Perceiving sexuality

There is a popular belief that speech is a reliable marker of an individual's sexuality, and linguists have long been interested in identifying the particular acoustic features that cue such perceptions (see Munson & Babel Reference Munson and Babel2007 for a review). From the outset, a central concern of much of the research in this area has been to tease apart the potential linguistic correlates of perceived sexuality from those that cue other closely related social categories, like gender.

In his germinal sociophonetic study of the topic, for example, Gaudio (Reference Gaudio1994) elicited listeners' judgments of the perceived masculinity and the perceived gayness of eight male speakers, four of whom self-identified as ‘gay’ and four of whom did not. Gaudio found a strong negative correlation between listeners' judgments of the men's masculinity and their gayness, such that more masculine-sounding men were also heard as less gay-sounding (and vice versa). However, when he attempted to correlate these perceptions with prosodic differences in the men's speech (pitch range and pitch dynamism, in particular), Gaudio was unable to isolate the specific linguistic feature that cued perceptions of gender and sexuality for his listeners. Gaudio nevertheless reports a potentially meaningful statistical trend in his findings. All of the speakers in Gaudio's study were evaluated twice: once when reading a passage drawn from an accounting textbook (with little or no affect) and once when reading a monologue from a play (with a high level of affect). When comparing listener evaluations across these two speech contexts, Gaudio discovered a tendency for pitch range and pitch dynamism to influence listener judgments of speakers' gender and sexuality when they were reading the accounting passage but not when they were reading the dramatic one. In other words, higher levels of pitch variability in the men's voices served as indices of both femininity and gayness so long as the context of the passage was neutral with respect to affect. The lack of a significant linguistic effect for the dramatic passage leads Gaudio to argue that ‘once men's speech is marked as ‘dramatic’ … intonational variability plays a reduced role (or a different one, or none at all) in listeners' perceptions' (1994:50).

A similar context effect was found in Smyth, Jacobs, & Rogers (Reference Smyth, Jacobs and Rogers2003). In their study, listeners rated the perceived gender and sexuality of twenty-five men in three different situations: reading a scientific passage, reading a dramatic passage, and engaged in spontaneous conversation. Overall, Smyth and colleagues report a significantly greater proportion of gay- and feminine-sounding judgments for the scientific passage than for either the dramatic passage or the spontaneous conversation. Smyth and colleagues interpret this finding as evidence of a stereotypical association between gay men and ‘formality’ or ‘prestige’, such that men speaking in more formal contexts are more likely to be perceived as feminine/gay than when they are speaking in more informal contexts. Smyth and colleagues, however, caution that while this pattern exists among the speakers as a group, there also exist differences among the individual men tested such that what listeners perceive as ‘gay’ or ‘effeminate’ in one man's voice does not necessarily get perceived in the same way in another's.

Subsequent studies have also found speaker effects of the kind mentioned by Smyth and colleagues (Reference Smyth, Jacobs and Rogers2003), where gayness and/or femininity are perceived in one voice but not in another. An earlier study of mine (Levon Reference Levon2007), for example, used digitally manipulated speech stimuli to test perceptual reactions to variation in pitch range and sibilant duration. Two speakers' voices were tested: one that a pretest group labelled as sounding ‘gay’, the other that they labelled as sounding ‘straight’. I found that narrowing the gay-sounding speaker's pitch range and shortening his sibilant durations caused listeners to judge the speaker as more ‘masculine’ and less ‘gay’. This effect, however, was not replicated in the other direction: widening the straight-sounding speaker's pitch range and/or lengthening his sibilant durations had no impact on listeners' evaluations of the speaker's gender or sexuality. I interpreted this finding as indicating that there must be some phonetic property of the straight-sounding man's voice that effectively blocks the indexical properties of wider pitch range and longer sibilant durations.

To summarise, all of the studies discussed so far have discovered an interaction between perceptions of sexuality and the simultaneous perception of other salient cues in the speech signal, be they social (such as perceptions of gender), situational (such as perceptions of formality), or individual (such as variation across speakers). Yet because of the way these studies were designed, the researchers were unable to explore these interactions further. In contrast, a number of studies have set out explicitly to investigate the intersection of perceptions of sexuality and the perception of other categories and traits. Munson, McDonald, DeBoe, & White (Reference Munson, McDonald, DeBoe and White2006) examined the relationship between perceived sexuality and two additional factors: perceived speaker clarity and perceived speaker height. For men's voices, Munson and colleagues found a strong positive correlation between perceived gayness and perceived clarity, such that gayer-sounding voices were also perceived as sounding clearer. A regression analysis of these results revealed that approximately 50% of the variation in listener ratings of sexuality could be accounted for by judgments of clarity. An additional 16% to 19% of the variance was accounted for by specific linguistic cues, including first and second formant frequencies and the spectral skew of /s/. What these findings mean is that global perceptions of speaker clarity were more than twice as important as any specific linguistic feature in predicting listener judgments of men's sexuality. Though vowel formants and /s/-skewness played an additional role, Munson and colleagues' listeners appear to base their perceptions of sexuality in large part on a stereotypical association between gayness and clear speech.Footnote ¹

Campbell-Kibler (Reference Campbell-Kibler2011) provides additional evidence that listeners rely on stereotypical links between categories when arriving at judgments of a speaker's sexuality. In that study, Campbell-Kibler set out to test the intersecting percepts of gender, sexuality, and competence (operationalized as the traits ‘smart’ and ‘knowledgeable’) and their relationship to mean pitch, /s/-fronting, and (ING). She found that while in general there existed a significant positive correlation between judgments of masculinity and judgments of competence, such that more masculine-sounding men also sounded more competent, that relationship broke down in two cases. The first involved those listeners who when hearing a man with a backed /s/ judged him as sounding ‘straight’. For these listeners, masculinity and competence were not aligned, and speakers were judged as sounding masculine without necessarily sounding competent. The other situation in which the correlation broke down involved those listeners who when hearing a man with fronted /s/ and who used the velar -ing variant judged him as sounding ‘gay’. In this case, listeners evaluated the man as sounding very competent even though he was not judged as sounding masculine. To account for these findings, Campbell-Kibler argues that the relevant listeners in her study are essentially basing their judgments on stored stereotypical representations of known types of men—the masculine, uneducated straight man and the effeminate, educated gay man respectively. In doing so, these listeners effectively disregard the more general correlation between perceived masculinity and perceived competence and instead rely on their stereotypes alone.

