Florence Price’s contributions to the keyboard literature range from pedagogical works for beginners, many of which she composed for her own students, to expansive multi-movement pieces that were written with the concert musician in mind. In addition to their varying levels of difficulty, variety also comes in the form of their stylistic influences. African American folk idioms are prevalent, as are the sound worlds of nineteenth century Romanticism and early twentieth-century chromatic experimentalism. As this chapter shows, Price’s keyboard music additionally sheds light on the influence of the publishing industry and the market for these works. Ultimately, however, Price’s keyboard output provides a window into her impetus as an educator and composer, and reveals Price the pianist and organist who frequently programmed her unpublished works in her own recitals and played for pleasure.