Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-05-18T15:39:19.178Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  24 September 2021

Antony Rowland
Affiliation:
Manchester Metropolitan University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, Theodor W., Aesthetic Theory, eds., Adorno, Gretel and Tiedemann, Rolf, trans. Hullot-Kentor, Robert (London: The Athlone Press, 1997 [1970]).Google Scholar
Adorno, Theodor W. Ästhetische Theorie (Frankfurt am Main: Suhrkamp Verlag, 2014 [1970]).Google Scholar
Adorno, Theodor W.Commitment’, in Anderson, Perry, Livingstone, Rodney and Mulhern, Francis (eds.), Aesthetics and Politics (London: Verso, 2007 [1977]), pp. 177–95.Google Scholar
Adorno, Theodor W.Engagement’ in Noten zur Literatur I (Frankfurt: Suhrkamp Verlag, 1974), pp. 409–30, p. 409.Google Scholar
Adorno, Theodor W. Minima Moralia: Reflections from Damaged Life, trans. E. F. N. Jephcott (London: Verso, 1978 [1951]).Google Scholar
Adorno, Theodor W. Negative Dialectics, trans. E. B. Ashton (New York: Seabury Press, 1973 [1967]), p. 367.Google Scholar
Adorno, Theodor W.On Epic Naiveté’ (Notes to Literature, vol. 1, trans. S. W. Nicholson (New York and Chichester: Columbia University Press, 1991), pp. 24–9.Google Scholar
Adorno, Theodor W. and Horkheimer, Max, Dialectic of Enlightenment, trans. John Cummins (London: Verso, 1986 [1944]).Google Scholar
van den Akker, Robin, Gibbons, Alison and Vermeulen, Timotheus, eds., Metamodernism: Historicity, Affect and Depth after Postmodernism (London: New York: Rowen and Littlefield International, 2017).Google Scholar
Aldington, Richard, ‘In the Tube’, The Egoist, 2(5) (2015), 74.Google Scholar
Anonymous, ‘Introduction’, Angel Exhaust 9: Tyranny and Mutation: New Radical Poets (Summer 1993), 45.Google Scholar
Armitage, Simon, ‘On Tony Harrison’, Stand, no. 215, 15(3) (2017), 711.Google Scholar
Arnold, Matthew, ‘Dover Beach’, in Allott, Kenneth, ed., Arnold: Poems, (London: Penguin, 1985 [1954]), pp. 181–2.Google Scholar
Astley, Neil, ed., Bloodaxe Critical Anthologies 1: Tony Harrison (Newcastle: Bloodaxe, 1991).Google Scholar
Attridge, Derek, ‘Conjurers turn tricks on wizards’ coat-tails’, www.timeshighereducation.co.uk/story.asp?sectioncode=26&s (accessed 27 July 2020).Google Scholar
Attridge, Derek Moving Words: Forms of English Poetry (Oxford: Oxford University Press, 2013)CrossRefGoogle Scholar
Attridge, Derek The Singularity of Literature (London/New York: Routledge, 2004).Google Scholar
Balfour, IanExtreme Philology: Benjamin, Adorno, McCall and the Enigmas of Hölderlin’, in Tragedy, Translation and Theory: In Honor of the Work of Thomas J. McCall (Baltimore: The University of Maryland Press, 2014), https://romantic-circles.org/praxis/mccall/praxis.2014.mccall.balfour.html (accessed 19 May 2021).Google Scholar
Barry, Peter, Poetry Wars (Cambridge: Salt, 2006).Google Scholar
Barry, Peter and Hampson, Robert, eds., New British Poetries: The Scope of the Possible (Manchester: Manchester University Press, 1993).Google Scholar
Barthes, Roland, ‘Death of the Author’, in Walder, Dennis, ed., Literature in the Modern World (Oxford: Oxford University Press, 1990), pp. 228–32.Google Scholar
Batchelor, Paul, Review of Hello. Your Promise Has Been Extracted (21 January 2018), www.newstatesman.com/culture/poetry/2018/01/poets-nuar-alsadir-and-ahren-warner-reveal-intriguing-habits-perception (accessed 10 January 2020).Google Scholar
Beach, Christopher, Poetic Culture: Contemporary American Poetry Between Community and Institution (Evanston, IL: Northwestern University Press, 1999).Google Scholar
Bede, Ecclesiastical History of the English People, eds. McClure, Judith and Collins, Roger (Oxford/London: James Parker and Co., 1870).Google Scholar