Lastly, a recent study of perceptions of sexuality in Copenhagen by Pharao, Maegaard, Møller, & Kristiansen (Reference Pharao, Maegaard, Møller and Kristiansen2014) has uncovered an analogous stereotype effect, though in this case perceptions of gayness are seemingly blocked by perceived ethnicity. In their work, Pharao and colleagues examine listeners' reactions to /s/-fronting in two Danish guises. The first is what they call a ‘modern’ guise, and essentially refers to a man speaking in a (white) urban Copenhagen accent. The second they call the ‘street’ guise, a perceptually salient variety of Danish that is associated with Copenhagen's ‘immigrant’ population and with a so-called ‘gangster’ lifestyle. Pharao and colleagues find that /s/-fronting acts as a salient cue of gayness in the modern guise, but shows no such association in the street guise. In other words, listeners appear unwilling to label a ‘street’ speaker as gay-sounding even when /s/-fronting is present. Pharao and colleagues interpret this finding as indicating that /s/-fronting somehow loses its indexical link to gayness in the context of the ‘street’ accent.

Taken together, the studies summarised here highlight the contingent nature of perceived sexuality. They demonstrate that while particular linguistic features may index gayness for certain listeners in some contexts, the relationship between language and a perceived social category is by no means fixed or stable. Rather, the extent to which a linguistic form cues perceived sexuality depends on the other social categories or traits that listeners also perceive and on the degree to which listeners believe these various categories and traits to be compatible. What this means is that research on perceptions of sexuality needs to move beyond developing a catalogue of sexuality-linked features since this does not reflect the reality of how social meaning is perceived. Instead, we must focus on uncovering the mechanism through which certain features come to take on sexuality-linked meanings in specific social and linguistic contexts and so uncover the ways in which the perception of sexuality is inter-dependent on the perception of other social constructs.

In the remainder of this article, I propose a two-pronged method for doing this. The method is based on ideas developed in the field of person perception within social psychology, and particularly research that has demonstrated the central role of stereotypes in shaping how listeners construe social meaning in context (e.g. Macrae & Bodenhausen Reference Macrae and Bodenhausen2001; Greenwald, Banaji, Rudman, Farnham, Nosek, & Mellet Reference Greenwald, Banaji, Rudman, Farnham, Nosek and Mellot2002). Following this work, I define stereotypes as cognitive structures that link group concepts (e.g. man) with collections of both trait attributes (e.g. athletic, domineering) and roles (e.g. father).Footnote ² In other words, stereotypes are a form of associative social knowledge that serve to encode popular ideologies about social groups by linking the perceptual activation of a group concept with the activation of relevant trait attributes and roles. According to this formulation, the activation process is bi-directional in nature (such that a group concept like man can activate a trait attribute like athletic and vice versa) and is subject to spreading (such that athletic can activate domineering by virtue of the two attributes being within the same stereotype network). The theory also maintains that associations among stereotype components (i.e. between group concepts and linked attributes as well as among attributes themselves) can be of varying strength, such that a group concept can activate certain linked attributes and roles more strongly than it activates others. In short then, current understandings of the cognitive structure of stereotypes maintain that (a) they serve to facilitate the activation of linked attributes, but that (b) they do so to varying degrees depending on the strength of the concept-attribute link.

The experimental method that I describe in this article is designed to apply both of these insights to the study of linguistic perceptions of sexuality. First, paralleling the recent work by Campbell-Kibler (Reference Campbell-Kibler2011) and Pharao and colleagues (Reference Pharao, Maegaard, Møller and Kristiansen2014), I examine listeners' perceptions of different combinations of indexical linguistic features, including both those that are stereotypically compatible with gayness (e.g. features that potentially signal ‘femininity’) and those that I hypothesise are not (e.g. features that potentially signal ‘working-class’). This aspect of the design allows me to investigate how correlations between language and perceived sexuality are affected by popular stereotypes of gay men. My prediction is that stereotypes will serve to block the simultaneous perception of normatively incompatible percepts, such that listeners who are presented with stimuli designed to signal both ‘gay’ and ‘working-class,’ for example, will only perceive one of these social attributes. This prediction is based both on the prior linguistic research cited above (e.g. Pharao et al. Reference Pharao, Maegaard, Møller and Kristiansen2014) and is consistent with social psychological models of person perception (see e.g. Wyer Reference Wyer1998 on stereotype-inconsistent attribute inhibition).

The second prong of my analysis involves considering listeners' own attitudes towards gender and sexuality among men. Doing so makes it possible to pinpoint individual differences among listeners in terms of their relative endorsement of the stereotypes in question, and, in turn, to correlate these attitudinal findings with observed variation in listeners' perceptual reactions to language (Carahaly Reference Carahaly2000). Here, the prediction is that individual attitudes will moderate any stereotype-based blocking effects, and may even directly influence whether particular linguistic features are perceived as cues for relevant social categories. Integrating an investigation of individual listener attitudes into the larger experimental protocol in this way provides the data necessary for examining the ways in which psychological, in addition to social and linguistic, factors together frame how listeners ultimately apprehend social meaning in context.

