Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-qxdb6 Total loading time: 0 Render date: 2024-04-29T10:04:28.982Z Has data issue: false hasContentIssue false

8 - Other Non-Fiction

Published online by Cambridge University Press:  03 June 2017

Stephen E. Tabachnick
Affiliation:
University of Memphis
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Baetens, Jan, and Frey, Hugo. The Graphic Novel: An Introduction. New York: Cambridge University Press, 2014.Google Scholar
Barthes, Roland. “The Photographic Message,” in Image, Music, Text. London: Fontana, 1977, 191–99.Google Scholar
Chute, Hillary. “Comics as Literature? Reading Graphic Narrative.” PMLA 123, no. 2 (2008): 452–65.Google Scholar
Daston, Lorraine, and Galison, Peter. Objectivity. New York: Zone Books, 2007.Google Scholar
Gitelman, Lisa. Raw Data” is an Oxymoron. Cambridge, ma: MIT Press, 2013.Google Scholar
Gladstone, Brooke, and Neufeld, Josh. The Influencing Machine. New York: W. W. Norton, 2011.Google Scholar
Guibert, Emmanuel, Lefèvre, Didier, and Lemercier, Frédéric. The Photographer. New York: First Second, 2009.Google Scholar
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York University Press, 2006.Google Scholar
Keller, Michael, and Fuller, Nicolle Rager. Charles Darwin's On the Origin of Species: A Graphic Adaptation. New York: Rodale, 2009.Google Scholar
McCloud, Scott. Understanding Comics. Northampton, ma: Kitchen Sink Press, 1993.Google Scholar
, Jaxon [Jackson, Jack]. Comanche Moon. San Francisco, ca: Rip Off Press, 1979.Google Scholar
Sacco, Joe. Palestine. Seattle, wa: Fantagraphics Books, 2001.Google Scholar
Sacco, Joe. Safe Area Goražde: The Special Edition (2000). Seattle, wa: Fantagraphics Books, 2011.Google Scholar
Sandweiss, Martha A. Print the Legend: Photography and the American West. New Haven, ct: Yale University Press, 2002.Google Scholar
Spiegelman, Art. The Complete Maus. New York: Pantheon, 1996.Google Scholar
Tardi, Jacques. It Was the War of the Trenches. Seattle, wa: Fantagraphics Books, 2010.Google Scholar
Winston, Brian. Claiming the Real: The Griersonian Documentary and its Limitations (1985). London: BFI Publishing, 2008.Google Scholar
Witek, Joseph. Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Jackson, ms: University Press of Mississippi, 1989.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×