Bell, Michael, Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century (Cambridge: Cambridge University Press, 1997).Google Scholar
Benjamin, Walter, ‘Surrealism’, in One Way Street and Other Writings (London: Verso, 1992), trans. Edmund Jephcott and Kingsley Shorter, pp. 225–39.Google Scholar
Bentley, Nick, ‘Trailing Postmodernism: David Mitchell’s Cloud Atlas, Zadie Smith’s NW, and the Metamodern’, English Studies, 99(7–8) (2018), 723–43.Google Scholar
Berlant, Lauren, ‘The Subject of True Feeling: Pain, Privacy, and Politics’, in Ahmed, Sara, Kilby, Jane, Lury, Celia, McNeil, Maureen and Skeggs, Beverley, eds., Transformations: Thinking Through Feminism (London: Routledge, 2000), pp. 3347.Google Scholar
Bermel, Albert, Artaud’s Theatre of Cruelty (London/New York: Methuen, 2001 [1977]).Google Scholar
Bernstein, Charles and Andrews, Bruce, ‘Repossessing the Word’, in Bernstein, Charles and Andrews, Bruce, eds., The Language Book (Carbondale and Edwardsville, IL: Southern Illinois University Press, 1984), pp. ixxi.Google Scholar
Blackmur, R. P., The Double Agent: Essays in Craft and Elucidation (New York: Arrow Editions, 1935).Google Scholar
Boxall, Peter, Since Beckett: Contemporary Writing in the Wake of Modernism (London: Continuum, 2009).Google Scholar
Boxall, Peter Twenty-First-Century Fiction (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
Brecht, Bertolt, Poems 1913–1956, eds. Willett, John and Manheim, Ralph (London: Methuen, 1987 [1976]).Google Scholar
Brecht, Bertolt The Resistible Rise of Arturo Ui (London: Methuen, 1976 [1958]).Google Scholar
Brown, Clare and Paterson, Don, eds., Don’t Ask Me What I Mean: Poets in Their Own Words (Basingstoke/Oxford: Picador, 2003).Google Scholar
Burton, Richard, A Strong Song Tows Us: The Life of Basil Bunting (Oxford: Infinite Ideas Ltd, 2013).Google Scholar
Buse, Peter, Hirschkop, Ken, McCracken, Scott and Taithe, Bertrand, Benjamin’s Arcades: An Unguided Tour (Manchester: Manchester University Press, 2005).Google Scholar
Byrne, James, Blood/Sugar (Todmorden: Arc, 2009).Google Scholar
Byrne, James The Caprices (Todmorden: Arc, 2020).Google Scholar
Byrne, James Everything Broken Up Dances (North Adams: Tupelo Press, 2015).Google Scholar
Byrne, JamesI Am a Rohingya: Poetry from the World’s Largest Refugee Camp and Beyond’, Kenyan Review (https://kenyonreview.org/kr-online-issue/literary-activism/selections/james-byrne-763879) (accessed 9 June 2020).Google Scholar
Byrne, James Places You Leave (Todmorden: Arc, 2021).Google Scholar
Byrne, James White Coins (Todmorden: Arc, 2015).Google Scholar
Byrne, James Withdrawals (Newton-le-Willows: Knives Forks and Spoons Press, 2019).Google Scholar
Byrne, James and Doja, Shehzar, eds., I Am a Rohingya: Poetry from the Camps and Beyond (Todmorden: Arc, 2019).Google Scholar
Byrne, Sandie, H, v & o: The Poetry of Tony Harrison (Manchester: Manchester University Press, 1998).Google Scholar
Byrne, Sandie ed., Tony Harrison: Loiner (Oxford: Clarendon Press, 1997).Google Scholar
Caplan, David, Questions of Possibility: Contemporary Poetry and Poetic Form (Oxford: Oxford University Press, 2005).Google Scholar
Carey, John, The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880-1939 (London: Faber and Faber, 1992).Google Scholar
Carey, John The Unexpected Professor: An Oxford Life in Books (London: Faber and Faber, 2014).Google Scholar
Carter, Angela, ‘Notes from the Front Line’, in Wandor, Michelene, ed., On Gender and Writing (Boston/London: Pandora Press, 1983), pp. 6977.Google Scholar
Celan, Paul, Breathturn into Timestead: The Collected Later Poetry, trans. Joris, Pierre (New York: Farrar Straus Giroux, 2014).Google Scholar
