from Part I - Repopulating the Street
Published online by Cambridge University Press: 27 April 2017
IN A POEM WRITTEN IN EPISTOLARY FORM TO HIS FRIEND FLORUS, Horace launches a litany of excuses for why he is a lousy correspondent. Among his reasons is the difficulty of life in Rome and the strain exacted by its streets:
And anyhow, how do you think I can write poems in Rome, amidst so many cares and so many responsibilities? One man asks me to be his sponsor, another to leave behind all my duties and to hear what he's written: this one's lying sick on the Quirinal, that one's on the furthest part of the Aventine, and yet I've got to pay a visit to both. The distance is hardly convenient. “True, but the roads are clear, so there's nothing to stop you from thinking en route.” Sure. First, a builder in a rage rushes by with mules and workmen; then a huge crane hoists a beam and a boulder; and then comes a funeral procession, jostling its way along with lumbering wagons; a mad dog scampers by this way, a muddy pig that: now go and think carefully on some melodious verse!
For our investigation of street life, at least two things are fascinating about Horace's portrait of urban life. First, the skeptical voice he embeds in his poem sees Roman streets in much the same way that plenty of scholarship on Roman cities has: they are relatively empty; they primarily offer a means of movement; and, when they are broad, few impediments or distractions will be present. Second, Horace's response confirms what we know intuitively even as we look at relatively desolate streets on archaeological sites – namely, that there was much and many that got in the way.
But who and what were present, and what pursuits they engaged in, can contrast markedly with what we normally experience in cities of the modern West. There is, of course, construction equipment – a timeless complaint, it seems – but also beasts of burden, people carrying materials, funerals lumbering along and aloud, and even loose animals. The scene depicts very little “normal” traffic: people like the poet trying to get from place to place.
To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.