Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vfjqv Total loading time: 0 Render date: 2024-04-30T06:05:07.459Z Has data issue: false hasContentIssue false

Part II - Identities and Locations

Published online by Cambridge University Press:  20 November 2017

Jeffrey Andrew Weinstock
Affiliation:
Central Michigan University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Burnham, Michelle. “Is There an Indigenous Gothic?A Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2014. 225–37.Google Scholar
Crafts, Hannah. The Bondwoman’s Narrative. New York: Warner Books, 2005.Google Scholar
Crow, Charles L. A Companion to American Gothic. Hoboken, NJ: John Wiley & Sons, 2014.Google Scholar
Dain, Bruce. A Hideous Monster of the Mind: American Race Theory in the Early Republic. Cambridge, MA and London: Harvard University Press, 2002.Google Scholar
Dunbar, Paul Laurence. “The Lynching of Jube Benson.” American Gothic, From Salem Witchcraft to H.P. Lovecraft: An Anthology. Ed. Crow, Charles L.. 2nd edition. Malden, MA: Wiley-Blackwell, 2013. 483–87.Google Scholar
Edwards, Justin D. Gothic Passages: Racial Ambiguity and the American Gothic. Iowa City: U of Iowa P, 2003.Google Scholar
Ellison, Ralph. Invisible Man. 1947. New York: Vintage International, 1990.Google Scholar
Fiedler, Leslie. Love and Death in the American Novel. 1960. Normal, IL: Dalkey Archive Press, 1997.Google Scholar
Goddu, Teresa. “The African American Slave Narrative and the Gothic.” A Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2014. 7183.Google Scholar
Goddu, Teresa. Gothic America: Narrative, History, and Nation. New York: Columbia University Press, 1997. Print.Google Scholar
Gossett, Thomas F. Race: The History of an Idea in America. 1963. New York: Oxford University Press, 1997.Google Scholar
Jacobs, Harriet. Incidents in the Life of a Slave Girl. Cambridge, MA: Harvard University Press, 1987.Google Scholar
Jefferson, Thomas. Notes on the State of Virginia. The Portable Thomas Jefferson. Ed. Peterson, Merrill D.. New York: Penguin, 1977. 23232.Google Scholar
Melville, Herman. Benito Cereno. Melville’s Short Novels. Ed. McCall, Dan. New York: WW Norton, 2002. 34102.Google Scholar
Morrison, Toni. Beloved. New York: Penguin, 1987.Google Scholar
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, MA: Harvard University Press, 1992.Google Scholar
Morrison, Toni. “Unspeakable Things Unspoken: The Afro-American Presence in American Literature.” Michigan Quarterly Review 28 (1989): 134.Google Scholar
Poe, Edgar Allan. The Narrative of Arthur Gordon Pym of Nantucket. New York: Penguin, 1999.Google Scholar
Roberts, Siân Silyn. Gothic Subjects: The Transformation of Individualism in American Fiction, 1790–1861. Philadelphia: University of Pennsylvania Press, 2014.Google Scholar
Rowlandson, Mary. A True History of the Captivity and Restauration of Mrs. Mary Rowlandson. Classic American Autobiographies. Ed. Andrews, William L.. New York: Signet, 2003. 1969.Google Scholar
Savoy, Eric. “The Face of the Tenant: A Theory of American Gothic.” American Gothic: New Interventions in a National Narrative. Eds. Martin, Robert K. and Savoy, Eric. Iowa City, IA: University of Iowa Press, 1998. 319.Google Scholar
Sivils, Matthew Wynn. “Indian Captivity Narratives and the Origins of American Frontier Gothic.” A Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2014. 8495.Google Scholar
Smith, Shawn Michelle. American Archives: Gender, Race, and Class in Visual Culture. Princeton, NJ: Princeton University Press, 1999.Google Scholar
Stowe, Harriet Beecher. Uncle Tom’s Cabin; or, Life Among the Lowly. New York: Penguin, 1981.Google Scholar
Weinauer, Ellen. “Gothic Fiction.” American History through Literature, 1820–1870. Eds. Gabler-Hover, Janet and Sattelmeyer, Robert D.. New York: Charles Scribner’s Sons, 2005. 475–81.Google Scholar
Weinstock, Jeffrey Andrew. “American Monsters.” A Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2014. 4155.Google Scholar
Winter, Kari. Subjects of Slavery, Agents of Change: Women and Power in Gothic Novels and Slave Narratives, 1790–1865. Athens: University of Georgia Press, 1992.Google Scholar
Wright, Richard. Native Son. 1940. New York: Harper & Row, 1966.Google Scholar