Céline, Louis-Ferdinand, Journey to the End of the Night, trans. Manheim, Ralph (Richmond: Alma, 2012 [1932]).Google Scholar
Chingonyi, Kayo, ‘“It has to appear like a gift”: An Interview with Ahren Warner’, 16 June 2013, https://kayochingonyi.com/2013/06/16/it-has-to-appear-like-a-gift-an-interview-with-ahren-warner (accessed 5 June 2020).Google Scholar
Cook, Eleanor, ‘The Figure of Enigma: Rhetoric, History and Poetry’, Rhetorica: A Journal of the History of Rhetoric, 19(4) (2001), 349–78.Google Scholar
Cook, Eleanor Enigmas and Riddles in Literature (Cambridge: Cambridge University Press, 2006).Google Scholar
Crownshaw, Rick, Kilby, Jane and Rowland, Antony, eds., The Future of Memory (London/New York: Berghahn, 2010).Google Scholar
Crystal, David, Txtng: The Gr8 Db8 (Oxford: Oxford University Press, 2009).Google Scholar
Cuttle, Jade, ‘The talented poets living in the world’s largest refugee camp’, The Daily Telegraph, 26 July 2019, 25–6.Google Scholar
Das, Nabina, review of Eidolon, Mascara Literary Review, 23 August 2016 (http://mascarareview.com/nabina-das-reviews-eidolon-by-sandeep-paramar) (accessed 14 July 2017).Google Scholar
Day, Thomas, ‘French Connections in Geoffrey Hill’s The Orchards of Syon’, Essays in Criticism, 6(1) (January 2010), 2650.Google Scholar
Derrida, Jacques, ‘No Apocalypse, Not Now (full speed ahead, seven missiles, seven missives)’, Diacritics, 14(2) (Summer 1984), 2031.Google Scholar
Detloff, Madelyn, The Persistence of Modernism: Loss and Mourning in the Twentieth Century (Cambridge: Cambridge University Press, 2009).Google Scholar
H. D., Helen in Egypt (Manchester: Carcanet, 1985 [1961]).Google Scholar
Duffy, Carol Ann, The Bees (London: Picador, 2012).Google Scholar
Duffy, Carol Ann The Christmas Truce (London: Picador, 2011).Google Scholar
Dumitrescu, Alexandra, ‘Interconnections in Blakean and metamodern space’, www.doubledialogues.com/article/interconnections-in-blakean-and-metamodern-space (accessed 16 July 2020).Google Scholar
Durrell, Lawrence, Collected Poems (London: Faber and Faber, 1968).Google Scholar
Edwards, Ken, ‘The Two Poetries’, Angelaki, 3(1) (April 2000), 2536.Google Scholar
Eliot, T. S., Four Quartets (London: Faber and Faber, 1949 [1941]).Google Scholar
Eliot, T. S. Literary Chapters of Ezra Pound (London: Faber and Faber, 1960).Google Scholar
Eliot, T. S. Selected Essays (London: Faber and Faber, 1951).Google Scholar
Eliot, T. S. Selected Poems (London: Faber and Faber, 1954).Google Scholar
Eliot, T. S. The Use of Poetry and the Use of Criticism (London: Faber and Faber, 1987 [1933]).Google Scholar
Epstein, Joseph, ‘Who Killed Poetry?’, Commentary, 86(2) (1988), 1320.Google Scholar
Euripides, The Trojan Women – Helen, The Bacchae, trans. Neil Curry (London/Cambridge: Cambridge University Press, 1981).Google Scholar
Eve, Martin, ‘Thomas Pynchon, David Foster Wallace and the Problems of “Metamodernism”’, C21st Literature, 1(1) (2012), 713.Google Scholar
Felstiner, John, Paul Celan: Poet, Survivor, Jew (London: Yale University Press, 1995).Google Scholar
Ferris, David S., ‘Politics and the Enigma of Art: The Meaning of Modernism for Adorno’, Modernist Cultures, 1(2) (winter 2005), 192208.Google Scholar
Fitzgerald, F. Scott, The Great Gatsby (London: Penguin, 1950 [1926]).Google Scholar
Flood, Alison, ‘Simon Armitage plans national “headquarters” for poetry in Leeds’, The Guardian, 27 February 2020 (www.theguardian.com/books/2020/feb/27/simon-armitage-plans-national-headquarters-for-poetry-in-leeds-poet-laureate) (accessed 8 July 2020).Google Scholar