Method

My focus in the present discussion is on stereotypes of male sexuality in Britain, and in particular on stereotypical beliefs regarding the tri-partite relationship between gender, sexuality, and social class. Of these three constructs, the relationship between gender and sexuality has received the most attention in the sociolinguistic literature. As described above, this work has found that perceptions of femininity and gayness in men are often highly correlated, such that men who are perceived as sounding more ‘feminine’ are normally also perceived as sounding more ‘gay’ (e.g. Gaudio Reference Gaudio1994; Munson et al. Reference Munson, McDonald, DeBoe and White2006; Levon Reference Levon2006, Reference Levon2007; Campbell-Kibler Reference Campbell-Kibler2011). In terms of a link between gender/sexuality and social class, research in history and sociology has argued that both effeminacy and gayness in men are normatively associated with higher social-class positions, particularly in Britain (Mosse Reference Mosse1985; Keogh, Dodds, & Henderson Reference Keogh, Dodds; and Henderson1994; Connell Reference Connell1995, Reference Connell2000). While little sociolinguistic research has focused specifically on the topic of sexuality and social class, there is nevertheless some support (both anecdotal and experimental) for the notion that listeners perceive gay-sounding speech as simultaneously sounding less working-class, and vice versa (see e.g. Lakoff Reference Lakoff1975; Campbell-Kibler Reference Campbell-Kibler2011; Mann Reference Mann2012). My goal in what follows is to explore the extent to which these stereotypical links between categories are evident in listeners' perceptions.

To achieve this goal, I examine listener judgments of three target variables, both in isolation and when combined with one another. Each of these variables has been identified in prior research as being indexically linked to one of the social categories in question:

• • Mean pitch (gender)—as noted above, research in both sociolinguistics and phonetics has demonstrated that listeners regularly associate higher levels of mean fundamental frequency with effeminacy in men (e.g. Campbell-Kibler Reference Campbell-Kibler2011; Drager Reference Drager2011);

• • Sibilance (sexuality)—research has also shown that spectral properties of the voiceless sibilant /s/, including elevated levels of Centre of Gravity (CoG) and a more negative spectral skew, are positively correlated with listener perceptions of gayness in men (e.g. Munson et al. Reference Munson, McDonald, DeBoe and White2006; Campbell-Kibler Reference Campbell-Kibler2011; Zimman Reference Zimman2013; Pharao et al. Reference Pharao, Maegaard, Møller and Kristiansen2014);

• • TH-fronting (social class)—work on social dialect variation in Britain has argued that labio-dental realisations of the voiceless inter-dental fricative (i.e. [f] for /θ/) are characteristic, and even stereotypical, of working-class speech in the UK (e.g. Kerswill Reference Kerswill, Britain and Cheshire2003; Stuart-Smith & Timmins Reference Stuart-Smith, Timmins, Caie, Hough and Wotherspoon2006).

To test these features, I recorded three White British men from the southeast of England reading a short stimulus passage (see Appendix A). The men were in their mid- to late-twenties at the time of recording, were all postgraduate students at a major London university and had all been born and raised in the London metropolitan area. As such, all three men speak what can be described as Standard Southern British English. The stimulus passage itself recounts a mildly dramatic episode (someone falling down the stairs in a London underground station) and was designed to present listeners with a maximal number of tokens of both /s/ and /θ/ in as naturalistic a way as possible. In total, the forty-second passage contained twenty-seven instances of /s/ and fifteen instances of /θ/.

Test stimuli were constructed by manipulating multiple recordings of each speaker reading the passage. First, speakers each read the passage with all /θ/ tokens realised as [θ] and then again with them all realised as [f]. The labio-dental realisations were then cut and pasted into the speakers' original recordings to create three fronted versions of the stimuli (i.e. one for each speaker). A similar procedure was followed for manipulating /s/ sibilance. In this case, all speakers read the passage with /s/ articulated as they normally would and were then coached to read the passage again with a more ‘exaggerated’ and ‘sibilant’ pronunciation. One of the speakers' ‘exaggerated’ articulations were then cut and pasted into the three original recordings to create sibilant versions of the stimuli.Footnote ³ Finally, each of the speaker's mean pitch levels were shifted upward by 20 Hz using the pitch manipulation tool in Praat (cf. Levon Reference Levon2006). Manipulations were executed on the pitch contour of each intonational phrase in the passage, resulting in shifted versions of the stimuli. Table 1 presents the acoustic characteristics of the original, sibilant, and shifted stimuli for each of the speakers. No significant differences for the target variables were evident among the speakers in the original recordings, though the differences between the original and the manipulated stimuli are statistically significant for all three speakers.

Table 1.

Acoustic characteristics of original, shifted, and sibilant stimuli for all speakers.

