 3. Poster of the drama Primitive Love of Peking Man (the nine big characters on top right). The four big handwritten characters in the center read, from right to left, “Thank you, our ancestor!” (CRJonline2010).

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Figure 4. “It's time to post this” (Hupu2009).