Furlani, Andre, Guy Davenport: Postmodern and After (Evanston, IL: Northwestern University Press, 2007).Google Scholar
Genter, Robert, Late Modernism: Art, Culture, and Politics in Cold War America (Oxford/Philadelphia: University of Pennsylvania Press, 2010).Google Scholar
Gilens, Martin and Page, Benjamin I., ‘Testing Theories of American Politics: Elites, Interest Groups, and Average Citizens’, American Political Science Association, 12(3) (September 2014), 564–81.Google Scholar
Glahn, Philip, Bertolt Brecht (London: Reaktion Books, 2014).Google Scholar
Golding, Alan, ‘Language-Bashing Again’, Mid-American Review, 8(2) (1988), 93100.Google Scholar
Gregson, Ian, Contemporary Poetry and Postmodernism: Dialogue and Estrangement (Basingstoke: Macmillan, 1996).Google Scholar
Gruenler, Curtis, Piers Plowman and the Poetics of Enigma: Riddles, Rhetoric and Theology (Notre Dame, Indiana: University of Notre Dame Press, 2017).Google Scholar
Hall, Edith, The Return of Ulysses: A Cultural History of Homer’s Odyssey (Baltimore: The Johns Hopkins University Press, 2008).Google Scholar
Hall, Matthew, ‘Terra Nullius: Colonial Violence in Prynne’s Acrylic Tips’, Journal of British and Irish Innovative Poetry, 8(1) (2016), 5, 130.Google Scholar
Harrison, Tony, ‘Carnuntum 2’ notebook, the Tony Harrison archive, the Brotherton Library, BC MS 20c Harrison/03/KAI.Google Scholar
Harrison, Tony BC MS 20c Harrison OS/FAD-RBL Correspondence.Google Scholar
Harrison, Tony BC MS 20c Harrison/03/ORP ‘OPɸEAƐ’ (‘Orpheus’) notebook (c.1998).Google Scholar
Harrison, Tony The Gaze of the Gorgon (Newcastle: Bloodaxe, 1992).Google Scholar
Harrison, Tony The Inky Digit of Defiance: Selected Prose 1966–2016 (London: Faber and Faber, 2017).Google Scholar
Harrison, Tony Plays Three (London: Faber and Faber, 1996).Google Scholar
Harrison, Tony Selected Poems (London: Faber and Faber, 1987 [1984]).Google Scholar
Harrison, Tony Under the Clock (London/New York: Penguin, 2005).Google Scholar
Hayman, Ronald, Artaud and After (Oxford: Oxford University Press, 1977).Google Scholar
Herbert, Jocelyn, Archive (part of the National Theatre archive), ‘Carnuntum’ notebook, JH/1/21.Google Scholar
Hill, Geoffrey, Collected Critical Writings (Oxford: Oxford University Press, 2008).Google Scholar
Hill, Geoffrey Collected Poems (Oxford: Oxford University Press, 2015 [2013]).Google Scholar
Hill, Geoffrey The Enemy’s Country: Words, Contexture, and other Circumstances of Language (Oxford: Clarendon Press, 1991).Google Scholar
Hill, Geoffrey ‘How ill white hairs become a fool and jester’, www.english.ox.ac.uk/professor-sir-geoffrey-hill-lectures (accessed 12 July 2020).Google Scholar
Hill, Geoffrey ‘Legal Fiction and Legal “Fiction”’, www.english.ox.ac.uk/professor-sir-geoffrey-hill-lectures (accessed 16 July 2020).Google Scholar
Hill, Geoffrey Michaelmas term lecture 2012 (untitled), http://media.podcasts.ox.ac.uk/engfac/poetry/2012-11-27-engfac-hill.mp3 (accessed 28 July 2020).Google Scholar
Hill, Geoffrey ‘Monumentality and Bidding’, www.english.ox.ac.uk/professor-sir-geoffrey-hill-lectures (accessed 16 July 2020).Google Scholar
Hill, Geoffrey The Orchards of Syon (London/New York: Penguin, 2002).Google Scholar
Hill, Geoffrey The Orchards of Syon workbooks, The Brotherton Library, BC MS 20 c Hill/2/1/52.Google Scholar
Hill, Geoffrey ‘Poetry Notebooks and Early Poems and Drafts (c.1948–2005)’, Notebook 58, BC MS 20c Hill/2.Google Scholar
Hill, Geoffrey ‘Poetry, Policing and Public Order (1)’, www.english.ox.ac.uk/professor-sir-geoffrey-hill-lectures (accessed 12 July 2020).Google Scholar
Hill, Geoffrey Scenes from Comus (London: Penguin, 2005).Google Scholar
Hill, GeoffreySimple, Sensuous, and Passionate’, Poetry Book Society Bulletin, 191 (winter 2001), 5.Google Scholar
