Book contents
- The Art of Sculpture in Fifteenth-Century Italy
- The Art of Sculpture in Fifteenth-Century Italy
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction Making and Unmaking Sculpture in Fifteenth-Century Italy
- Part I Surface Effects: Color, Luster, and Animation
- Part II Sculptural Bodies: Created, Destroyed, and Re-Enchanted
- Part III Sculptural Norms, Made and Unmade
- Part IV Sculpture as Performance
- Part V Sculpture in the Expanded Field
- Part VI Sculpture and History
- Index
- References
Part IV - Sculpture as Performance
Published online by Cambridge University Press: 18 February 2020
Book contents
- The Art of Sculpture in Fifteenth-Century Italy
- The Art of Sculpture in Fifteenth-Century Italy
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction Making and Unmaking Sculpture in Fifteenth-Century Italy
- Part I Surface Effects: Color, Luster, and Animation
- Part II Sculptural Bodies: Created, Destroyed, and Re-Enchanted
- Part III Sculptural Norms, Made and Unmade
- Part IV Sculpture as Performance
- Part V Sculpture in the Expanded Field
- Part VI Sculpture and History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Art of Sculpture in Fifteenth-Century Italy , pp. 219 - 280Publisher: Cambridge University PressPrint publication year: 2020
References
Select Bibliography
Haines, Margaret. “La stagione delle statue. L’Opera e la scultura del primo Rinascimento,” in Atti del VII centenario del Duomo di Firenze, eds. Verdon, Timothy and Innocenti, Annalisa, three vols. in 5 (Florence: Edifir, 2001), vol. 1, pp. 279–317.Google Scholar
Janson, H. W. The Sculpture of Donatello (Princeton, NJ: Princeton University Press, 1963).Google Scholar
Kauffmann, Hans. Donatello: Eine Einführung in sein Bilden und Denken (Berlin: G. Grote’sche Verlagsbuchhandlung, 1935).Google Scholar
Lorenz, Gernot. Donatellos Prophetenstatuen am Campanile des Florentiner Doms: Studien zur Ikonographie und Bedeutung der Propheten in Florenz (Weimar: VDG, 2002).Google Scholar
Raynaud, Christiane. “Le Sacrifice d’Abraham dans quelques représentations de la fin du Moyen Âge,” Journal of Medieval History 21 (1995): 249–73.Google Scholar
Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral, eds. Verdon, Timothy and Zolli, Daniel M. (London: D Giles; New York: Museum of Biblical Art, 2015).Google Scholar
Semper, Hans. Donatello, seine Zeit und Schule. Quellenschiften für Kunstgeschichte und Kunsttechnik (Vienna: Braumüller, 1875).Google Scholar
The Springtime of the Renaissance: Sculpture and the Arts in Florence, 1400–60, eds. Strozzi, Beatrice Paolozzi and Bormand, Marc (Florence: Mandragora, 2013).Google Scholar
Van Woerden, Isabel Speyart. “The Iconography of the Sacrifice of Abraham,” Vigilae Christianae (1961): 214–55.CrossRefGoogle Scholar
Vasari, Giorgio. The Lives of the Artists, trans. Bondanella, Julia Conway and Bondanella, Peter (Oxford: Oxford University Press, 1991).Google Scholar
Select Bibliography
Apfelstadt, Eric. “Bishop and Pawn: New Documents for the Chapel of the Cardinal of Portugal at S. Miniato al Monte, Florence,” in Cultural Links between Portugal and Italy in the Renaissance, ed. Lowe, Kate J. P. (Oxford: Oxford University Press, 2000), pp. 183–223.Google Scholar
Apfelstadt, Eric. The Later Sculpture of Antonio Rossellino (Ph.D. dissertation, Princeton University, 1987).Google Scholar
Hansmann, Martina. “Die Kapelle des Kardinals von Portugal in S. Miniato al Monte. Ein dynastisches Grabmonument aus der Zeit Piero de’ Medicis,” in Piero de’ Medici “il Gottoso” (1416–1469). Kunst im Dienste der Mediceer, eds. Beyer, Andreas and Boucher, Bruce (Berlin: Akademie Verlag, 1993), pp. 291–316.Google Scholar
Hartt, Frederick, Corti, Gino, and Kennedy, Clarence. The Chapel of the Cardinal of Portugal, 1434–1459, at San Miniato in Florence (Philadelphia: University of Pennsylvania Press, 1964).Google Scholar
Johnson, Geraldine. “Activating the Effigy: Donatello’s Pecci Tomb in Siena Cathedral,” Art Bulletin 77 (1995): 445–59.Google Scholar
Koch, Linda A. “The Early Christian Revival at S. Miniato al Monte: The Cardinal of Portugal Chapel,” Art Bulletin 78 (1996): 527–55.Google Scholar
Mendes Atanázio, Manuel Cardoso. A arte em Florença no séc. XV e a Capela do Cardeal de Portugal (Lisbon: Imprensa Nacional, Casa da Moeda, 1983).Google Scholar
Shearman, John K. G. Only Connect … : Art and the Spectator in the Italian Renaissance (Princeton, NJ: Princeton University Press, 1992).CrossRefGoogle Scholar
da Bisticci, Vespasiano. Le vite, ed. Greco, Aulo, two vols. (Florence: Istituto nazionale di studi sul Rinascimento, 1970–6).Google Scholar
Wright, Alison. The Pollaiuolo Brothers: The Arts of Florence and Rome (New Haven, CT: Yale University Press, 2005).Google Scholar
Select Bibliography
Adam by Tullio Lombardo, special issue of the Metropolitan Museum Journal 49 (2014).CrossRefGoogle Scholar
Colonna, Francesco. Hypnerotomachia Poliphili, eds. Ariani, Marco and Gabriele, Mino, two vols. (Milan: Adelphi, 2006).Google Scholar
Colonna, Francesco. Hypnerotomachia Poliphili, eds. Pozzi, Giovanni and Ciapponi, Lucia, two vols. (Padua: Antenore, 1980).Google Scholar
Gauricus, Pomponius. De sculptura, ed. Cutolo, Paolo (Naples: Edizioni Scientifiche, 1999).Google Scholar
Luchs, Alison. Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490–1530 (Cambridge: Cambridge University Press, 1995).Google Scholar
Pincus, Debra. The Arco Foscari: The Building of a Triumphal Gateway in Fifteenth Century Venice (Ph.D. dissertation, Institute of Fine Arts, New York University, 1976).Google Scholar
Pozzi, Giovanni and Ciapponi, Lucia. “La cultura figurativa di Francesco Colonna e l’arte veneta,” Lettere italiane 14 (1962): 151–69.Google Scholar
Schulz, Anne Markham. Antonio Rizzo: Sculptor and Architect (Princeton, NJ: Princeton University Press, 1983).Google Scholar
Sheard, Wendy Stedman. The Tomb of Andrea Vendramin in Venice by Tullio Lombardo (Ph.D. dissertation, Yale University, 1971).Google Scholar