Book contents
- Photography and Film in the Fiction of J.M. Coetzee
- Frontispiece
- Photography and Film in the Fiction of J.M. Coetzee
- Copyright page
- Epigraph
- Contents
- Illustrations
- Preface and Overview
- Acknowledgements
- Chapter 1 Writing with Images
- Chapter 2 In the Darkroom of Fiction
- Chapter 3 Picturing Violence
- Chapter 4 The Camera in the Karoo
- Chapter 5 Waiting for the Barbarians
- Chapter 6 Writing through the Lens
- Chapter 7 The Ends of Photography
- Notes
- Select Bibliography
- Publications by J.M. Coetzee
- Other Publications
- Index
Chapter 7 - The Ends of Photography
Disgrace, Slow Man and the Late Fictions
Published online by Cambridge University Press: 07 January 2026
Book contents
- Photography and Film in the Fiction of J.M. Coetzee
- Frontispiece
- Photography and Film in the Fiction of J.M. Coetzee
- Copyright page
- Epigraph
- Contents
- Illustrations
- Preface and Overview
- Acknowledgements
- Chapter 1 Writing with Images
- Chapter 2 In the Darkroom of Fiction
- Chapter 3 Picturing Violence
- Chapter 4 The Camera in the Karoo
- Chapter 5 Waiting for the Barbarians
- Chapter 6 Writing through the Lens
- Chapter 7 The Ends of Photography
- Notes
- Select Bibliography
- Publications by J.M. Coetzee
- Other Publications
- Index
Summary
Shortly after the publication of Slow Man (2005), Coetzee addressed a query to the chief librarian of the University of Adelaide concerning the preservation of his electronic documents. ‘My manuscripts, since the mid-1990s’, Coetzee explained to Ray Choate, ‘are for the most part on computer disks of one kind or another, and I would like to ensure that they survive uncorrupted in case some scholar of the next generation is interested.’
Information
- Type
- Chapter
- Information
- Photography and Film in the Fiction of J. M. Coetzee , pp. 191 - 213Publisher: Cambridge University PressPrint publication year: 2026
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