The European Renaissance and Its Interpretations

The partitioning of Italian and northwestern European history into radically different periods, as they are sometimes proclaimed to be, originates in the writings of two great nineteenth-century historians, Jules Michelet and Jacob Burckhardt. The two scholars had distinctly different backgrounds and views of history. Burckhardt was a well-rounded and occasionally somber Swiss who harbored conservative leanings. He was captivated by the Middle Ages and saw in the Renaissance much light but also the kind of shadows that a historian of his time would find due to the changes in the traditional religious social order and the release of man to follow his own talents, capabilities, loss of conscience, and vile cravings – and be subject to the authority of the cruel and powerful who would arise, as it were, from the masses of freed humanity. Michelet, by contrast, was a personable, modern, ebullient, secular Frenchman who regarded the Renaissance as an era that had broken off from the benighted Middle Ages (which he considered as having been strangled by the shackles of the church and the hairsplitting rhetoric of Scholasticism), opening the way for humankind in the modern age. Both of them saw the Renaissance not only as an era of artistic efflorescence but also as a unitary whole, during which the pinnacle of the arts, the exploration of new continents, and scientific innovations came together to create a general “discovery of the world and discovery of Man,” for better or worse.