Works Cited

Bendixen, Alfred, ed. Haunted Women: The Best Supernatural Tales by American Women Writers. New York: Ungar, 1985.Google Scholar
Carpenter, Lynette. “Domestic Comedy, Black Comedy, and Real Life: Shirley Jackson, a Woman Writer.” In Faith of a (Woman) Writer. Eds. Kessler-Harris, Alice and McBrien, William. Westport, CT: Greenwood Press, 1988: 143–48.Google Scholar
Carpenter, Lynette, and Kolmar, Wendy K.. “Introduction.” In Haunting the House of Fiction: Feminist Perspectives on Ghost Stories by American Women. Eds. Carpenter, Lynette and Kolmar, Wendy K.. Knoxville: University of Tennessee Press, 1991. 125.Google Scholar
Dyman, Jenni. Lurking Feminism: The Ghost Stories of Edith Wharton. New York: Peter Lang, 1996.Google Scholar
Elbert, Monika. “T. S. Eliot and Wharton’s Modernist Gothic.” Edith Wharton Review 11.1 (1994): 1923.Google Scholar
Fedorko, Kathy A. Gender and the Gothic in the Fiction of Edith Wharton. Tuscaloosa: University of Alabama Press, 1995.Google Scholar
Ford, Susan Allen. “Joyce Carol Oates.” In Gothic Writers: A Critical and Bibliographical Guide. Eds. Thomson, Douglass H., Voller, Jack G., and Frank, Frederick S.. Westport, CT: Greenwood, 2002. 303–14.Google Scholar
Friedman, Lenemaja. Shirley Jackson. Boston: Twayne, 1975.Google Scholar
Gentile, Kathy Justice. “Supernatural Transmissions: Turn-of-the-Century Ghosts in American Women’s Fiction: Jewett, Freeman, Wharton, and Gilman.” Approaches to Teaching Gothic Fiction. Eds. Hoeveler, Diane Long and Heller, Tamar. New York: MLA, 2003. 208–14.Google Scholar
Golden, Catherine. “‘Overwriting‘ the Rest Cure: Charlotte Perkins Gilman’s Literary Escape from S. Weir Mitchell’s Fictionalization of Women.” Critical Essays on American Literature. Ed. Karpinski, Joanne B.. New York: G. K. Hall, 1992. 144–58.Google Scholar
Jackson, Rosemary. “Introduction.” What Did Miss Darrington See? Ed. Salmonson, Jessica Amanda. New York: Feminist Press, 1988.Google Scholar
Jackson, Shirley. “Home.” Just an Ordinary Day. Eds. Hyman, Laurence Jackson and Stewart, Sarah Hyman. New York: Bantam, 1998.Google Scholar
Jackson, Shirley. “My Uncle in the Garden.” In Just an Ordinary Day. Eds. Hyman, Laurence Jackson and Stewart, Sarah Hyman. New York: Bantam, 1998.Google Scholar
Killoran, Helen. The Critical Reception of Edith Wharton. Rochester, New York: Camden House, 2001.Google Scholar
Lawson, Richard. Edith Wharton and German Literature. New York: Ungar, 1977.Google Scholar
McDowell, Margaret B.Edith Wharton’s Ghost Stories.” Criticism 12 (1970): 133–52.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. New York: Palgrave, 2013.Google Scholar
Murray, Margaret P.The Gothic Arsenal of Edith Wharton.” Journal of Evolutionary Psychology 10.3.4 (1989): 315–21.Google Scholar
Nevius, Blake. Edith Wharton: A Study of Her Fiction. Berkeley: University of California Press, 1953.Google Scholar
Oates, Joyce Carol. “The Doll.” In Haunted: Tales of the Grotesque. New York: Plume, 1995: 2648.Google Scholar
Oates, Joyce Carol. “Five Prefaces.” Rpt. (Woman) Writer: Occasions and Opportunities. New York: Dutton, 1988. 365–82.Google Scholar
Oppenheimer, Judy. Private Demons: The Life of Shirley Jackson. New York: Putnam’s, 1988.Google Scholar
Parks, John G.Chambers of Yearning.” Twentieth Century Literature 30 (1984): 1529.Google Scholar
Singley, Carol J. and Sweeney, Susan Elizabeth. “Forbidden Reading and Ghostly Writing: Anxious Power in Wharton’s ‘Pomegranate Seed’.” Women’s Studies 20.2 (1991): 177203.Google Scholar
Stengel, Ellen Powers. “Edith Wharton Rings ‘The Lady’s Maid’s Bell.” Edith Wharton Newsletter 7.1 (1990): 39.Google Scholar
Voller, Jack G.Mary Wilkins Freeman.” In Gothic Writers: A Critical and Bibliographical Guide. Eds. Thomson, Douglass H., Voller, Jack G., and Frank, Frederick S.. Westport, CT: Greenwood, 2002. 120–25.Google Scholar
Waid, Candace. Edith Wharton’s Letters from the Underworld: Fictions of Women and Writing. Chapel Hill: University of North Carolina Press, 1991.Google Scholar
Weinstock, Jeffrey Andrew. Scare Tactics: Supernatural Fiction by American Women. New York: Fordham University Press, 2008.Google Scholar
Welter, Barbara. “The Cult of True Womanhood: 1820–1860.” American Quarterly 18 (1966): 151–74.Google Scholar
Wharton, Edith. “The Duchess at Prayer.” Scribner’s Magazine 28 (Aug. 1900): 151–64.Google Scholar
Wharton, Edith. The Ghost Stories of Edith Wharton. [GS] New York: Simon & Schuster, 1937; rpt. 1973.Google Scholar
Wharton, Edith. “The House of the Dead Hand.” The Collected Short Stories of Edith Wharton. Digireads.com Books, 2011. 360–77.Google Scholar
Wharton, Edith. Wharton’s New England: Seven Stories and Ethan Frome. Ed. White, Barbara A.. Lebanon: University of New Hampshire Press, 1995.Google Scholar
Wharton, Edith. The Writing of Fiction. 1925. Rpt. New York: Octagon Books, 1966.Google Scholar
White, Barbara A. Edith Wharton: A Study of the Short Fiction. New York: Twayne Publishers, 1991.Google Scholar