Hill, Geoffrey Style and Faith (New York: Counterpoint, 2003).Google Scholar
Hill, Geoffrey The Triumph of Love (London/New York: Penguin, 1999 [1998]).Google Scholar
Hopkins, Kenneth, The Poets Laureate (Wakefield: EP Publishing Limited, 1973).Google Scholar
Howarth, Peter, The Cambridge Introduction to Modernist Poetry (Cambridge: Cambridge University Press, 2012).Google Scholar
Hughes, Bettany, Helen of Troy: Goddess, Princess, Whore (London: Pimlico, 2006 [2005]).Google Scholar
Hughes, Ted, Collected Poems (London: Faber and Faber, 2003).Google Scholar
Hutcheon, Linda, The Politics of Postmodernism (London: Routledge, 2002 [1989]).Google Scholar
Huxley, Aldous, The Doors of Perception and Heaven and Hell (London: Flamingo, 1994 [1977])Google Scholar
James, David, Discrepant Solace (Cambridge: Cambridge University Press, 2019).Google Scholar
James, David The Legacies of Modernism: Historicising Postwar and Contemporary Fiction (Cambridge: Cambridge University Press, 2011).Google Scholar
James, David Modernist Futures: Innovation and Inheritance in the Contemporary Novel (Cambridge: Cambridge University Press, 2012).Google Scholar
Jameson, Frederic, A Singular Modernity (London: Verso, 2012 [2002]).Google Scholar
Jay, Martin, Adorno (Cambridge, Massachusetts: Harvard University Press, 1984).Google Scholar
Kafka, Franz, The Blue Octavo Notebooks (Cambridge, Massachusetts: Exact Change Books, 2016 [1948]).Google Scholar
Kendall, Tim, ‘Against “Contemporary Poetry”’, PN Review, 179 (January–February 2008), 24–7.Google Scholar
Kennedy, Christine and David Kennedy, ‘Poetry, Difficulty and Geraldine Monk’s Interregnum’ in Thurston, Scott, ed., The Salt Companion to Geraldine Monk (Cambridge: Salt, 2007), pp. 1127.Google Scholar
Kennedy, David, New Relations: The Refashioning of British Poetry 1980–94 (Bridgend: Seren, 1996).Google Scholar
Kersten, Dennis and Wilbers, Usha, eds., ‘Metamodernism: A Special Issue’, English, 99(7) (November 2018), 719722.Google Scholar
Kuhn, Tom and Giles, Steve, eds., Brecht on Art and Politics (London: Methuen, 2003).Google Scholar
James, David and Seshagiri, Urmila, ‘Metamodernism: Narratives of Continuity and Revolution’, PMLA, 129(1) (2014), 8798.Google Scholar
Kuenzli, Rudolf, ed., Dada (London: Phaidon, 2006).Google Scholar
Larkin, Philip, Collected Poems (London: Faber and Faber, 1988).Google Scholar
Larkin, Philip Letters to Monica, ed., Thwaite, Anthony (London: Faber and Faber, 2010).Google Scholar
Larkin, Philip Required Writing: Miscellaneous Pieces 1955–1982 (London: Faber and Faber, 1983).Google Scholar
Larkin, Philip ‘Under a Common Flag’, The Observer, 14 November 1982, p. 23.Google Scholar
Lipovetsky, Gilles, Hypermodern Times (Cambridge/Malden: Polity Press, 2005).Google Scholar
Lukács, György, The Meaning of Contemporary Realism (London: Merlin Press, 1979 [1963]).Google Scholar
Lumsden, Roddy, ed., Identity Parade: New British and Irish Poets (Newcastle: Bloodaxe, 2010).Google Scholar
Lunn, Eugene, Marxism and Modernism: An Historical Study of Lukács, Brecht, Benjamin, and Adorno (London: Verso, 1985 [1982]).Google Scholar
Lyon, John, ‘Geoffrey Hill’s Eye Troubles’ in Lyon, John and McDonald, Peter, eds., Geoffrey Hill: Essays on his Later Work (Oxford: Oxford University Press, 2012), pp. 112–26.Google Scholar
MacDowell, James, ‘The Metamodern, the Quirky and Film Criticism’, in Metamodernism: Historicity, Affect and Depth After Postmodernism (London: New York: Rowman and Littlefield International, 2017), pp. 2540.Google Scholar
Macfarlane, Robert, ‘Gravity and Grace in Geoffrey Hill’, Essays in Criticism, 58(3) (2007), 237–56.Google Scholar
