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The Year’s Contribution to Shakespeare Studies

Published online by Cambridge University Press:  08 October 2025

Emma Smith
Affiliation:
University of Oxford
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References

Works Reviewed

Akhimie, Patricia, ed., The Oxford Handbook of Shakespeare and Race (Oxford, 2024)CrossRefGoogle Scholar
Bailey, Amanda, Shakespeare on Consent (London, 2023)CrossRefGoogle Scholar
Bachrach, Hailey, Staging Female Characters in Shakespeare’s English History Plays (Cambridge, 2023)CrossRefGoogle Scholar
Campana, Joseph, Shakespeare’s Once and Future Child: Speculations on Sovereignty (Chicago, 2024)CrossRefGoogle Scholar
Corredera, Vanessa I., Pittman, L. Monique and Way, Geoffrey, eds., Shakespeare and Cultural Appropriation (London, 2023)10.4324/9781003304456CrossRefGoogle Scholar
Espinosa, Ruben, ed., Shakespeare/Skin: Contemporary Readings in Skin Studies and Theoretical Discourse (London, 2024)CrossRefGoogle Scholar
Gordon, Colby, Glorious Bodies: Trans Theology and Renaissance Literature (Chicago, 2024)CrossRefGoogle Scholar
Oakley-Brown, Liz, Shakespeare on the Ecological Surface (Abingdon, 2024)Google Scholar
Sparey, Victoria, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester, 2024)CrossRefGoogle Scholar

Works Reviewed

August, Hannah, and Connor, Francis X., eds., Romeo and Juliet. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Borlik, Todd Andrew, and Connor, Francis X., eds., As You like It. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Bourne, Claire M. L., ‘The handmaids’ tale: book history, Shakespeare, and women’s textual labour’, in The Oxford Handbook of the History of the Book in Early Modern England, ed. Smyth, Adam (Oxford, 2024), 2046Google Scholar
Davies, Callan, and Neville, Sarah, eds., The Merry Wives of Windsor. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Erne, Lukas, ‘Mediating Shakespeare: thirteen ways of looking at editorial agency’, in Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024), 145–65Google Scholar
Ghose, Indira, and Ann, Pruitt, eds., Henry IV, Part I. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Eric, Rasmussen, and Yarn, Molly G., ‘A newly discovered manuscript of Vincent of Lérins’s Commonitorium and Shakespeare’s Hand D in Sir Thomas More’, Papers of the Bibliographical Society 118 (2024), 452–61Google Scholar
Schott Syme, Holget, ed., ‘The Shakespeare First Folio as Source, Object, and Evidence’, Shakespeare Quarterly 74 (2023)Google Scholar
Smith, Emma, ‘“Now I am in Arden: the more fool I”: Love’s Labour’s Won and the Arden 3 series’, in Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024), 125–44CrossRefGoogle Scholar
Smith, Emma, and Jowitt, John, eds., Macbeth. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Smyth, Adam, ed., The Oxford Handbook of the History of the Book in Early Modern England (Oxford, 2023)10.1093/oxfordhb/9780198846239.001.0001CrossRefGoogle Scholar
Starza, Smith, Daniel, and Hazel, Wilkinson, eds., Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024)CrossRefGoogle Scholar
Tregear, Ted, Anthologizing Shakespeare, 1593–1603 (Oxford, 2023)CrossRefGoogle Scholar
West, Anthony James, ‘Update of the Shakespeare First Folio Census’, The Library 24 (2023), 445–64Google Scholar
West, Anthony James, ‘Update of the history of the Shakespeare First Folio’, The Library 25 (2024), 2940CrossRefGoogle Scholar
Warren, Christopher N., et al., ‘Who rpinted Shakespeare’s Fourth Folio?’, Shakespeare Quarterly 74 (2023), 139–46CrossRefGoogle Scholar
Whipday, Emma, and Bourus, Terri, eds., Measure for Measure. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Working, Lauren, and Loughnane, Rory, eds., The Tempest. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar

Works Reviewed

Corredera, Vanessa I., Reanimating Shakespeare’s Othello in Post-racial America (Edinburgh, 2023)Google Scholar
Edwards, Jennifer J., This Distracted Globe: Attending to Distraction in Shakespeare’s Theatre (Cambridge, 2023)10.1017/9781108979986CrossRefGoogle Scholar
Hopkins, D. J., Sleep No More’ and the Discourses of Shakespeare Performance (Cambridge, 2024)10.1017/9781009436908CrossRefGoogle Scholar
Lidster, Amy, and Massai, Sonia, eds., Shakespeare at War: A Material History (Cambridge, 2023)10.1017/9781009042383CrossRefGoogle Scholar
Mancewicz, Aneta, Extended Reality Shakespeare (Cambridge, 2024)10.1017/9781009043854CrossRefGoogle Scholar
Menzer, Paul, Shakespeare Without Print (Cambridge, 2023)CrossRefGoogle Scholar
Myles, Robert, and Clayman Pye, Valerie, Innovation and Digital Theatremaking: Rethinking Theatre with ‘The Show Must Go Online (New York and Abingdon, 2024)Google Scholar
Ndiaye, Noémie, Scripts of Blackness: Early Modern Performance Culture and the Making of Race (Philadelphia, 2022)Google Scholar
Rosvally, Danielle, and Sherman, Donovan, eds., Early Modern Liveness: Mediating Presence in Text, Stage and Screen (London, 2023)CrossRefGoogle Scholar
Whipday, Emma, ed., Shakespeare/Play: Contemporary Readings in Playing, Playmaking and Performance (London, 2024)10.5040/9781350304468CrossRefGoogle Scholar

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