Works Cited

Adams, Rachel. “‘A Mixture of Delicious and Freak’: The Queer Fiction of Carson McCullers.” American Literature 71.3 (1999): 551–83.Google Scholar
Bloch, Robert. Psycho. 1959. New York: The Overlook Press, 2010.Google Scholar
Capote, Truman. Other Voices, Other Rooms. 2nd edn. New York: Vintage, 2012.Google Scholar
Foucault, Michel. The Birth of the Clinic: An Archaeology of Medical Perception. Trans. Smith, A. M. Sheridan. New York: Vintage Books, 1975.Google Scholar
Gomez, Jewelle. The Gilda Stories. Ithaca: Firebrand, 1991.Google Scholar
Haefele-Thomas, Ardel. “Queering the Female Gothic.” Women and the Gothic. Eds. Horner, Avril and Zlosnik, Sue. Manchester: Manchester University Press, 2016. 169–83.Google Scholar
Haefele-Thomas, Ardel. Queer Others in Victorian Gothic: Transgressing Monstrosity. Cardiff: University of Wales Press, 2012.Google Scholar
Haggerty, George. Queer Gothic. Urbana: University of Illinois Press, 2006.Google Scholar
Heidt, Yvonne. Sometime Yesterday. Valley Falls: Bold Strokes Books, 2012.Google Scholar
Horner, Avril and Zlosnik, Sue. Gothic and the Comic Turn. London: Palgrave Macmillan, 2005.Google Scholar
Hughes, William and Smith, Andrew. “Introduction.” Queering the Gothic. Eds. Hughes, William and Smith, Andrew. Manchester: Manchester UP, 2009. 110.Google Scholar
“I Am Also A We.” Sense8. Netflix. 5 June 2015. Television.Google Scholar
Kelly, Daniel W. Rise of the Thing Down Below. Valley Falls: Bold Strokes Books, 2014.Google Scholar
Kenan, Randall. A Visitation of Spirits. New York: Vintage Books, 1989.Google Scholar
Kennedy, Sarah and Cianciotto, Jason. “Homophobia at ‘Hell House’: Literally Demonizing Lesbian, Gay, Bisexual and Transgender Youth.” The Task Force. Web. 15 Oct. 2015.Google Scholar
Kushner, Tony. Angels in America: A Gay Fantasia on National Themes. New York: Theatre Communications Group, 1995.Google Scholar
“Limbic Resonance.” Sense8. Netflix. 5 June 2015.Google Scholar
Lorde, Audre. Zami: A New Spelling of My Name – A Biomythography. Berkeley: The Crossing Press, 1982.Google Scholar
McCullers, Carson. The Ballad of the Sad Café and other Stories. 1951. New York: Bantam Books, 1981.Google Scholar
Palacios, Monica. “La Llorona Loca: The Other Side.” Chicana Lesbians: The Girls Our Mothers Warned Us About. Ed. Trujillo, Carla. Berkeley: Third Woman Press, 1991. 4951.Google Scholar
Ricker, Jeffrey. “Blackout.” Night Shadows: Queer Horror. Ed. Herren, Greg and Redmann, J. M.. Valley Falls: Bold Strokes Books, 2012. 167–85.Google Scholar
Roen, Paul. High Camp: A Gay Guide to Camp and Cult Films, Vol. 1. San Francisco: Leyland Publications, 1994.Google Scholar
“Smart Money’s on the Skinny Bitch.” Sense8. Netflix. 5 June 2015. Television.Google Scholar
Sontag, Susan. “Notes on ‘Camp’.” 1964. Faculty Georgetown U. Web. 15 Oct. 2015.Google Scholar
Soto, Sandra. Reading Chican@ Like a Queer: The De-Mastery of Desire. Austin: University of Texas Press, 2010.Google Scholar
Spooner, Catherine. Post-Millennial Gothic: Comedy, Romance and the Rise of “Happy Gothic.” London: Bloomsbury Academic, forthcoming.Google Scholar
Stryker, Susan. “My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage.” The Transgender Studies Reader. Eds. Stryker, Susan and Whittle, Stephen. New York: Routledge, 2006. 244–56.Google Scholar
Stryker, Susan. Transgender History. Berkeley: Seal Press, 2008.Google Scholar
Weathers, Brenda. The House at Pelham Falls. Tallahassee: The Naiad Press, Inc., 1986.Google Scholar