Mao, Douglas and Walkowitz, Rebecca L., eds., Bad Modernisms (Durham, North Carolina: Duke University Press, 2006).Google Scholar
McCarthy, Tom, Remainder (New York: Vintage, 2005).Google Scholar
McDonald, Paul, ‘From Paris to Emerging Poets’, Envoi, 169 (February 2015), 72–6Google Scholar
McDonald, Paul ‘Truly Apart’, Times Literary Supplement, 1 April 2005, www.the-tls.co.uk/tls/reviews/literature_and_poetry/article708873 (accessed 30 September 2015).Google Scholar
McKeon, Michael, The Origins of the English Novel, 1600–1740 (Baltimore, Maryland: Johns Hopkins University Press, 2002).Google Scholar
Mellors, Anthony, Late Modernist Poetics from Pound to Prynne (Manchester/New York: Manchester University Press, 2005), p. 67.Google Scholar
Miller, Tyrus, Late Modernism: Politics, Fiction, and Arts Between the World Wars (Berkeley/LA: University of California Press, 1999).Google Scholar
Milton, John, Poems of Mr John Milton (London: Humphrey Moseley, 1645).Google Scholar
Milton, John The Reason of Church Government Urged Against Prelatry, Book 2, www.dartmouth.edu/~milton/reading_room/reason/book_2/text.shtml (accessed 6 July 2020).Google Scholar
Mitchell, Stanley, ‘Introduction’, in Benjamin, Walter, ed., Understanding Brecht, trans. Anna Bostock (London: New Left Books, 1973 [1966]), pp. viixix.Google Scholar
Monk, Geraldine, Ghost & Other Sonnets (Cambridge: Salt, 2008).Google Scholar
Moorhead, Joanna, ‘Poems are a form of texting’ (interview with Carol Ann Duffy), The Guardian, 5 September 2011 (www.theguardian.com/education/2011/sep/05/carol-ann-duffy-poetry-texting-competition) (accessed 12 May 2020).Google Scholar
Morra, Irene, Verse Drama in England, 1900–2015: Art, Modernity and the National Stage (London/New York: Bloomsbury, 2016).Google Scholar
Nealon, Jeffrey T., Post-Postmodernism or, the Cultural Logic of Just-in-Time Capitalism (Stanford: Stanford University Press, 2012).Google Scholar
Noel-Tod, Jeremy, ‘Awkward Bow’ (review of The Orchards of Syon), London Review of Books, 25(5) (6 March 2003), 27–8.Google Scholar
Normandin, Shawn, ‘“Non Intellegent”: the Enigmas of The Clerk’s Tale’, Texas Studies in Literature and Language, 58(2) (2016), 189223.Google Scholar
O’Brien, Sean, ‘Scenes from Comus by Geoffrey Hill’, The Independent, 2 March 2005, www.independent.co.uk/arts-entertainment/books/reviews/scenes-from-comus-by-geoffrey-hill-6151493.html (accessed 30 September 2014).Google Scholar
Ormsby, Eric, ‘A Grand & Crabby Music’, The New York Sun, 3 (March 2005), www.nysun.com/arts/grand-crabby-music/10039.com (accessed 9 June 2016).Google Scholar
PBS Bulletin, issue 248 (spring 1916), pp. 27, 28.Google Scholar
Parker, Stephen, Bertolt Brecht: a Literary Life (London: Bloomsbury, 2014).Google Scholar
Parmar, Sandeep, Eidolon (Bristol: Shearsman Books, 2015).Google Scholar
Parsons, Deborah L., Streetwalking the Metropolis: Women, the City and Modernity (Oxford: Oxford University Press, 2000).Google Scholar
Paterson, Don, ‘The Dark Art of Poetry’, www.poetrylibrary.org.uk/news/poetryscene/?id=20 (accessed 21 October 2015).Google Scholar
Paterson, Don Landing Light (London: Faber and Faber, 2003).Google Scholar
Paterson, Don Rain (London: Faber and Faber, 2009).Google Scholar
Paterson, Don Reading Shakespeare’s Sonnets (London: Faber and Faber, 2012).Google Scholar
Pedro, João, ‘Truth and Enigma: Adorno and the Politics of Art’, New German Critique, 45(3), 135 (November 2018), 7395.Google Scholar
Pinkney, Marjorie, 21st-Century Modernism (Malden/Oxford: Blackwells, 2002).Google Scholar
Pinkney, Marjorie Poetic License: Essays on Modernist and Postmodernist Lyric (Evanston, IL: Northwestern University Press, 1990).Google Scholar
