Skip to main content Accessibility help
×
Hostname: page-component-77f85d65b8-g4pgd Total loading time: 0 Render date: 2026-04-16T21:41:14.204Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  03 December 2025

Kent Lehnhof
Kent Lehnhof
Affiliation:
Chapman University, California
Get access

Information

Type
Chapter
Information
Voice and Ethics in Shakespeare's Late Plays , pp. 205 - 209
Publisher: Cambridge University Press
Print publication year: 2026

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Book purchase

Temporarily unavailable

References

Select Bibliography

Adkison, Katie, “Voice, Virtue, Veritas: On Truth and Vocal Feeling in King Lear,” in Shakespeare’s Virtuous Theatre: Power, Capacity and the Good, ed. Lehnhof, Kent, Lupton, Julia Reinhard, and Sale, Carolyn (Edinburgh: Edinburgh UP, 2023), 49–69.Google Scholar
Arendt, Hannah, The Human Condition (Chicago: U of Chicago P, 1958).Google Scholar
Barton, Anne, “Shakespeare and the Limits of Language,” Shakespeare Survey 24 (1971): 19–30.CrossRefGoogle Scholar
Bate, Jonathan, “Caliban and Ariel Write Back,” Shakespeare Survey 48 (1995): 155–62.Google Scholar
Beckwith, Sarah, Shakespeare and the Grammar of Forgiveness (Ithaca, NY: Cornell UP, 2011).CrossRefGoogle Scholar
Bishop, T. G., Shakespeare and the Theatre of Wonder (Cambridge: Cambridge UP, 1996).CrossRefGoogle Scholar
Bloom, Gina, Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (Philadelphia: U of Pennsylvania P, 2007).CrossRefGoogle Scholar
Braithwaite, Richard, Essaies Upon the Five Senses (London: E. G. for Richard Whittaker, 1620).Google Scholar
Bristol, Michael D., ed., Shakespeare and Moral Agency (New York: Continuum, 2010).Google Scholar
Brown, Kate E., and Kushner, Howard I., “Eruptive Voices: Coprolalia, Malediction, and the Poetics of Cursing,” New Literary History 32 (2001): 537–62.CrossRefGoogle Scholar
Burnette, Amy K., “Bearing Death in The Winter’s Tale,” in A Feminist Companion to Shakespeare, ed. Callaghan, Dympna, 2nd ed. (Chichester: John Wiley & Sons, 2016), 440–56.Google Scholar
Carson, Rob, “Hearing Voices in Coriolanus and Early Modern Scepticism,” Shakespeare International Yearbook 6 (2006): 140–69.Google Scholar
Cavarero, Adriana, For More than One Voice: Toward a Philosophy of Vocal Expression, trans. and intro. Kottman, Paul A. (Stanford, CA: Stanford UP, 2005).CrossRefGoogle Scholar
Cavell, Stanley, “Coriolanus and the Interpretation of Politics,” ch. 4 of Disowning Knowledge: In Seven Plays of Shakespeare, updated ed. (Cambridge: Cambridge UP, 2003).CrossRefGoogle Scholar
Chalier, Catherine, “The Philosophy of Emmanuel Levinas and the Hebraic Tradition,” in Ethics as First Philosophy: The Significance of Emmanuel Levinas for Philosophy, Literature and Religion, ed. Peperzak, Adriaan T. (New York: Routledge, 1995), 3–12.Google Scholar
Clody, Michael C., “The Mirror and the Feather: Tragedy and Animal Voice in King Lear,” ELH 80 (2013): 661–80.CrossRefGoogle Scholar
Connor, Steven, Dumbstruck: A Cultural History of Ventriloquism (Oxford: Oxford UP, 2000).CrossRefGoogle Scholar
Crane, Mary Thomas, “Sound and Space in The Tempest,” ch. 6 of Shakespeare’s Brain: Reading with Cognitive Theory (Princeton, NJ: Princeton UP, 2001), 178–209.CrossRefGoogle Scholar
