Hostname: page-component-77f85d65b8-2tv5m Total loading time: 0 Render date: 2026-04-21T01:08:06.543Z Has data issue: false hasContentIssue false
  • English
  • Français

Victorian Art History

Published online by Cambridge University Press:  24 October 2008

Joseph A. Kestner
Joseph A. Kestner
Affiliation:
The University of Tulsa
Get access Rights & Permissions [Opens in a new window]

Extract

There has been an intriguing range of material published concerning Victorian painting since Victorian Literature and Culture last offered an assessment of the field. These books, including exhibition catalogues, monographs, and collections of essays, represent new and important sources for research in Victorian art and its cultural contexts. Most striking of all during this interval has been the range of exhibitions, from focus on the Pre-Raphaelites to major installations of such Victorian High Olympians/High Renaissance painters as Frederic, Lord Leighton and Sir Lawrence Alma-Tadema. Included as well have been exhibitions with a particular focus, such as that on the Grosvenor Gallery, and the more broadly inclusive The Victorians held at the National Gallery of Art in Washington D.C., this last being the most appropriate point of departure to assess the impact of Victorian art on the viewing public in the States.

Information

Type
Review Essays
Information
Victorian Literature and Culture , Volume 26 , Issue 1 , Spring 1998 , pp. 207 - 219
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

WORKS CONSIDERED

Becker, Edwin, ed. Sir Lawrence Alma-Tadema. Liverpool: Walker Art Gallery, 1997.Google Scholar
Casteras, Susan P. and Denney, Colleen, eds. The Grosvenor Gallery: A Palace of Art in Victorian England. New Haven: Yale Center for British Art, 1996.Google Scholar
Casteras, Susan P. and Faxon, Alicia Craig, eds. Pre-Raphaelite Art in Its European Context. Cranbury, New Jersey: Fairleigh Dickinson UP, 1995.Google Scholar
Christ, Carol T. and Jordan, John O., eds. Victorian Literature and the Victorian Visual Imagination. Berkeley: U of California P, 1995.CrossRefGoogle Scholar
Harding, Ellen, ed. Re-framing the Pre-Raphaelites. Aldershot, England: Scolar, 1996.Google Scholar
Mancoff, Debra N. The Return of King Arthur: The Legend through Victorian Eyes. New York: Abrams, 1995.Google Scholar
Morris, Edward, ed. Victorian and Edwardian Paintings in the Walker Art Gallery and at Sudley House. London: HMSO, 1996.Google Scholar
Newall, Christopher, ed. Frederic Leighton. London: Royal Academy of Arts, 1996.Google Scholar
Reynolds, Simon. William Blake Richmond. Norwich: Michael Russell, 1995.Google Scholar
Sussman, Herbert. Victorian Masculinities. Cambridge: Cambridge UP, 1995.Google Scholar
Warner, Malcom, ed. The Victorians: British Painting 1837–1901. Washington: National Gallery of Art, 1997.Google Scholar
Wildman, Stephen, ed. Visions of Love and Life: Pre-Raphaelite Art from the Birmingham Collection, England. Alexandria, Virginia: Art Services International, 1995.Google Scholar