Book contents
- British Law and Literature in the Long Eighteenth Century
- British Law and Literature in the Long Eighteenth Century
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Chapter 1 “Every Common Reader”
- Chapter 2 Perpendicular Publics
- Chapter 3 Ambivalence, Survival, and Law in Defoe’s Journal of the Plague Year
- Chapter 4 The Court of Justice and the Court of Conscience
- Chapter 5 “A Higher Tribunal”
- Chapter 6 Mansfield, Burrow, and the Reformulation of the Legal Decision
- Chapter 7 Novel Subjects
- Chapter 8 Common Law and Cultural Difference in Scott’s Ivanhoe and Chronicles of the Canongate
- Chapter 9 The Legal Character of Paupers in Early Nineteenth-Century England
- Chapter 10 Liberty in “Parenthesis”
- Chapter 11 Yearning for Restriction in the Romantic Novel
- Select Bibliography
- Index
Chapter 1 - “Every Common Reader”
Satire, Libel Law, and the Emergence of Objective Interpretive Procedures, ca. 1670–1730
Published online by Cambridge University Press: 19 September 2025
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Book contents
- British Law and Literature in the Long Eighteenth Century
- British Law and Literature in the Long Eighteenth Century
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Chapter 1 “Every Common Reader”
- Chapter 2 Perpendicular Publics
- Chapter 3 Ambivalence, Survival, and Law in Defoe’s Journal of the Plague Year
- Chapter 4 The Court of Justice and the Court of Conscience
- Chapter 5 “A Higher Tribunal”
- Chapter 6 Mansfield, Burrow, and the Reformulation of the Legal Decision
- Chapter 7 Novel Subjects
- Chapter 8 Common Law and Cultural Difference in Scott’s Ivanhoe and Chronicles of the Canongate
- Chapter 9 The Legal Character of Paupers in Early Nineteenth-Century England
- Chapter 10 Liberty in “Parenthesis”
- Chapter 11 Yearning for Restriction in the Romantic Novel
- Select Bibliography
- Index
Summary
This chapter examines the relationship between English satire and libel law between roughly 1670 and 1730. It takes up the growth of verbal ambiguity and the use of irony, circumlocution, and allegory among satirists such as John Dryden, Alexander Pope, and Delarivier Manley, and demonstrates how the courts responded to verbal ambiguity by refining the supposedly “objective” interpretive standards to be used by jurors. Such standards created mechanisms for delimiting verbal ambiguity and restricting the interpretive latitude of jurors while permitting the crown to skirt technical linguistic issues. These revisions to the law were part of a more general refinement of libel laws, which furnished the government with its primary means of regulating the press during this period. The interaction between libel law and satire had consequences for both legal procedure and literature – consequences that extended well beyond the eighteenth century and that continue to shape legal and literary practice today.
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- Publisher: Cambridge University PressPrint publication year: 2025
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