Curran, Kevin, and Kearney, James, eds., “Shakespeare and Phenomenology,” a special issue of Criticism 54 (2012).Google Scholar
Deutermann, Allison K., “‘Caviare to the Generall’?: Taste, Hearing, and Genre in Hamlet,” Shakespeare Quarterly 62 (2011): 230–55.CrossRefGoogle Scholar
Deutermann, Allison K., Listening for Theatrical Form in Early Modern England (Edinburgh: Edinburgh UP, 2016).Google Scholar
Deutermann, Allison K., “‘Repeat to Me the Words of the Echo’: Listening to The Tempest,” in Knowing Shakespeare: Senses, Embodiment and Cognition, ed. Gallagher, Lowell and Raman, Shankar (New York: Palgrave Macmillan, 2010), 172–91.Google Scholar
Dickey, Stephen, “Language and Role in Pericles,” ELR 16 (1986): 555–66.Google Scholar
Dolar, Mladen, “The Object Voice,” in Gaze and Voice as Love Objects, ed. Salecl, Renata and Žižek, Slavoj (Durham, NC: Duke UP, 1996), 7–31.CrossRefGoogle Scholar
Dolar, Mladen, A Voice and Nothing More (Cambridge, MA: MIT P, 2006).CrossRefGoogle Scholar
Duckert, Lowell, “Pericles’s Deep Ecology,” SEL 59 (2019): 367–81.Google Scholar
Egan, Gabriel, “Hearing or Seeing a Play?: Evidence of Early Modern Theatrical Terminology,” https://gabrielegan.com/publications/Egan2001k.htm.Google Scholar
Ewbank, Inga-Stina, “‘My Name Is Marina’: The Language of Recognition,” in Shakespeare’s Styles: Essays in Honour of Kenneth Muir, ed. Edwards, Philip, Ewbank, lnga-Stina, and Hunter, G. K. (Cambridge: Cambridge UP, 1980), 111–30.Google Scholar
Folkerth, Wes, The Sound of Shakespeare (London: Routledge, 2002).Google Scholar
Fox-Good, Jacquelyn, “Other Voices: The Sweet, Dangerous Air(s) of Shakespeare’s Tempest,” Shakespeare Studies 24 (1996): 241–74.Google Scholar
Gallagher, Lowell, and Raman, Shankar, eds., Knowing Shakespeare: Senses, Embodiment and Cognition (New York: Palgrave Macmillan, 2010).CrossRefGoogle Scholar
Gold, Moshe, Goodhart, Sandor, and Lehnhof, Kent R., eds., Of Levinas and Shakespeare: To See Another Thus (West Lafayette, IN: Purdue UP, 2018).CrossRefGoogle Scholar
Goldstein, David B., “Facing King Lear,” in Shakespeare and the Power of the Face, ed. Knapp, James A. (Burlington, VT: Ashgate, 2015), 75–91.Google Scholar
Gordon, Colby, “‘A Diversity of Sounds, All Horrible’: The Political Aesthetics of Soundscapes in The Tempest,” in Political Aesthetics in the Era of Shakespeare: Rethinking the Early Modern, ed. Pye, Christopher (Evanston, IL: Northwestern UP, 2020), 241–65.Google Scholar
Gosson, Stephen, The Schoole of Abuse (London: Thomas Woodcocke, 1579).Google Scholar
Gray, Patrick, and Cox, John D., eds., Shakespeare and Renaissance Ethics (Cambridge: Cambridge UP, 2014).CrossRefGoogle Scholar
Greene, Gayle, “‘Excellent Dumb Discourse’: Silence and Grace in Shakespeare’s Tempest,” Studia Neophilologica 50 (1978): 193–205.CrossRefGoogle Scholar
Gross, Kenneth, Shakespeare’s Noise (Chicago: U of Chicago P, 2001).Google Scholar
Gurr, Andrew, Playgoing in Shakespeare’s England, 3rd ed. (Cambridge: Cambridge UP, 2004).Google Scholar
Gurr, Andrew, and Ichikawa, Mariko, Staging in Shakespeare’s Theatres (Oxford: Oxford UP, 2000).CrossRefGoogle Scholar
Gusain, Renuka, “‘With What’s Unreal Thou Coactive Art’: The Problem and Possibilities of Beauty in The Winter’s Tale,” Shakespeare 9 (2013): 52–75.CrossRefGoogle Scholar
