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12 - Stalin as producer: the Moscow show trials and the construction of mortal threats

Published online by Cambridge University Press:  24 November 2009

William Chase
Affiliation:
Professor, History department University of Pittsburgh
Sarah Davies
Affiliation:
University of Durham
James Harris
Affiliation:
University of Leeds
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Summary

Long before the judges entered the courtroom to preside over the August 1936 case of the Trotskyite-Zinovievite Terrorist Centre, show trials had become an established feature of Soviet political life. The trial of the Socialist Revolutionaries, the Shakhty trial, the trial of the Industrial Party, the Menshevik trial, and the Metro-Vickers trial were but the most publicised of this genre of political struggle played out on a judicial stage. But the Moscow show trials of 1936, 1937, and 1938 differed from their predecessors in three significant ways: the political composition of the defendants; the seriousness of the threats that the defendants allegedly posed; and the use of the defendants' confessions, and the trials' verdicts, to justify a conspiratorial explanation of politics and mass repression. For these reasons, these trials stand apart from the other show trials of the Soviet period and they continue to fascinate and perplex. This essay examines these trials to explore how Stalin used them to construct a series of threats, to define who and what constituted the threats, and to mobilise citizens to unmask and crush those threats. In short, it explores what the show trials sought to show.

The Bolsheviks hardly originated the idea of using the judicial system to construct and expose threats to a community. On the contrary, the use of the judicial system for such ends is a longstanding European tradition. Lenin appreciated the power of show trials and was keen to use them against those who threatened the new Soviet state.

Type
Chapter
Information
Stalin
A New History
, pp. 226 - 248
Publisher: Cambridge University Press
Print publication year: 2005

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