Works Cited

Brown, Charles Brockden. Edgar Huntly: or, Memoirs of a Sleep-Walker. Ed. Krause, Sydney J.. Kent, OH: Kent State University Press, 1984.Google Scholar
Brown, Charles Brockden. Wieland; or, The Transformation: An American Tale and Memoirs of Carwin the Biloquist. Ed. Cowie, Alexander. Kent, OH: Kent State University Press, 1977. 1310.Google Scholar
Christopherson, Bill. The Apparition in the Glass: Charles Brockden Brown’s American Gothic. Athens: University of Georgia Press, 1994.Google Scholar
Crow, Charles L., ed. Companion to American Gothic. Hoboken, NJ: John Wiley & Sons, 2013.Google Scholar
Crow, Charles L.Fear, Ambiguity, and Transgression: The Gothic Novel in the United States.” A Companion to the American Novel. Ed. Bendixon, Alfred. Hoboken, NJ: Wiley-Blackwell, 2012. 129–46.Google Scholar
Davison, Carol Margaret. “Charles Brockden Brown: Godfather of the American Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 110–23.Google Scholar
Fiedler, Leslie. Love and Death in the American Novel. New York: Criterion Books, 1960.Google Scholar
Folsom, James K.Gothicism in the Western Novel.” Frontier Gothic: Terror and Wonder at the Frontier in American Literature. Eds. Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. London and Toronto: Associated University Presses, 1993. 2841.Google Scholar
Freud, Sigmund. “The Uncanny.” The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XVII (1917–1919). Trans. Strackey, James. London: Hogarth Press, 1955.Google Scholar
Goddu, Teresa. “The African American Slave Narrative and the Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 7183.Google Scholar
Grabo, Norman. The Coincidental Art of Charles Brockden Brown. Chapel Hill: University of North Carolina Press, 1981.Google Scholar
Jarraway, David R. “‘Divided Moment’ Yet ‘One Flesh’: The ‘Queer’ Contours of American Gothic Today.” Gothic Studies 2.1 (2000): 90103.Google Scholar
Kerr, Howard, Crowley, John W., and Crow, Charles L., eds. The Haunted Dusk: American Supernatural Fiction 1820 – 1920. Athens: University of Georgia Press, 1984.Google Scholar
Mather, Cotton. Wonders of the Invisible World: Observations Historical as well Theological, upon the Nature, the Number, and the Operations of the Devil. Ed. Smolinski, Reiner. Digital of Nebraska-Lincoln: Electronic Texts in American Studies. Paper 19. Web. 15 July 2016.Google Scholar
McCarthy, Cormac. Child of God. New York: Random House, 1973.Google Scholar
Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. Introduction. Frontier Gothic: Terror and Wonder at the Frontier in American Literature. Eds. Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. London and Toronto: Associated University Presses, 1993.Google Scholar
Morrison, Toni. Paradise. New York: Plume, 1997.Google Scholar
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage Books, 1992.Google Scholar
Procházka, Martin. “American Ruins and the Ghost Town Syndrome.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 2940.Google Scholar