Hilb, Benjamin, “In Defense of Caliban: The Tempest and the Myth of the Black Rapist,” Shakespeare Quarterly 71 (2020): 143–70.Google Scholar
Hogan, Lalita Pandit, “‘Thou Earth, Thou, Speak!’: Earthly Anxieties about Trust in The Tempest,” paper presented at the 2021 meeting of the Shakespeare Association of America.Google Scholar
Honig, Bonnie, Antigone, Interrupted (Cambridge: Cambridge UP, 2013).CrossRefGoogle Scholar
Hornback, Robert, Racism and Early Blackface Comic Traditions: From the Old World to the New (Cham: Palgrave Macmillan 2018).CrossRefGoogle Scholar
Hunt, Maurice, “The Backward Voice of Coriol-anus,” Shakespeare Studies 32 (2004): 220–39.Google Scholar
Hunt, Maurice, Shakespeare’s Romance of the Word (Lewisburg, PA: Bucknell UP, 1990).Google Scholar
Kammer, Miriam, “Shakespeare as Ecodrama: Ecofeminism and Nonduality in Pericles, Prince of Tyre,” Journal of Dramatic Theory and Criticism 32 (2017): 29–48.CrossRefGoogle Scholar
Kearney, James, “‘This Is Above All Strangeness’: King Lear, Ethics, and the Phenomenology of Recognition,” Criticism 54 (2012): 455–67.CrossRefGoogle Scholar
Kenaan, Hagi, “Levinas on Listening,” Listening: Journal of Religion and Culture 43 (2008): 82–95.CrossRefGoogle Scholar
Kleinberg-Levin, David Michael, Before the Voice of Reason: Echoes of Responsibility in Merleau-Ponty’s Ecology and Levinas’s Ethics (Albany: SUNY P, 2008).Google Scholar
Knapp, James A., “Visual and Ethical Truth in The Winter’s Tale,” Shakespeare Quarterly 55 (2004): 253–78.CrossRefGoogle Scholar
Knapp, James A., ed., Shakespeare and the Power of the Face (Burlington, VT: Ashgate, 2015).Google Scholar
Kolentsis, Alysia, “‘Mark You / His Absolute Shall?’: Multitudinous Tongues and Contested Words in Coriolanus,” Shakespeare Survey 62 (2009): 141–50.Google Scholar
Kottman, Paul A., “Translator’s Introduction,” in Adriana Cavarero, For More than One Voice: Toward a Philosophy of Vocal Expression, trans. and intro. Kottman, Paul A. (Stanford, CA: Stanford UP, 2005), vii–xxv.Google Scholar
Lehnhof, Kent R., “Relation and Responsibility: A Levinasian Reading of King Lear,” Modern Philology 111 (2014): 485–509.CrossRefGoogle Scholar
Lehnhof, Kent R., “Sweet Fooling: Ethical Humor in King Lear and Levinas,” Shakespeare Quarterly 71 (2020): 198–220.CrossRefGoogle Scholar
Lehnhof, Kent R., “Theology, Phenomenology, and the Divine in King Lear,” in Of Levinas and Shakespeare: To See Another Thus, ed. Gold, Moshe and Goodhart, Sandor with Lehnhof, Kent R. (West Lafayette, IN: Purdue UP, 2018), 107–22.Google Scholar
Lehnhof, Kent, Lupton, Julia Reinhard, and Sale, Carolyn, eds., Shakespeare’s Virtuous Theatre: Power, Capacity and the Good (Edinburgh: Edinburgh UP, 2023).Google Scholar
Levinas, Emmanuel, Ethics and Infinity, trans. Cohen, Richard A. (Pittsburgh: Duquesne UP, 1985).Google Scholar
Levinas, Emmanuel, “God and Philosophy,” trans. Cohen, Richard A. and Lingis, Alphonso, in The Levinas Reader, ed. Hand, Seán (Oxford: Blackwell, 1989), 166–89.Google Scholar
Levinas, Emmanuel, Otherwise than Being: Or Beyond Essence, trans. Lingis, Alphonso (Pittsburgh: Duquesne UP, 2008).Google Scholar
Levinas, Emmanuel, Time and the Other, trans. Cohen, Richard A. (Pittsburgh: Duquesne UP, 1987).Google Scholar