Pinkney, Marjorie The Poetics of Indeterminacy: Rimbaud to Cage (Evanston, IL: Northwestern University Press, 1983 [1981]).Google Scholar
Pinkney, Marjorie Unoriginal Genius: Poetry by Other Means in the New Century (Chicago and London: The University of Chicago Press, 2012 [2010]).Google Scholar
Pinkney, Tony, ‘Editor’s Introduction: Modernism and Cultural Theory’, in Williams, The Politics of Modernism, pp. 1–29.Google Scholar
Pollard, Natalie, ed., Don Paterson: Contemporary Critical Essays (Edinburgh: Edinburgh University Press, 2014).Google Scholar
Pound, Ezra, The Cantos of Ezra Pound (New York: New Directions, 1996).Google Scholar
Pound, EzraDans un Omnibus de Londres’ (www.bartleby.com/300/777.html) (accessed 17 April 2020).Google Scholar
Pound, Ezra Ezra Pound: Selected Poems 1908–1959 (London: Faber and Faber, 1975).Google Scholar
Pound, Ezra Make It New: Essays (London: Faber and Faber, 1934).Google Scholar
Prynne, J. H., ‘Acrylic Tips’, in Poems (Tarset: Bloodaxe, 2005), pp. 533–48.Google Scholar
Prynne, J. H. ‘A Letter to Steve McCaffery’ (2 January 1989), The Gig, 7 (November 2000), 4046.Google Scholar
Rancière, Jacques, The Politics of Literature, trans. Julie Rose (Cambridge/Malden: Polity Press, 2011).Google Scholar
Read, Herbert, The Politics of the Unpolitical (New York: Routledge, 1943).Google Scholar
Reading, Anna, ‘Memobilia: The Mobile Phone and the Emergence of Wearable Memories’, in Save As … Digital Memories (New York/Basingstoke: Palgrave, 2009), pp. 8195.Google Scholar
Redmond, John, Poetry and Privacy: Questioning Public Interpretations of Contemporary British and Irish Poetry (Bridgend: Seren, 2013).Google Scholar
Reeve, N. H. and Kerridge, Richard, Nearly Too Much: The Poetry of J.H. Prynne (Liverpool: Liverpool University Press, 1995).Google Scholar
Ricks, Christopher, True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell: Under the Sign of Eliot and Pound (New Haven and London: Yale University Press, 2010).Google Scholar
Rothberg, Michael, The Implicated Subject: Beyond Victims and Perpetrators (Stanford: Stanford University Press, 2019).Google Scholar
Rothberg, Michael Multidirectional Memories: Remembering the Holocaust in the Age of Decolonisation (Stanford: Stanford University Press, 2009),Google Scholar
Rowland, Antony, Holocaust Poetry (Edinburgh: Edinburgh University Press, 2005).Google Scholar
Rumens, Carol, ‘Medium, Conjurer, Flâneur’, Poetry Review, 101(4) (winter 2011), 9598.Google Scholar
Rutter, Carol Chillington, ‘Harrison, Herakles, and Wailing Women “Labourers” at Delphi’, New Theatre Quarterly, 13(50) (May 1997), 133–43.Google Scholar
Sampson, Fiona, Beyond the Lyric: A Map of Contemporary British Poetry (London: Chatto and Windus, 2012).Google Scholar
Scarfe, Francis, ed., Baudelaire: The Complete Verse (London: Anvil, 1986).Google Scholar
Searle, Adrian, ‘Altermodern Review: “The Richest and Most Generous Tate Triennial Yet”’, www.theguardian.com/artanddesign/2009/feb/02/altermodern-tate-triennial (accessed 16 July 2020).Google Scholar
Shakespeare, William, Love’s Labour’s Lost (Leipzig: Bernhard Tauchnitz, 1868 [1598]).Google Scholar
Sheppard, Robert, The Poetry of Saying: British Poetry and its Discontents, 1950–2000 (Liverpool: Liverpool University Press, 2005).Google Scholar
Simic, Charles and Paterson, Don, eds., New British Poetry (St Paul, Minnesota: Graywolf Press, 2004).Google Scholar
Sissay, Lemn, ‘Carol Ann Duffy and Geoffrey Hill: Truly Poetic Heavyweights’, www.theguardian.com/commentisfree/2012/jan/31/carol-ann-duffy-geoffrey-hill-punch-up (accessed 12 July 2020).Google Scholar