Poe, Edgar Allan. The Narrative of Arthur Gordon Pym of Nantucket. 1838. New York: Penguin Classics, 1986.Google Scholar
Rowlandson, Mary. The Soveraignty and Goodness of God… Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson. In Early Americas Digital Archive. University of Maryland Technology in the Humanities, 2002. Web. 15 July 2016.Google Scholar
Sivils, Matthew Wynn. “Indian Captivity Narratives and the Origins of American Frontier Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 8495.Google Scholar
Walsh, J. Christopher. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy. Knoxville: Newfound Press, 2010.Google Scholar
Weinstock, Jeffrey Andrew. “American Monsters.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 4155.Google Scholar
Weinstock, Jeffrey Andrew. Charles Brockden Brown. Gothic Authors: Critical Revisions. Cardiff: University of Wales Press, 2011.Google Scholar
Wester, Maisha L.Toni Morrison’s Gothic: Headless Brides and Haunted Communes.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 378–91.Google Scholar

Works Cited

Byrd, William. William Byrd’s Histories of the Dividing Line Betwixt Virginia and North Carolina. New York: Dover, 1967.Google Scholar
Cable, George Washington. The Grandissimes. New York: Penguin, 1988.Google Scholar
Chesnutt, Charles W. The Marrow of Tradition. (1901). Ann Arbor: University of Michigan Press, 1969.Google Scholar
Du Bois, W. E. B. The Souls of Black Folk. In Du Bois, Writings. New York: The Library of America, 1986. 357546.Google Scholar
Edwards, Justin D. Gothic Passages: Racial Ambiguity and the American Gothic. Iowa City: University of Iowa Press, 2003.Google Scholar
Fiedler, Leslie A. Love and Death in the American Novel. New York: Stein and Day, 1960. Rev. edn., 1966.Google Scholar
Goddu, Teresa A. Gothic America: Narrative, History, Nation. New York: Columbia University Press, 1997.Google Scholar
Jefferson, Thomas. Notes on the State of Virginia. In Jefferson, , Writings. New York: The Library of America, 1984. 123325.Google Scholar
Ladd, Barbara. Resisting History: William Faulkner Zora Neale Hurston, and Eudora Welty. Baton Rouge: Louisiana State University Press, 2007.Google Scholar
McCarthy, Cormac. The Outer Dark. New York: Random House, 1968.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Houndsmill: Palgrave Macmillan, 2013.Google Scholar
Rash, Ron. “Those Who Are Dead Are Only Now Forgiven.” Nothing Gold Can Stay. New York: HarperCollins, 2013. 127–43.Google Scholar
Séjour, Victor. “The Mulatto.” Tr. Barnard, Philip. Web. 21 Dec. 2015.Google Scholar
Simpson, Louis P. Introduction. 3 by 3: Masterworks of the Southern Gothic. Atlanta: Peachtree Publishers, 1985. viixiv.Google Scholar
Sunquist, Eric J. To Wake the Nations: Race in the Making of American Literature. Cambridge, MA: Harvard University Press, 1993.Google Scholar
Welty, Eurdora. “The Burning.” The Collected Stories of Eudora Welty. New York and London: Harcourt Brace Jovanovich, 1980. 482–49.Google Scholar