Levinas, Emmanuel, Totality and Infinity: An Essay on Exteriority, trans. Lingis, Alphonso (Pittsburgh: Duquesne UP, 1994).Google Scholar
Loraux, Nicole, The Mourning Voice: An Essay on Greek Tragedy, trans. Rawlings, Elizabeth Trapnell (Ithaca, NY: Cornell UP, 2002).Google Scholar
Lupton, Julia Reinhard, Afterlives of the Saints: Hagiography, Typology, and Renaissance Literature (Stanford, CA: Stanford UP, 1996).CrossRefGoogle Scholar
Lupton, Julia Reinhard, and Sherman, Donovan, eds., Shakespeare and Virtue: A Handbook (Cambridge: Cambridge UP, 2023).CrossRefGoogle Scholar
McAlindon, Tom, “The Discourse of Prayer in The Tempest,” SEL 41 (2001): 335–55.Google Scholar
McCandless, David, “‘Verily Bearing Blood’: Pornography, Sexual Love, and the Reclaimed Feminine in The Winter’s Tale,” Essays in Theatre 9 (1990): 61–81.Google Scholar
McDermott, Jennifer Rae, “Perceiving Shakespeare: A Study of Sight, Sound, and Stage,” Early Modern Literary Studies Special Issue 19 (2009): 5.1–38. http://purl.oclc.org/emls/si-19/mcdeshak.html.Google Scholar
Miller, Nichole E., “Ambivalent Temporality and Penitential Eros in The Winter’s Tale,” Modern Philology 114 (2017): 630–56.CrossRefGoogle Scholar
Neill, Michael, “‘Noises, / Sounds and Sweet Airs’: The Burden of Shakespeare’s Tempest,” Shakespeare Quarterly 59 (2008): 36–59.CrossRefGoogle Scholar
Oesterlen, Eve-Marie, “Why Bodies Matter in Mouldy Tales: Material (Re)Turns in Pericles, Prince of Tyre,” Upstart Crow 24 (2004): 36–44.Google Scholar
Palfrey, Simon, Poor Tom: Living King Lear (Chicago: U of Chicago P, 2014).CrossRefGoogle Scholar
Palfrey, Simon, and Stern, Tiffany, Shakespeare in Parts (Oxford: Oxford UP, 2007).CrossRefGoogle Scholar
Rhodes, Neil, Shakespeare and the Origins of English (Oxford: Oxford UP, 2004).CrossRefGoogle Scholar
Rodgers, Amy J., A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England (Philadelphia: U of Pennsylvania P, 2018).Google Scholar
Schroeder, Brian, “The Listening Eye: Nietzsche and Levinas,” Research in Phenomenology 31 (2001): 188–202.CrossRefGoogle Scholar
Scott, Charlotte, Shakespeare’s Nature: From Cultivation to Culture (Oxford: Oxford UP, 2014).CrossRefGoogle Scholar
Shortslef, Emily, “‘A Thousand Several Tongues’: The Drama of Conscience and the Complaint of the Other in Shakespeare’s Richard III,” Exemplaria 29 (2017): 118–35.CrossRefGoogle Scholar
Sicherman, Carol M., “Coriolanus: The Failure of Words,” ELH 39 (1972): 189–207.CrossRefGoogle Scholar
Smith, Bruce R., The Acoustic World of Early Modern England: Attending to the O-Factor (Chicago: U of Chicago P, 1999).Google Scholar
Smith, Ian, Race and Rhetoric in the Renaissance: Barbarian Errors (New York: Palgrave Macmillan, 2009).CrossRefGoogle Scholar
Smith, Matthew J., and Lupton, Julia Reinhard, eds., Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy (Edinburgh: Edinburgh UP, 2019).CrossRefGoogle Scholar
Stoever, Jennifer Lynn, The Sonic Color Line: Race and the Cultural Politics of Listening (New York: NYU P, 2016).CrossRefGoogle Scholar
Sturgess, Keith, Jacobean Private Theatre (London: Routledge & Kegan Paul, 1987).Google Scholar
