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Chapter 2 - John Arderne’s Afterlife in Manuscript and Print

Published online by Cambridge University Press:  13 October 2022

Irma Taavitsainen
Affiliation:
University of Helsinki
Turo Hiltunen
Affiliation:
University of Helsinki
Jeremy J. Smith
Affiliation:
University of Glasgow
Carla Suhr
Affiliation:
University of Helsinki

Summary

Arderne’s writings retained their popularity in both Latin and English after 1500, showing the artificiality of the supposed division between medieval and early modern. This chapter investigates surviving manuscripts made in the sixteenth and seventeenth centuries, commissioned or owned by practising surgeons and medics, rather than by university teachers or scholars. These manuscripts were heavily illustrated within or alongside the text-block, reinforcing the textual bias towards visualisation and personal witness. As case studies, the chapter will also consider the single printing (1588) of Arderne’s writings on fistula in ano, edited by the barber surgeon John Read, and a manuscript owned c.1645–8 by the ship’s surgeon Walter Hamond, who reflected on the continued usefulness of Arderne’s surgical techniques and recipes, suggested some improvements, and also commented on the financial charges Arderne made for his services and their contemporary equivalents.

Information

Figure 0

Figure 7 From the Lentaigne manuscript: Dublin, Royal College of Surgeons in Ireland, MS 97, f. 128v. The manuscript was used in the seventeenth century by Walter Hamond (d. 1648), ‘Cirurgian’.

Image courtesy of the Royal College of Surgeons in Ireland
Figure 1

Figure 8 Instruments to be used for the treatment of fistula in ano, drawn by Walter Hamond. The drawings are versions, interestingly modified, of those originally provided for the medieval treatise composed by John Arderne (c.1307–c.1377). From the Lentaigne manuscript, Dublin, Royal College of Surgeons in Ireland, MS 97, f. 83r.

Image courtesy of the Royal College of Surgeons in Ireland

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