Works Cited

Block, Lawrence. A Ticket to the Boneyard. New York: William Morrow & Co., Inc., 1990.Google Scholar
Bould, Mark. Film noir: From Berlin to Sin City. London: Wallflower Press, 2005.Google Scholar
Brooks, Chris. The Gothic Revival. London: Phaidon, 1999.Google Scholar
Cassuto, Leonard. Hard-Boiled Sentimentality: The Secret History of American Crime Stories. New York: Columbia UP, 2009.Google Scholar
Cassuto, Leonard. “Raymond Chandler.” The Cambridge Companion to American Novelists. Ed. Parrish, Timothy. Cambridge: Cambridge University Press, 2013. 168–78.Google Scholar
Chandler, Raymond. Farewell, My Lovely. Raymond Chandler: Stories & Early Novels. New York: the Library of America, 1995. 765984.Google Scholar
Chandler, Raymond. The Big Sleep. Raymond Chandler: Later Novels & Other Writings. New York: The Library of America, 1995. 587764.Google Scholar
Chandler, Raymond. “The Simple Art of Murder.” Raymond Chandler: Later Novels & Other Writings. New York: The Library of America, 1995. 977–92.Google Scholar
Clark, Kenneth. The Gothic Revival: An Essay on the History of Taste. Harmondsworth: Penguin, 1962.Google Scholar
Groom, Nick. “Gothic Antiquity: From the Sack of Rome to The Castle of Otronto.” Terror and Wonder: The Gothic Imagination. Ed. Townshend, Dale. London: The British Library, 2014. 3867.Google Scholar
Halttunen, Karen. Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830–1870. New Haven and London: Yale University Press, 1982.Google Scholar
Harris, Thomas. The Silence of the Lambs. New York: St. Martins, 1988.Google Scholar
Himes, Chester. Run, Man, Run (1966). New York: Carroll & Graf, 1995.Google Scholar
Lippard, George. The Quaker City or, The Monks of Monk Hall (1845). Rpt. Amherst: University of Massachusetts Press, 1995.Google Scholar
Luhr, William. Film noir. Malden, MA: Wiley-Blackwell, 2012.Google Scholar
May, Rollo. The Meaning of Anxiety (1950); rev. edn. New York: W.W. Norton & Co., 1996.Google Scholar
McCann, Sean. Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism. Durham: Duke University Press, 2000.Google Scholar
Newitz, Annalee. Pretend We’re Dead: Capitalist Monsters in American Pop Culture. Durham: Duke University Press, 2006.CrossRefGoogle Scholar
Petty, Homer B. and Palmer, R. Barton, eds. Film Noir. Edinburgh: Edinburgh University Press, 2014.Google Scholar
Poe, Edgar Allan. “The Fall of the House of Usher.” Edgar Allan Poe: Poetry and Tales. New York: The Library of America, 1984. 317–36.Google Scholar
Poe, Edgar Allan. “The Murders in the Rue Morgue.” Edgar Allan Poe: Poetry and Tales. New York: The Library of America, 1984. 397431.Google Scholar
Poe, Edgar Allan. “The Man of the Crowd.” Edgar Allan Poe: Poetry and Tales. New York: The Library of America, 1984. 388–96.Google Scholar
Seltzer, Mark. Serial Killers: Death and Life in America’s Wound Culture. New York: Routledge, 1998.Google Scholar
Silver, Alain, and Ursini, James. L.A. Noir: The City as Character. Santa Monica, CA: Santa Monica Press, 2005.Google Scholar
Weinstock, Jeffrey Andrew. Charles Brockden Brown. Cardiff: University of Wales Press, 2011.Google Scholar
White, Leslie T.City of Hell!” (1935). Rpt. The Black Lizard Big Book of Pulps. Penzler, Otto, ed. New York: Vintage, 2007. 112–32.Google Scholar
Wright, Richard. Black Boy (American Hunger). (1945); rev. edn. 1993. New York: Harper Perennial: 1993.Google Scholar
Wright, Richard. “How Bigger Was Born” (1940). Native Son (1940; rev. ed. 1991). New York: Harper Perennial, 1993. 431–62.Google Scholar
Wright, Richard. Native Son. (1940; rev. edn. 1991). New York: Harper Perennial, 1993.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×