Taylor, Gary, and McDonald, Jackson P., eds., Pericles, by William Shakespeare and George Wilkins: A Reconstructed Text, in William Shakespeare: The Complete Works, ed. Wells, Stanley and Taylor, Gary, 2nd ed. (Oxford: Clarendon, 2005), 1059–86.Google Scholar
Tomkis, Thomas, Lingua: Or The Combat of the Tongue, and the Fiue Senses for Superiority (London: G. Eld for Simon Waterson, 1607).Google Scholar
Tribble, Evelyn, “‘O, She’s Warm’: Touch in The Winter’s Tale,” in Knowing Shakespeare: Senses, Embodiment and Cognition, ed. Gallagher, Lowell and Raman, Shankar (New York: Palgrave Macmillan, 2010), 65–81.CrossRefGoogle Scholar
Walker, Jarrett, “Voiceless Bodies and Bodiless Voices: The Drama of Human Perception in Coriolanus,” Shakespeare Quarterly 43 (1992): 170–85.CrossRefGoogle Scholar
Ward, Thomas, “Coriolanus and the Voice of Cynicism,” Renaissance Drama 47 (2019): 95–121.CrossRefGoogle Scholar
Warren, Roger, ed., A Reconstructed Text of Pericles, Prince of Tyre (Oxford: Oxford UP, 2003).Google Scholar
Wilkinson, Robert, A Iewell for the Eare (London: Tho. Pauier, 1625).Google Scholar
Williams, Deanne, “Papa Don’t Preach: The Power of Prolixity in Pericles,” University of Toronto Quarterly 71 (2002): 595–622.CrossRefGoogle Scholar
Witmore, Michael, “Shakespeare’s Inner Music,” Upstart Crow 29 (2010–2011): 72–80.Google Scholar
Zamir, Tzachi, Double Vision: Moral Philosophy and Shakespearean Drama (Princeton, NJ: Princeton UP, 2007).Google Scholar

Accessibility standard: WCAG 2.2 AAA

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

The HTML of this chapter complies with version 2.2 of the Web Content Accessibility Guidelines (WCAG), offering more comprehensive accessibility measures for a broad range of users and attains the highest (AAA) level of WCAG compliance, optimising the user experience by meeting the most extensive accessibility guidelines.

Content Navigation

Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Index navigation
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.

Reading Order & Textual Equivalents

Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
Short alternative textual descriptions
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
Visualised data also available as non-graphical data
You can access graphs or charts in a text or tabular format, so you are not excluded if you cannot process visual displays.

Visual Accessibility

Use of high contrast between text and background colour
You benefit from high‐contrast text, which improves legibility if you have low vision or if you are reading in less‐than‐ideal lighting conditions.

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Kent Lehnhof, Chapman University, California
  • Book: Voice and Ethics in Shakespeare's Late Plays
  • Online publication: 03 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009613897.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Kent Lehnhof, Chapman University, California
  • Book: Voice and Ethics in Shakespeare's Late Plays
  • Online publication: 03 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009613897.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Kent Lehnhof, Chapman University, California
  • Book: Voice and Ethics in Shakespeare's Late Plays
  • Online publication: 03 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009613897.008
Available formats
×