This chapter surveys recordings of the Schumanns’ music released since their bicentenaries (Clara’s in 2019, Robert’s in 2010) vis-à-vis trends in their reception history. The albums discussed represent a cross-section of styles and approaches, with several performers being long-standing champions of Clara’s music. Their strategies range from reappraising the relationship between Clara’s and Robert’s creativity, to reviving the ethos of nineteenth-century practices, namely mixed-genre programmes, and reimagining their music through improvisations, transcriptions, and contemporary commissions. Collectively, they recapture something of the Schumanns’ own context while offering varied ways of programming their music in the twenty-first century.