Published online by Cambridge University Press: 03 May 2011
Anicius Manlius Severinus Boethius sat in prison at the age of roughly forty-four, condemned by Theodoric, king of the Ostrogoths. He awaited execution, which came around the year a.d. 525 – he was tortured and bludgeoned to death in Pavia. In the time between his imprisonment and his death, he was able to write The Consolation of Philosophy, one of the central texts bridging the classical and medieval worlds. When Lady Philosophy visits Boethius in prison, the urgency of Boethius's struggle is rooted in his strange circumstance. Facing death by bludgeon in the not-too-distant future hones his ear as he listens to Philosophy's counsel and to her carefully crafted cure. The book follows in the tradition of Menippean satire. The poetry is not where consolation is found, though often the poems are used to refresh Boethius after a difficult course of treatment by Philosophy in her attempt to cure him. He goes through the curative rigors and is then allowed a draft at the fountain of poetry for relief. Other times poems do carry forward an idea presented in the prose argument or else sum up what she has said. No longer does poetry find itself struggling against philosophy. Poetry is very nearly subsumed by Philosophy, who speaks in poems at various junctures in the work of helping Boethius make the ascent from the earthbound grief he starts with in the first poem to contemplation of the mind of God, even approaching in the final chapter (which is all prose with no poem) the very ideas of the nature of God's knowledge, time, and eternity – a fitting place to end before exiting this life at the hands of a tyrant.
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