The same manipulation process was repeated to create stimuli that combined multiple target variables (e.g. shifted mean pitch both with and without sibilant /s/). All of these manipulations resulted in the creation of three sets of eight experimental stimuli (one set per speaker), which together exhaust the possible combinations of the three target variables.Footnote ⁴ These stimuli were presented online to 189 respondents, who were recruited from my own personal network and via calls for participation posted on various social networking sites. All respondents were native speakers of British English currently residing in the UK. Respondent age varied widely, though the majority of respondents were in their twenties and thirties (mean age: 30.1). Of the 189 respondents, 134 were women and fifty-five were men. 150 respondents identified as heterosexual and thirty-nine identified as lesbian, gay, or bisexual (LGB).Footnote ⁵ Though detailed social class information was not collected from the respondent population, eighty-four respondents (44%) listed occupations in the managerial, administrative, or professional sectors, forty-nine (26%) listed occupations in the artistic, technical, or routine sectors, forty-five (24%) identified themselves as students, and eleven (6%) declared that they were unemployed.Footnote ⁶

During the experiment, respondents heard a total of three recordings, one from each speaker. The selection of a recording for each speaker was fully randomised, as was the order of presentation of the three speakers.Footnote ⁷ After hearing each recording, respondents rated the speaker on a series of eight six-point Likert scales (see Appendix B). These scales were designed to elicit listener judgments of various standard characteristics, such as speakers' perceived competence (intelligent/not intelligent, educated/not educated) and likeability (dependable/not dependable, hardworking/lazy, sincere/dishonest, friendly/not friendly) as well as their perceived gender (masculine/not masculine) and sexuality (gay/not gay) (Scherer Reference Scherer1972; Gaudio Reference Gaudio1994).Footnote ⁸ After having rated all three speakers, respondents provided basic demographic information about themselves and completed a short Male Role Attitudes Survey (MRAS; Pleck, Sonenstein, & Ku Reference Pleck, Sonenstein;, Ku, Oskamp and Constanzo1993, Reference Pleck, Sonenstein; and Ku1994). The MRAS (see Table 2) is a standard psychological instrument, designed to measure respondents' relative acceptance or rejection of stereotypical male gender roles. The MRAS asks listeners to indicate the extent of their agreement (on a five-point Likert scale) with eight normative statements that correspond to four aspects of male gender norms. The first of these (questions 1–3) has to do with ideologies of status and the belief that masculinity entails occupying a socially dominant position. The second (questions 4–5) concerns notions of masculine toughness, both physical and emotional. The third (questions 6–7) is what Pleck and colleagues label ‘anti-femininity’, and reflects a dominant belief in the strict separation of sex roles. Finally, the fourth factor (question 8) involves a belief in a correlation between masculinity and promiscuity.

Table 2.

Male role attitudes survey (adapted from Pleck et al. Reference Pleck, Sonenstein;, Ku, Oskamp and Constanzo1993, Reference Pleck, Sonenstein; and Ku1994).

The MRAS was chosen as the primary attitudinal measure because my goal in this study is to examine the extent to which social stereotypes may cause the perception of a given characterological attribute (e.g. dependable) to be linked to the identification of another (e.g. masculine). Following the theory of stereotypical person perception outlined above, I hypothesise that what moderates this predicted perceptual linking is a listeners' relative endorsement of dominant gender stereotypes, which associate certain attributes with one another (e.g. dependable and masculine) while dissociating others (e.g. dependable and gay). In their presentation of the MRAS, Pleck and colleagues (Reference Pleck, Sonenstein;, Ku, Oskamp and Constanzo1993:88) describe the scale as a measure of an individual's ‘internalisation of cultural belief systems about masculinity and male gender … including specific attitudes and dispositions about the various attributes that a man “should” have’. Rephrasing this in terms of the theory of stereotypes introduced above, by asking respondents to express their attitudes to male gender norms, the MRAS is able to access information about the strength with which the group concept man is linked to the different attributes considered (i.e. status, toughness, anti-femininity, and promiscuity), if at all. The MRAS is therefore preferred in the current research to other instruments, such as the Index of Homophobia (Ricketts & Hudson Reference Ricketts, Hudson, Yarber, Bauserman and Schreer1998), that assess respondents' affective and behavioural reactions to particular social categories (e.g. I would feel uncomfortable working closely with a gay man) but do not directly address the issue of perceived stereotypical links between these categories and other relevant characteristics.Footnote ⁹

The MRAS was originally tested (Pleck et al. Reference Pleck, Sonenstein; and Ku1994) on a racially diverse sample of 1,880 never-married adolescent American men from across the contiguous United States (respondents were between fifteen to nineteen years old at the time of testing and the sample population was 36% ‘Black’, 21% ‘Hispanic’, 41% ‘White’, and 2% ‘Other’). The sample was further stratified by a range of sociodemographic and personal background variables, including educational attainment, religious activity, sexual activity, and family income. Overall, Pleck and colleagues found that higher (i.e more stereotype-endorsing) scores on the MRAS were associated with being younger, having less educational attainment, more frequent church attendance, being sexually active, and identifying as ‘Black’. They also found that MRAS scores are highly correlated with both homophobia and so-called ‘male-problem behaviour’, including substance abuse, crime, and sexual violence. Finally, Pleck and colleagues demonstrate the discriminant validity of the MRAS to identify attitudes towards masculine stereotypes specifically, to the exclusion of attitudes towards gender stereotypes more broadly.

My sample of 189 British respondents (both women and men) treated the MRAS as multidimensional. Factor analysis indicates the presence of two factors in listener responses to the scale: one corresponding to status (questions 1–3), physical toughness (question 5), anti-femininity (questions 6–7), and promiscuity (question 8), and another corresponding to emotional toughness (question 4). This second factor is relatively weak, associated with an eigenvalue of 1.02 and accounting for only 12.6% of the variance (as compared to an eigenvalue of 2.79 and 35% of the variance explained by the first factor). Moreover, overall reliability of the scale improves from an alpha score of 0.72 when all eight questions are considered to one of 0.76 when question 4 is removed. I therefore decided to exclude question 4 from calculations of individual average MRAS scores, and proceed with a modified scale that includes only those seven questions that all load onto a single factor. After modifying the MRAS in this way, the average score among respondents in my sample is 2.67 (where 1 = completely disagree with the stereotype and 5 = completely agree), with a standard deviation of 0.61 and a range of values spanning from 1.14 to 4.87. On the whole, I find that higher modified MRAS scores are associated with younger (β = −0.189, p < 0.000), male (β = 0.202, p < 0.000), and heterosexual (β = 0.123, p = 0.024) respondents, though there does exist significant variability across all of these categories. In the analyses that follow, I examine the extent to which this modified MRAS score along with listener sex, sexuality, age, and occupation predict the perceptual evaluations of the three linguistic variables considered.

Findings

Listeners' ratings on the eight evaluation scales were subjected to linear mixed-effects regression models in R. Preliminary factor analysis (see Table 3) allowed for the reduction of these eight scales to three dependent variables for testing: perceived competence (comprised of the ‘educated’ and ‘intelligent’ scales), likeability (comprised of the ‘dependable’, ‘lazy/hardworking’, ‘dishonest/sincere’, and ‘friendly’ scales), and gender/sexuality (comprised of the ‘masculine’ and ‘gay’ scales). Regression models for each of these dependent variables were stepped down from full models that included the three manipulated variables, modified MRAS score, listener sex, listener sexuality, listener age, listener occupation, and all interactions. Speaker and listener were included as random effects. I discuss the experimental results for each of the three dependent percepts in turn, before going on to consider the ramifications of these findings. Model comparisons indicate that both the speaker and listener categories contribute to goodness of model fit. Thus while I do not discuss them in detail here, I report results from models that include speaker and listener as random effects.

Table 3.

Factor loading and communalities of eight perceptual evaluation scales (Method: Principal components with varimax rotation).

Perceiving competence

The first analysis we consider is of listener evaluations of perceived competence. Prior research leads us to predict that a negative correlation would obtain between perceived competence and at least two of the three linguistic features under consideration. Campbell-Kibler (Reference Campbell-Kibler2011), for example, found a robust association between perceived competence and perceived masculinity in her study of listeners' subjective evaluations of men's voices in the US. If, as I suggest, mean pitch is saliently linked to perceived gender in men, we would therefore expect elevated mean pitch to be linked to a decrease in perceived competence. Similarly, much work on perceptions of dialect variation in the UK has found that features associated with working-class speech score poorly on scales related to competence (e.g. Edwards Reference Edwards1999; Coupland & Bishop Reference Coupland and Bishop2007). I would therefore predict that TH-fronting, which I take to be a potential cue of working-class speech, would also be negatively correlated with perceived competence. Finally, predictions with respect to the relationship between sibilance and perceived competence are somewhat less clear given the variety of both positive and negative correlations between competence and gayness that have been reported in the literature (e.g. Campbell-Kibler Reference Campbell-Kibler2011).

Results for listener perceptions of competence are presented in Table 4. There, we find a significant main effect of pitch on perceived competence (p = 0.022), such that guises with higher mean pitch are judged as significantly less competent than those with lower mean pitch (on the competence scale, 1= most competent and 6 = least competent). This result is in keeping with predictions for this feature. When we consider the actual scores across the respondent population, we find that the average rating for guises with lower pitch levels is 2.71, while the average rating for guises with elevated pitch levels is 3.25. In other words, shifting mean pitch upwards results in a decrease in average competence ratings of over half a point. Perceived competence is not significantly predicted by any of the external variables (sex, sexuality, age, occupation, or MRAS) nor is the association between pitch and perceived competence significantly conditioned by an interaction with any of these factors. What this means is that the link between elevated mean pitch levels and decreased levels of perceived competence is a percept that is shared by all respondents in the sample, regardless of individual attitudes or social group memberships.

Table 4.

Linear mixed-model regression results for perceived competence.

The relationship between pitch and perceived competence is, however, constrained by a linguistic factor: the presence or absence of sibilance in the stimuli. In Table 4, we see that there is a significant interaction between pitch and sibilance (p = 0.042). The effect of this interaction is to neutralise the negative correlation between mean pitch and perceived competence when sibilance is present. In other words, higher mean pitch levels only serve to signal decreased competence when sibilance is absent. When sibilance is present, raising the mean pitch level has no effect on listener judgments of speaker competence. It is difficult to interpret this interaction based solely on the analysis of perceived competence. It could be the case, for example, that the presence of sibilance serves to signal some other percept whose activation interacts with the perception of competence, in effect inhibiting a downgrading of competence that is otherwise cued by elevated pitch. Or, it could be the case that listeners' attention is drawn away from pitch when sibilance is present for purely linguistic reasons (i.e. because of sibilance's psycho-acoustic salience; see e.g. Preston Reference Preston, Gilles, Scharloth and Zeigler2010). In order to select between these possible interpretations, we need to examine the behaviour of sibilance elsewhere in the dataset. For the moment, suffice it to say that sibilance blocks an otherwise regular association between elevated mean pitch and a perception of decreased competence.

Perceiving gender/sexuality

A second regression analysis examines listener evaluations on the gender/sexuality component (Table 5). The gender and sexuality scales are examined together due to their strong correlation with one another and the lack of any evidence of divergent validity of these scales among the listener population (as demonstrated in Table 3).Footnote ¹⁰ My initial prediction is that both pitch and sibilance will be saliently linked to perceptions of gender/sexuality based on the prior research described above. While I am aware of no previous work that has examined the influence of TH-fronting on perceptions of gender/sexuality, I suggest that a salient association between TH-fronting and working-class speech could lead to decreased perceptions of ‘gayness’ and increased perceptions of ‘masculinity’ given popular stereotypes of working-class men as normatively masculine and heterosexual.

Table 5.

Linear mixed-model regression results for perceived gender/sexuality.

In Table 5, we see that perceived gender/sexuality is predicted by a complex interaction involving mean pitch, sibilance, and modified MRAS score. For ease of interpretation, this interaction is depicted graphically in Figure 1. Figure 1 is a scatterplot that displays listeners evaluations of perceived gender/sexuality on the y-axis (where higher scores indicate a speaker sounds more ‘gay’ and less ‘masculine’) and individual MRAS scores on the x-axis (where higher MRAS indicates more stereotype endorsing). In addition, four regression lines are plotted in Figure 1. Each of these lines corresponds to one of four possible combinations of pitch and sibilance in the stimuli (i.e. shifted versus nonshifted mean pitch cross-tabulated with increased vs. unmodified sibilance). Regression lines for nonshifted mean pitch are in black, while those for shifted mean pitch are in grey. Likewise, lines for unmodified sibilance are solid, while those for increased sibilance are dashed.Footnote ¹¹

Figure 1.

Plot of the interaction of pitch, sibilance, and modified MRAS score in predicting percieved gender/sexuality.

The three-way interaction depicted in Figure 1 reveals two important patterns. The first is that the extent of listeners' endorsement of normative masculine stereotypes mediates the observed association of mean pitch and/or sibilance with perceived gender/sexuality. On the left side of Figure 1, we see that the trend lines for ratings of gender/sexuality for listeners with lower MRAS scores are similar across all four stimuli. Post-hoc tests confirm this and indicate that neither pitch nor sibilance has an effect on perceived gender/sexuality for MRAS scores below 2.5 (for pitch, p = 0.85; for sibilance, p = 0.38). As we move rightward in Figure 1, however, we see that the regression lines associated with shifted nonsibilant guises (the solid grey line) and with sibilant nonshifted guises (the dashed black line) begin to diverge from the line associated with nonshifted nonsibilant guises (the solid black line). This divergence indicates that listeners with higher MRAS scores associate mean pitch and sibilance with perceived gender/sexuality, and rate guises with elevated mean pitch and increased sibilance as significantly ‘gayer’ and less ‘masculine’. Post-hoc tests again confirm this pattern: listeners with MRAS scores between 2.5 and 3.5 show a trend towards associating higher mean pitch and increased sibilance with ‘gayness’ and decreased ‘masculinity’ (for pitch, p = 0.09; for sibilance, p = 0.11). This trend becomes highly significant among listeners with MRAS scores above 3.5 (for pitch, p = 0.003; for sibilance, p = 0.009).Footnote ¹²

This pattern is important because it demonstrates that individual attitudes constrain the meanings that listeners associate with linguistic features. For those listeners who subscribe to a normative conceptualization of male gender roles, both pitch and sibilance act as salient cues of gender/sexuality in men's voices. Those listeners, in contrast, who do not endorse stereotypical gender norms show no such association. This variation according to MRAS score provides further empirical support for the notion that the indexical values of linguistic features are mutable (Eckert Reference Eckert2012) and that the activation of social meaning depends on a range of conditioning factors. While much prior research has focused on the different social and contextual parameters that structure indexical mutability, the analysis presented here illustrates that listener attitudes play a central role, such that a listener's affective beliefs about masculinity, for example, influence whether or not a particular feature is perceived as sounding ‘gay’. In other words, these results demonstrate how individual attitudinal differences can constrain the social meanings that are perceived, in much the same way that listeners' prior experiences and the context of interaction can (Preston Reference Preston, Gilles, Scharloth and Zeigler2010). Moreover, this finding may also help to shed light on the results of previous research examining a predicted link between pitch/sibilance and perceived gender/sexuality. As noted above, numerous studies have examined these features and their results have been uneven, with some scholars finding significant effects and others finding none whatsoever (e.g. Gaudio Reference Gaudio1994; Munson Reference Munson2007; Campbell-Kibler Reference Campbell-Kibler2011). The current discussion provides a potential account for this unevenness by demonstrating the role that stereotype endorsement plays in mediating the establishment of such an indexical link.

Aside from the interaction with MRAS, no other external factor was selected as significant in predicting judgments of gender/sexuality. It is therefore not the case that MRAS scores are simply capturing perceptual variability that is governed by listener sex, sexuality, age, or occupation. While it is true that, overall, MRAS scores are differentially distributed across these categories, separate analyses confirm the presence of a parallel MRAS effect within all subgroups. For example, though no LGB respondent scored above 4 on the MRAS scale, a significant interaction between pitch/sibilance and MRAS scores in predicting perceived gender/sexuality is nevertheless present among LBG listeners (p = 0.018). In other words, stereotype endorsement significantly conditions listeners' perceptual evaluations of gender and sexuality regardless of group membership (and despite significant differences in group-wide attitudes overall).

The second pattern revealed by the three-way interaction between pitch, sibilance, and MRAS score in Figure 1 relates to the nonadditivity of the pitch and sibilant effects themselves. We have already seen how both pitch and sibilance in isolation affect perceptions of gender/sexuality among listeners with higher MRAS scores. When we examine the trend line in Figure 1 for listener responses to stimuli with both elevated mean pitch and increased sibilance (the dashed grey line), we find that its slope tracks the slopes of the lines for stimuli with either elevated mean pitch or increased sibilance only. Pairwise comparisons among the four types of stimuli confirm this pattern and reveal that there is no significant difference in listener evaluations of perceived gender/sexuality among the shifted only, sibilant only, and shifted and sibilant stimuli. In other words, for those listeners who associate pitch/sibilance with gender/sexuality, the combination of elevated mean pitch and increased sibilance does not lead to an increase in a speaker's perceived nonmasculinity/gayness beyond what is achieved by either of the variables alone. Rather, guises that are both shifted and sibilant are perceived to be equally as nonmasculine/gay-sounding as those guises that are either only shifted (p = 0.281) or only sibilant (p = 0.310).Footnote ¹³ This finding contrasts with previous work on perceptions of sexuality that has found additive effects to be the norm (e.g. Levon Reference Levon2007; Campbell-Kibler Reference Campbell-Kibler2011).

The apparent nonadditivity of pitch and sibilance on the gender/sexuality scale is reminiscent of the interaction identified previously between pitch and sibilance on the competence scale. There, we saw that an otherwise robust association between elevated mean pitch and decreased perceived competence was neutralised when sibilance was present. When discussing this effect on the perceived competence scale, I noted that the interaction could be due either to the activation by sibilance of some additional percept, which serves to block the indexical value of pitch, or to the relative linguistic prominence of sibilance, which causes listeners to disregard pitch. In this instance, however, the possibility of one percept ‘blocking’ another does not arise, since both mean pitch and sibilance are indexically linked to the same percept (i.e. perceived gender/sexuality). The nonadditivity of pitch and sibilance on the gender/sexuality scale can therefore not be attributed to a stereotype blocking effect and an explanation must be located elsewhere. I return to this point in the discussion below.

Perceiving likeability

The final regression analysis examines listener judgments on the likeability component (Table 6). Recall that this component is composed of judgments of how ‘dependable’, ‘hardworking’, ‘sincere’, and ‘friendly’ a speaker is. The likeability component therefore corresponds to the solidarity or social attractiveness dimension of listeners' perceptual evaluations (e.g. Coupland & Bishop Reference Coupland and Bishop2007). Given this, we predict a positive correlation between TH-fronting and judgments of ‘likeability’ based on the popular association of working-class speech and social attractiveness. In terms of pitch and sibilance, though there are no direct predictions for the effect of these variables on evaluations of likeability, I propose that the association of pitch and sibilance with gender/sexuality (at least for some listeners) could lead to a negative correlation between these features and perceived likeability.

Table 6.

Linear mixed-model regression for perceived likeability.

In Table 6, we find that there is a significant effect of TH-fronting on perceived likeability such that fronted guises are rated on average nearly half a point more ‘likeable’ than nonfronted guises (p = 0.015; for the likeability scale, 1 = very likeable and 6 = not at all likeable). As noted above, this main effect is to be expected if TH-fronting is indeed a salient marker of working-class speech in the UK (e.g. Kerswill Reference Kerswill, Britain and Cheshire2003). In the current sample, listeners gave an average rating of 3.01 on the ‘likeability’ scale to guises without TH-fronting, and an average rating of 2.52 for those with TH-fronting. This half-point difference indicates a boost to perceptions of likeability for TH-fronted guises. It is possible to interpret this result as another example of the well-documented pattern of vernacular features enhancing listener perceptions of a speaker's social attractiveness (e.g. Edwards Reference Edwards1999). The fronting effect is, however, conditioned by a significant interaction with sibilance (p = 0.007). The interaction between TH-fronting and sibilance indicates that when sibilance is present, fronting has no effect on perceived likeability. In other words, listeners rate fronted sibilant guises as being as ‘likeable’ (or ‘unlikeable’) as nonfronted sibilant guises. This interaction, like the effect of fronting more generally, applies to all listeners, regardless of their sex, sexuality, age, occupation, or MRAS score.

There are a number of potential interpretations of this pattern. The first is that the observed interaction between sibilance and TH-fronting is an example of what social psychologists have termed stereotype inconsistent attribute inhibition (Macrae & Bodenhausen Reference Macrae and Bodenhausen2001; Wigboldus, Dijksterhuis, & van Knippenberg Reference Wigboldus, Dijksterhuis and van Knippenberg2003). Recall that a salient association was identified between increased sibilance and perceived nonmasculinity/gayness. The interaction between sibilance and TH-fronting on perceived likeability could thus be potentially interpreted as an unwillingness on the part of listeners to allow voices that they perceive as nonmasculine/gay to be simultaneously perceived as more likeable. In other words, it could be the case that the percept of gender/sexuality (cued by sibilance) inhibits the percept of likeability (otherwise cued by fronting) among listeners because of some stereotype-driven perceived incompatibility between the two. This interpretation would be consistent with a great deal of research in social psychology that has demonstrated that stereotypes (conceptualised as combinations of linked attributes) serve to block the perception of stereotype-inconsistent traits (i.e. those attributes that fall outside of the linked network).

There is, however, no direct evidence for such an inhibition effect in the data. If perceived likeability were indeed being ‘blocked’ by perceived gender/sexuality, we would anticipate this effect to be further constrained by listener attitudes towards masculinity. That is to say that we would expect to find an additional significant interaction with MRAS scores, such that those listeners who endorse normative stereotypes of masculinity would display the blocking effect while those who do not endorse the stereotype would not. This is particularly true given that sibilance was only shown to cue perceived gender/sexuality for listeners with higher MRAS scores (see Table 5). Yet the MRAS index plays no role in the observed effect; TH-fronting is inoperative in the presence of sibilance for all listeners equally, regardless of whether they endorse masculine stereotypes or not. It therefore seems inappropriate to argue for a stereotype-driven blocking effect when not all listeners associate sibilance with perceived gender/sexuality, or even all report endorsing the stereotype that is presumably responsible.

Nevertheless, it could be that the MRAS is not a sensitive enough measure to uncover the attitudes concerned (e.g. Devine Reference Devine1989), and that some sort of response bias is responsible for the mismatch between results on the perceived gender/sexuality scale (where MRAS plays a significant role) and results on the perceived likeability scale (where it does not). What I mean is that the MRAS scale may not be capturing attitudes to masculine stereotypes per se, but rather a differential willingness on the part of listeners to explicitly label a male speaker as ‘less masculine’ and ‘gayer’. This could mean that all listeners associate sibilance with gender/sexuality, and that only those listeners who endorse normative masculine stereotypes are willing to express as much in the type of overt experimental task used here. If this were the case, then the interaction between sibilance and TH-fronting could be taken to reveal an implicit ideological incompatibility between ‘nonmasculinity’/'gayness' and ‘likeability’ that is shared by all listeners, even in the absence of an overt MRAS effect. While this interpretation is plausible, I would argue that it relies on too many currently unjustified assumptions about the listener population to be retained. Additional research using more implicit attitudinal measures (e.g. Fazio, Sanbonmatsu, Powell, & Kardes Reference Fazio, Sanbonmatsu, Powell and Kardes1986; Greenwald, McGhee, & Schwartz Reference Greenwald, McGhee; and Schwartz1998; Campbell-Kibler Reference Campbell-Kibler2012) would be required to substantiate such an account.

Based on the current data, I believe that a more robust interpretation of the interaction of sibilance and TH-fronting in conditioning perceived likeability is that the pattern observed is an example of contextual nonattention. As noted above, research in both psychology and linguistics has shown that listeners selectively attend to stimuli in the signal when perceiving and evaluating voices (e.g. Nosofsky Reference Nosofsky1986; Nusbaum & Morin Reference Nusbaum, Morin, Tohkura, Vatikiotis-Bateson and Sagisaka1992; Pendry & Macrae Reference Pendry and Macrae1996; Macrae & Bodenhausen Reference Macrae and Bodenhausen2001; Preston Reference Preston, Gilles, Scharloth and Zeigler2010). Selective attention of this sort does not imply ‘blocking’ of one cue by another, but rather that certain cues are more salient in particular environments leading to an attenuation of listeners' attention to other cues that may also be present. In other words, in cases of stereotype-inconsistent attribute inhibition, both of the relevant meanings are cognitively activated but the incompatibility between these meanings causes one of them to be inhibited. In cases of contextual nonattention, in contrast, the only meaning that is activated is the one linked to the more salient linguistic feature. Thus while in both cases only one feature and its associated meaning end up being perceived, the underlying cognitive mechanism that leads to that perception is distinct. Applying a contextual nonattention interpretation to the current example would mean that sibilance is more salient than TH-fronting (and its associated percept of likeability) causing listeners to disregard any effect that TH-fronting might otherwise have. Crucially, according to this scenario the determination of salience is not necessarily attitude-driven but results from external factors, including the formal properties of the target features themselves (Preston Reference Preston, Gilles, Scharloth and Zeigler2010, Reference Preston2011). Building on this idea, I suggest that since /s/ sibilance is phonetically so much more prominent than TH-fronting, sibilance trumps fronting on psycho-acoustic grounds, leading listeners to pay attention only to sibilance at the expense of fronting.Footnote ¹⁴

An analysis based on selective attention has the benefit of providing an account for the interaction between sibilance and TH-fronting on the perceived likeability scale without having to resort to claims regarding implicit or automatic attitudes.Footnote ¹⁵ Furthermore, such an analysis can also model the two other instances of interactions with sibilance described previously (i.e. between pitch and sibilance on perceived competence and between pitch and sibilance on perceived gender/sexuality). I propose that for all three of the percepts considered, the presence of sibilance draws attention away from the other linguistic variables in the stimuli. In addition, I suggest that sibilance does so because of a general processing constraint that, at least in the context of the current experimental task, encourages listeners to selectively attend to linguistically more prominent features in the speech signal. For the ‘competence’ and ‘likeability’ scales, this constraint causes listeners to effectively disregard pitch and TH-fronting (and their associated indexical meanings) when these features are combined with the perceptually more salient sibilance. For the ‘gender/sexuality’ scale, I would argue that the process is very much the same, with the only difference that sibilance itself can serve as a salient cue to perceived gender/sexuality for some listeners (hence the significant boost to relevant listeners' evaluations of the perceived nonmasculinity/gayness of shifted sibilant stimuli as compared to nonshifted nonsibilant stimuli). In all cases then, I propose that selective attention plays a central role in structuring listeners' perceptions of socioindexical meaning, even to the point of rendering certain variables contextually ‘meaningless’ when combined with linguistically more prominent others.

In short, an analysis based on selective attention is able to capture all of the empirical facts in the current dataset. It is, moreover, consistent with much research on person perception in psychology, which has demonstrated the importance of cognitive economy constraints in shaping how perceivers react to socially meaningful stimuli (Macrae & Bodenhausen Reference Macrae and Bodenhausen2001; Devine & Sharp Reference Devine, Sharp and Nelson2007; see also Campbell-Kibler Reference Campbell-Kibler and Babel2014 for a discussion of cognitive economy in sociolinguistics). Nevertheless, I concede that further evidence of the relevance of cognitive economy for the listeners in my sample is necessary. While beyond the scope of the current study, such evidence could be obtained via additional experimental tasks that manipulated listeners' cognitive load and/or more directly examined respondents' ability to discern relevant linguistic contrasts. In the absence of this additional evidence, I simply argue that an analysis based on selective attention provides the most parsimonious account of the observed interactions between sibilance and both pitch and TH-fronting.