Spencer, Michael, ‘A Fresh look at Arthur Rimbaud’s “Métropolitain”’, Modern Language Review, 63(4) (October 1968), 849–53.Google Scholar
Stoichita, Victor I. and Coderch, Anna Maria, Goya: The Last Carnival (London: Reaktion Books, 1999).Google Scholar
Taplin, Oliver, ‘Contemporary Poetry and Classics’, in Classics in Progress: Essays on Ancient Greece and Rome (Oxford: The British Academy [Oxford University Press], 2002), pp. 120.Google Scholar
Tennyson, Alfred, Poetical Works (London/New York: Oxford University Press, 1959 [1953]).Google Scholar
Thacker, Andrew, Modernism, Space and the City (Edinburgh: Edinburgh University Press, 2019).Google Scholar
Thompson, Peter and Sacks, Glendyr, The Cambridge Companion to Brecht (Cambridge: Cambridge University Press, 2006 [1994]).Google Scholar
Thorsson, Örnólfur, ed., The Sagas of Icelanders (London/New York: Penguin, 2000 [1997]).Google Scholar
Turner, Luke, ‘Metamodernism: A Brief Introduction’, www.metamodernism.org (accessed 29 April 2020).Google Scholar
Turner, Luke ‘Metamodernist Manifesto’, www.metamodernism.org (accessed 29 April 2020).Google Scholar
Vermeulen, Timotheus and van den Akker, Robin, ‘Notes on Metamodernism’, Journal of Aesthetics and Culture, 2 (2010), 214.Google Scholar
Wainwright, Jeffrey, Acceptable Words: Essays on the poetry of Geoffrey Hill (Manchester: Manchester University Press, 2005).Google Scholar
Warman, April, ‘Language and Grace’, The Oxonian Review, 3(1) (15 December 2003), www.oxonianreview.org/wp/geoffrey-hill-the-orchards-of-syon (accessed 5 May 2019).Google Scholar
Warner, Ahren, Confer (Newcastle: Bloodaxe, 2011).Google Scholar
Warner, Ahren Hello. Your Promise has been Extracted (Newcastle: Bloodaxe, 2017).Google Scholar
Warner, Ahren Pretty (Newcastle: Bloodaxe, 2013).Google Scholar
Welsh, J. T., The Selling and Self-Regulation of Contemporary Poetry (London: Anthem Press, 2020).Google Scholar
Wheatley, David, Contemporary British Poetry (London/New York: Palgrave, 2015).Google Scholar
Williams, Raymond, The Politics of Modernism, ed. Pinkney, Tony (London/New York: Verso, 1989).Google Scholar
Williams, Tony, ‘You ask for a song’ (review of Confer), Magma, 52 (March 2012), 57–8, p. 58.Google Scholar
Willet, John, ed. and trans., Brecht on Theatre (London: Methuen, 1964 [1957]).Google Scholar
Winborn, Colin, ‘“Derangement from Deep Inside”: J. H. Prynne’s “Refuse Collection”’, PN Review 175, 33(5) (May–June 2007), 5558.Google Scholar
Winters, Jeffrey A., ‘Oligarchy and Democracy’, The American Interest, 7(2) (2011), www.the-american-interest.com/2011/09/28/oligarchy-and-democracy (accessed 3 August 2020).Google Scholar
Wylie, Alex, Geoffrey Hill’s Later Work: Radiance of Apprehension (Manchester: Manchester University Press, 2019).Google Scholar
Yeats, W. B., Selected Poetry, ed. Norman Jeffares, A. (London: Pan, 1974 [1962]).Google Scholar
Young, Rob and Schmidt, Irmin, All Gates Open: The Story of Can (London: Faber and Faber, 2018).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Antony Rowland, Manchester Metropolitan University
  • Book: Metamodernism and Contemporary British Poetry
  • Online publication: 24 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781108895286.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Antony Rowland, Manchester Metropolitan University
  • Book: Metamodernism and Contemporary British Poetry
  • Online publication: 24 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781108895286.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Antony Rowland, Manchester Metropolitan University
  • Book: Metamodernism and Contemporary British Poetry
  • Online publication: 24 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781108895286.009
Available formats
×