In his recent homage to Marc Augé, Paul Virilio asserts that the author of Non-Places has turned anthropology into a science responsible less for reconstituting traditional cultures than for scaffolding an art of premonition. The ethnologist of today can no longer study societies “without history” but, rather, the fragile state of a world in which chronological time has telescoped to the state of instantaneity. Space, like the wild ass's skin in Balzac's La Peau de chagrin, has shrunk beyond belief. Virilio, whose brilliantly delphic writings hover between the messianic and the titanic, finds in Augé a friend who senses the effects that the acceleration of information have on subjectivity. The supermodernity (surmodernité) of which Augé writes “is surely the combined effect of the acceleration of history and of a shrinkage of geographical space giving occasion […] to both ‘an individualization of destinies’ and to diverse destinations of action” (Virilio 2008: 100). The effect, he notes, is that individuals now owe their existential being to a condition of solitude. They find themselves in a state of accelerated delocalization, which is exactly what the anthropologist discovered in his own premonitions. Virilio finds in the anthropologist's labors an attempt to gain a distance from himself while within his field of inquiry a tension reigns between premonition (pressentiment) and resentment (ressentiment). Virilio's intergalactic fantasies are born of the tension. He writes that everything is happening today as if we were seeing the world as had the astronauts who landed on the moon forty years ago: