TEXTS OF SHAKESPEARE'S TIME AND EARLIERAnon., A Declaration of the True Causes of the Great Troubles, Presupposed to be Intended Against the Realm of England (1592) [aka Leicester's Commonwealth].
Anon., Woodstock: A Moral History, ed. Rossiter, A. P. (London: Chatto & Windus, 1946).
Aristotle, , The Nicomachean Ethics, trans. Terence Irwin (Indianapolis: Hackett Publishing, 1985).
Bacon, Francis, Works, ed. Spedding, J., Ellis, R. L. and Heath, D. D., 7 vols. (London: Longman's, 1857–74).
Beaumont, Francis and Fletcher, John, The Dramatic Works in the Beaumont and Fletcher Canon, ed. Bowers, Fredson, 10 vols. (Cambridge: Cambridge University Press, 1966–96).
Bryskett, Lodowick, Literary Works, ed. Pafford, J. H. P. (Farnborough: Gregg, 1972).
Burton, Robert, The Anatomy of Melancholy, 3 vols. (London: J. M. Dent, [1932]).
Castiglione, Baldessare, The Book of the Courtier, trans. Thomas Hoby (London: Dent, 1928).
Churchyard, Thomas, A Sparke of Friendship (London: [J. Windet], 1588).
Donne, John, The Complete English Poems (Harmondsworth: Penguin, 1971).
Dorke, Walter, A Tipe or Figure of Friendship (London: T. Orwin and H. Kirkham, 1589).
Edwards, Richard, The Collected Works of Richard Edwards, ed. King, Ros (Manchester: Manchester University Press, 2001).
Elyot, Sir Thomas, The Boke Named the Governour, ed. Herbert, HenryCroft, Stephen, 2 vols. (London, 1880).
Erasmus, Desiderius, The Colloquies of Erasmus, trans. Craig R. Thompson (Chicago: University of Chicago Press, 1965).
Erasmus, Desiderius,The Essential Erasmus, trans. John P. Dolan (New York: New American Library, 1964).
Heywood, Thomas, A Woman Killed with Kindness, ed. Scobie, Brian (London: A&C Black, 1985).
Jonson, Ben, Epicene, ed. Dutton, Richard (Manchester: Manchester University Press, 2003).
Jonson, Ben,Every Man in His Humour, ed. Watson, Robert N., 2nd edition (London: A&C Black, 1998).
Jonson, Ben,Volpone, ed. Parker, Brian, revised edition (Manchester: Manchester University Press, 1999).
Jonson, Ben,Works, 11 vols., ed. Herford, C. H. and Simpson, Percy (Oxford: Clarendon Press, 1925–52).
Kyd, Thomas, The Spanish Tragedy, ed. Edwards, Philip (London: Methuen, 1959).
Lucian, Lucian, with translations by Harmon, A. M., Kilburn, K. and McLeod, M. D., 5 vols. (London: W. Heinemann, 1913–67).
Lyly, John, The Complete Works of John Lyly, ed. Warwick Bond, R., 3 vols. (Oxford: Clarendon Press, 1902).
Marlowe, Christopher, Doctor Faustus: A- and B- Texts, ed. Bevington, David and Rasmussen, Eric (Manchester: Manchester University Press, 1993).
Marlowe, Christopher,Edward the Second, ed. Charles, R. Forker (Manchester: Manchester University Press, 1999).
Marlowe, Christopher,The Jew of Malta, ed. Bawcutt, N. W. (Manchester: Manchester University Press, 1978).
Marston, John, The Malcontent and Other Plays, ed. Sturgess, Keith (Oxford: Oxford University Press, 1997).
Massinger, Philip, A New Way to Pay Old Debts, ed. Craik, T. W. (London: A&C Black, 1964).
Middleton, Thomas, A Mad World, My Masters and Other Plays, ed. Taylor, Michael (Oxford: Oxford University Press, 1995).
Montaigne, Michel, The Complete Essays, trans. M. A. Screech (Harmondsworth: Penguin, 1993).
Montaigne, Michel,The Essayes, translated by John Florio, 3 vols. (London: Everyman, 1928).
Nashe, Thomas, Pierce Pennilesse, in Works, ed. Ronald, B. McKerrow, corr. Wilson, F. P., 5 vols. (Oxford, 1958).
Plato, , Diuini Platonis opera omnia, Marsilio Ficino interprete (London: 1590).
Plato, ,The Works of Plato, trans. Benjamin Jowett (New York: The Modern Library, 1928).
Rowley, William, Dekker, Thomas and Ford, John, The Witch of Edmonton, ed. Corbin, Peter and Sedge, Douglas (Manchester: Manchester University Press, 1999).
Shakespeare, William, The First Quarto of Hamlet, ed. Kathleen, O. Irace (Cambridge: Cambridge University Press, 1998).
Shakespeare, William,Henry IV Part 1, ed. Kastan, David Scott (London: Arden Shakespeare, 2002).
Shakespeare, William,Othello, ed. Sanders, Norman (Cambridge: Cambridge University Press, 1984).
Shakespeare, William,Othello, ed. Honigmann, E. A. J. (London: Arden Shakespeare, 1997).
Shakespeare, William,Richard II, ed. Charles, R. Forker (London: Arden Shakespeare, 2002).
Shakespeare, William,Complete Sonnets and Poems, ed. Burrow, Colin (Oxford: Oxford University Press, 2002).
Shakespeare, William,Shakespeare's Sonnets, ed. Booth, Stephen (New Haven: Yale University Press, 1977).
Shakespeare, William,Shakespeare's Sonnets, ed. Duncan-Jones, Katherine (London: Arden Shakespeare, 1997).
Shakespeare, William,The Sonnets and A Lover's Complaint, ed. Kerrigan, John (London: Penguin, 1986).
Shakespeare, William,Timon of Athens, ed. Klein, Karl (Cambridge: Cambridge University Press, 2001)
Shakespeare, William,Timon of Athens, ed. Jowett, John (Oxford: Oxford University Press, 2004)
Shakespeare, William,The Two Gentlemen of Verona, ed. William, C. Carroll (London: Arden Shakespeare, 2004).
Shakespeare, WilliamSonges and Sonnets, written by the Right Honorable Lord Henrie Haward late Earl of Surrey, and others [aka Tottel's Miscellany] (1587 edition).
Spenser, Edmund, The Faerie Queene, ed. Hamilton, A. C.et al., 2nd edition (London: Longman, 2001).
Tourneur, Cyril, The Atheist's Tragedy, ed. Morris, Brian and Gill, Roma (London: A&C Black, 1976).
Webster, John, The Duchess of Malfi and Other Plays, ed. Weis, René (Oxford: Oxford University Press, 1996).
LATER TEXTS AND CRITICISMBarish, Jonas (ed.), Jonson: Volpone: A Casebook (Basingstoke: Macmillan, 1992).
Barthes, Roland, ‘Introduction to the Structural Analysis of Narratives’, in Image – Music – Text, trans. Stephen Heath (London: Fontana, 1977), pp. 79–124.
Bate, Jonathan, ‘Caliban and Ariel Write Back,’ in Catherine, M. S. Alexander, and Wells, Stanley (eds.), Shakespeare and Race (Cambridge: Cambridge University Press, 2000), pp. 165–76.
Bate, Jonathan,The Genius of Shakespeare (London: Picador, 1997).
Bate, Jonathan(ed.), The Romantics on Shakespeare (Harmondsworth: Penguin, 1992).
Bayley, John, Shakespeare and Tragedy (London: Routledge & Kegan Paul, 1981).
Bevington, David, ‘ “Jack Hath Not Jill”: Failed Courtship in Lyly and Shakespeare’, Sh. Surv. 42 (1990), 1–13.
Blanchot, Maurice, Friendship, trans. Elizabeth Rottenberg (Stanford: Stanford University Press, 1971).
Shakespeare on Love and Friendship (Chicago: University of Chicago Press, 2000).
Bloom, Harold, Hamlet: Poem Unlimited (Edinburgh: Canongate, 2003).
Bloom, Harold,Shakespeare: The Invention of the Human (New York: Riverhead Books, 1998).
Bowers, Fredson, ‘The Concept of Single or Dual Protagonists in Shakespeare's Tragedies’, Renaissance Papers (1982), 27–33.
Bradley, A. C., Shakespearean Tragedy: Lectures on ‘Hamlet’, ‘Othello’, ‘King Lear’, ‘Macbeth’, 3rd edition (Basingstoke: Macmillan, 1992).
Bray, Alan, The Friend (Chicago: University of Chicago Press, 2003).
Bray, Alan‘Homosexuality and the Signs of Male Friendship in Elizabethan England’, History Workshop Journal 19 (1990), 1–19.
Bray, Alan,Homosexuality in Renaissance England (London: Gay Men's Press, 1982).
Breitenberg, Mark, Anxious Masculinity in Early Modern England (Cambridge: Cambridge University Press, 1996).
Bullough, Geoffrey (ed.), Narrative and Dramatic Sources of Shakespeare, 8 vols. (London: Routledge & Kegan Paul, 1957–75).
Burnett, Mark Thornton, Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience (Basingstoke: Macmillan, 1997).
Carroll, Joseph, Evolution and Literary Theory (Columbia: University of Missouri Press, 1995).
Cohen, Derek, ‘The Culture of Slavery: Caliban and Ariel’, Dalhousie Review 76 (1996), 153–75.
Coleridge, Samuel Taylor, Coleridge's Notebooks: A Selection, ed. Perry, Seamus (Oxford: Oxford University Press, 2002).
Davenant, Sir William, The Rivals (London, 1668).
Dawson, R. MacG., ‘But Why Enobarbus?’ Notes and Queries 34 (1987), 216–17.
Derrida, Jacques, Politics of Friendship (London: Verso, 1997).
DiGangi, Mario, The Homoerotics of Early Modern Drama (Cambridge: Cambridge University Press, 1997).
Dolan, Francis E., ‘The Subordinate(s) Plot: Petty Treason and the Forms of Domestic Rebellion’, Shakespeare Quarterly 43 (1992), 317–40.
Dryden, John, All for Love, ed. Andrew, N. J. (London: A&C Black, 1975).
Duck, Steve, Friends, for Life: The Psychology of Personal Relationships, 2nd edition, (London: Harvester Wheatsheaf, 1991).
Ellis, David, ‘Finding a Role for Parolles’, Essays in Criticism 39 (1989), 289–304.
Ellis-Fermor, Una, ‘Timon of Athens: The Iconography of False Friendship’, Huntington Library Quarterly 43 (1980), 181–200.
Ellis-Fermor, Una‘Timon of Athens: An Unfinisher Play’, Review of English Studies 18 (1942), 270–83.
Empson William, Essays on Shakespeare, ed. David, B. Pirie (Cambridge: Cambridge University Press, 1986).
William, Empson,Some Versions of Pastoral (London: Chatto & Windus, 1935).
William, Empson,The Structure of Complex Words (London: Chatto & Windus, 1951).
Erskine-Hill, Howard, Poetry and the Realm of Politics: Shakespeare to Dryden (Oxford: Clarendon Press, 1996).
Evans, Robert C., Ben Jonson and the Poetics of Patronage (London: Associated University Presses, 1989).
Evans, Robert C.‘Flattery in Shakespeare's Othello: The Relevance of Plutarch and Sir Thomas Elyot’, Comparative Drama 35 (2001), 1–41.
Evans, Robert C.‘Friendship in Shakespeare's Othello’, Ben Jonson Journal 6 (1999), 109–46.
Everett, Barbara, ‘Or What You Will’, Essays in Criticism 35 (1985), 294–314.
Faderman, Lilian, Surpassing the Love of Men: Romantic Friendship and Love between Women from the Renaissance to the Present (New York: Morrow, 1981).
Fineman, Joel, Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (Berkeley: University of California Press, 1986).
French, A. L., ‘Richard II and the Woodstock Murder’, Shakespeare Quarterly 22 (1971), 337–44.
Frey, Charles H. (ed.), Shakespeare, Fletcher and ‘The Two Noble Kinsmen’ (Columbia: University of Missouri Press, 1989).
Gardner, Helen, ‘The Theme of Damnation in Doctor Faustus’, in Jump, John (ed.), Marlowe: Doctor Faustus – A Casebook (Basingstoke: Macmillan, 1969), pp. 95–100.
Goldberg, Jonathan, ‘Hal's Desire, Shakespeare's Idaho’, in Wood, Nigel (ed.), Henry IV, Parts One and Two (Buckingham: Open University Press, 1995), pp. 35–64.
Goldberg, Jonathan,Sodometries: Renaissance Texts, Modern Sexualities (Stanford, CA: Stanford University Press, 1992).
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (Chicago: The University of Chicago Press, 1980).
Greenblatt, Stephen,Shakespearean Negotiations (Oxford: Oxford University Press, 1988).
Gurr, Andrew, ‘Industrious Ariel and Idle Caliban’, in Maquerlot, Jean-Pierre and Willems, Michèle (eds.), Travel and Drama in Shakespeare's Time (Cambridge: Cambridge University Press, 1996), pp. 193–208.
Gurr, Andrew,Playgoing in Shakespeare's London, 2nd edition (Cambridge: Cambridge University Press, 1996).
Gurr, Andrew,The Shakespearean Stage 1574–1642, 3rd edition (Cambridge: Cambridge University Press, 1992).
Hammond, Paul, Figuring Sex Between Men from Shakespeare to Rochester (Oxford: Oxford University Press, 2002).
Hegel, G. W. F., Phenomenology of Spirit, trans. A. V. Miller (Oxford: Clarendon Press, 1977).
Helgerson, Richard, ‘1 Henry IV and Woodstock’, Notes and Queries 23 (1976), 153–4.
Holmes, Jonathan, Merely Players: Actors' Accounts of Performing Shakespeare (London: Routledge, 2004).
Honigmann, E. A. J., ‘Timon of Athens’, Shakespeare Quarterly 12 (1961), 3–20.
Hooper, Wilfrid, ‘The Tudor Sumptuary Laws’, English Historical Review 30 (1915), 433–49.
Hopkins, Gerard Manley, Poetry and Prose, ed. Davies, Walford (London: J. M. Dent, 1998).
Hoy, Cyrus, ‘Love's Labour's Lost and the Nature of Comedy’, Shakespeare Quarterly 13 (1962), 31–40.
Hunt, Maurice, ‘Slavery, English Servitude, and The Comedy of Errors’, English Literary Renaissance 27 (1997), 31–56.
Huston, J. Dennis, ‘ “Some Stain of Soldier”: The Functions of Parolles in All's Well that Ends Well’, Shakespeare Quarterly 21 (1970), 431–8.
Hutson, Lorna, The Usurer's Daughter: Male Friendship and Fictions of Women in Sixteenth Century England (London: Routledge, 1994).
Jardine, Lisa, Erasmus: Man of Letters (Princeton: Princeton University Press, 1993).
Johnson, Nora, ‘Ganymedes and Kings: Staging Male Homosexual Desire in The Winter's Tale’, Sh. St. 26 (1998), 187–217.
Johnson, Samuel, The Yale Edition of the Works of Samuel Johnson, 16 vols. (1958–), vol. 8, Johnson on Shakespeare, ed. Arthur Sherbo.
Kahn, Coppélia, Man's Estate: Masculine Identity in Shakespeare (Berkeley: University of California Press, 1981).
Kastan, David Scott, ‘All's Well that Ends Well and the Limits of Comedy’, ELH: A Journal of English Literary History 52 (1985), 575–89.
Kay, Dennis, ‘ “To hear the rest untold”: Shakespeare's Postponed Endings’, Renaissance Quarterly 37 (1984), 207–27.
Kelly, Thomas, ‘Shakespeare's Romantic Heroes: Orlando Reconsidered’, Shakespeare Quarterly 24 (1973), 12–24.
Kermode, Frank, Shakespeare's Language (London: Allen Lane, 2000).
Kerrigan, William, ‘Female Friends and Fraternal Enemies in As You Like It’, in Finucci, Valeria and Schwartz, Regina (eds.), Desire in the Renaissance: Psychoanalysis and Culture (Princeton: Princeton University Press, 1994), pp. 184–206.
Knight, G. Wilson, The Wheel of Fire: Interpretations of Shakespearian Tragedy with three New Essays, 4th edition (London: Methuen, 1949).
Krieger, Elliot, A Marxist Study of Shakespeare's Comedies (London: Macmillan, 1979).
Kussmaul, Ann, Servants in Husbandry in Early Modern England (Cambridge: Cambridge University Press, 1981).
Lawrence, Judiana, ‘Natural Bonds and Artistic Coherence in the Ending of Cymbeline’, Shakespeare Quarterly 35 (1984), 440–60.
Leishman, J. B., Themes and Variations in Shakespeare's Sonnets (London: Hutchinson, 1961).
Lewis, C. S., The Four Loves (London: Fount, 1977).
Lucking, David, ‘Our Devils Now Are Ended: A Comparative Analysis of The Tempest and Doctor Faustus’, Dalhousie Review 80 (2000), 151–67.
MacCulloch, Diarmaid, Reformation: Europe's House Divided 1490–1700 (London: Allen Lane, 2003).
Maclean, Hugh, ‘Disguise in King Lear: Kent and Edgar’, Shakespeare Quarterly 11 (1960), 49–54.
MacNeice, Louis, Collected Poems (London: Faber & Faber, 1979).
Maguire, Laurie E., Studying Shakespeare: A Guide to the Plays (Oxford: Blackwell, 2004).
Malette, Richard, ‘Same-Sex Erotic Friendship in The Two Noble Kinsmen’, Renaissance Drama 26 (1995), 29–52.
Marotti, Arthur F., ‘Patronage, Poetry and Print’, in Cedric, C. Brown (ed.), Patronage, Politics and Literary Traditions in England 1558–1658 (Detroit: Wayne State University Press, 1993), pp. 21–46.
Marvell, Andrew, The Poems of Andrew Marvell, ed. Smith, Nigel (London: Longman, 2003).
Mason, Pamela (ed.), Shakespeare: Early Comedies – A Casebook (Basingstoke: Macmillan, 1995).
McArthur, Herbert, ‘Romeo's Loquacious Friend’, Shakespeare Quarterly 10 (1959), 35–44.
McCabe, Richard A., ‘Wit, Eloquence and Wisdom in Euphues: The Anatomy of Wit’, Studies in Philology 81 (1984), 299–324.
McCary, Thomas, Friends and Lovers: The Phenomenology of Desire in Shakespearean Comedy (New York: Columbia University Press, 1985).
Michel-Michot, Paulette, ‘Sir Walter Raleigh as a Source for the Character of Iago’, English Studies 50 (1969), 85–9.
Mills, Laurens J., One Soul in Bodies Twain: Friendship in Tudor Literature and Stuart Drama (Bloomington, IN: Principia Press, 1937).
Moisan, Thomas, ‘ “Knock Me Here Soundly”: Comic Misprision and Class Consciousness in Shakespeare’, Shakespeare Quarterly 42 (1991), 276–90.
Newton, Allyson P., ‘ “At the Very Heart of Loss”: Shakespeare's Enobarbus and the Rhetoric of Remembering’, Renaissance Papers (1995), 81–91.
Nuttall, A. D., A New Mimesis: Shakespeare and the Representation of Reality (London: Methuen, 1983).
Nuttall, A. D.,Timon of Athens (London: Harvester Wheatsheaf, 1989).
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge: Cambridge University Press, 1997).
Osborne, Laurie E., ‘Antonio's Pardon’, Shakespeare Quarterly 45 (1994), 108–14.
Pahl, Ray, On Friendship (Cambridge: Polity, 2000).
Palliser, D. M., The Age of Elizabeth: England under the Later Tudors 1547–1603 (London: Longman, 1992).
Parker, Patricia, ‘Elder and Younger: The Opening Scene of The Comedy of Errors’, Shakespeare Quarterly 34 (1983), 325–7.
Pequigney, Joseph, ‘The Two Antonios and Same-Sex Love in Twelfth Night and The Merchant of Venice’, English Literary Renaissance 22 (1992), 201–21.
Porter, Joseph A., Shakespeare's Mercutio: His History and Drama (Chapel Hill: University of North Carolina Press, 1988).
Price, A. W., Love and Friendship in Plato and Aristotle (Oxford: Clarendon Press, 1989).
Rackin, Phyllis, Stages of History: Shakespeare's English Chronicles (London: Routledge, 1991).
Richards, Jennifer, Rhetoric and Courtliness in Early Modern Literature (Cambridge: Cambridge University Press, 2003).
Ricks, Christopher, The Force of Poetry (Oxford: Oxford University Press, 1984).
Ridley, Matt, The Origins of Virtue (London: Viking, 1996).
Russell, D. A. and Winterbottom, M. (eds.), Classical Literary Criticism (Oxford: Oxford University Press, 1989).
Rosky, William, ‘The Two Gentlemen of Verona as Burlesque’, English Literary Renaissance 12 (1982), 210–19.
Rothman, Jules, ‘A Vindication of Parolles’, Shakespeare Quarterly 23 (1972), 183–96.
Ryan, Kiernan, Shakespeare, 2nd edition (London: Harvester Wheatsheaf, 1995).
Saccio, Peter, Shakespeare's English Kings: History, Chronicle and Drama, 2nd edition (Oxford: Oxford University Press, 2000).
Schiffer, James (ed.), Shakespeare's Sonnets: Critical Essays (New York: Routledge, 1999).
Schork, R. J., ‘The Many Masks of Parolles’, Philological Quarterly 76 (1997), 263–69.
Scragg, Leah, ‘Iago – Vice or Devil?’ Sh. Surv. 21 (1968), 53–68.
Sedgwick, Eve Kosofsky, Between Men: English Literature and Male Homosocial Desire (New York: Columbia University Press, 1985).
Shannon, Laurie, ‘Emilia's Argument: Friendship and “Human Title” in The Two Noble Kinsmen’, ELH: A Journal of English Literary History 64 (1997), 657–82.
Shannon, Laurie,Sovereign Amity: Figures of Friendship in Shakespearean Contexts (Chicago: University of Chicago Press, 2002).
Shapiro, James, 1599: A Year in the Life of William Shakespeare (London: Faber & Faber, 2005).
Sharp, Ronald A., Friendship and Literature (Durham, NC: Duke University Press, 1986).
Smith, Bruce R., Homosexual Desire in Shakespeare's England (Chicago: University of Chicago Press, 1991).
Smith, Bruce R.,Shakespeare and Masculinity (Oxford: Oxford University Press, 2001).
Steinberg, Theodore L., ‘The Anatomy of Euphues’, Studies in English Literature 17 (1977), 27–38.
Stewart, Alan, Close Readers: Humanism and Sodomy in Early Modern England (Princeton: Princeton University Press, 1997).
Stewart, Alan‘ “Near Akin”: The Trials of Friendship in The Two Noble Kinsmen’, in Richards, Jennifer and Knowles, James (eds.), Shakespeare's Late Plays (Edinburgh: Edinburgh University Press, 1999), pp. 57–71.
Stone, Lawrence, The Family, Sex and Marriage in England 1500–1800 (London: Weidenfeld & Nicholson, 1977).
Streete, Adrian, ‘Charity and Law in Love's Labour's Lost: A Calvinist Analogue’, Notes and Queries 247 (2002), 224–5.
Tate, Nahum, The History of King Lear. Acted at the Duke's Theatre. Reviv'd with Alterations (London, 1689).
Tillyard, E. M. W., Shakespeare's Early Comedies (London: Chatto & Windus, 1965).
Tyson, Brian F., ‘Ben Jonson's Black Comedy: A Connection between Othello and Volpone’, Shakespeare Quarterly 29 (1978), 60–6.
Vendler, Helen, The Art of Shakespeare's Sonnets (Cambridge, MA: Harvard University Press, 1997).
Vernon, Mark, The Philosophy of Friendship (Basingstoke: Palgrave Macmillan, 2005).
Waith, E. M., ‘Shakespeare and Fletcher on Love and Marriage’, Sh. St. 18 (1986), 235–50.
Weil, Judith, ‘ “Full Possession”: Service and Slavery in Doctor Faustus’, in Whitfield White, Paul (ed.), Marlowe, History and Sexuality, (New York, 1998), pp. 143–54.
Wells, Stanley, Looking for Sex in Shakespeare (Cambridge: Cambridge University Press, 2004).
Wells, Stanley,Shakespeare: The Poet and his Plays (London: Methuen, 1997).
Womersley, David, ‘Why Is Falstaff Fat?’ Review of English Studies 47 (1996), 1–22.
Wrightson, Keith, English Society 1580–1680 (London: Routledge, 1982).
