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3 - Jules Verne and the Limitations of Literature

Daniel Compere
Affiliation:
University of Amiens
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Summary

Jules Verne appeared on the French literary scene in 1863, with his first novel Cinq semaines en ballon. In the middle of the nineteenth century he both witnessed and participated in, the evolution of literature, due in particular to the increasing number of readers and changes in publishing techniques. New genres were born, such as serialized novels, detective stories, and futuristic novels. Verne was to try to impose one of his own, the ‘scientific romance’ as he called it, ‘for the want of a better name’.

The 1867 edition of Voyages et aventures du capitaine Hatteras begins with an ‘Editor's Note’, stipulating the guidelines that Verne was to follow:

What is more, Jules Verne's novels have reached their pinnacle. Seeing an eager public rushing to conferences organized all over France, and seeing that alongside art and theatre critics, we have had to make room in our newspapers for the reports of the Académie des Sciences, it has to be said that art for art's sake is no longer relevant in our day and age; the time has come for science to take its rightful place in literature…

Verne's new works will be successively added to this edition which will always be updated with the utmost care. In this way, the works already published, and those to be published, will represent the intentions of the author who has subtitled this work Voyages dans les mondes connus et inconnus. His aim is, in fact, to bring together all the geographical, geological, physical and astronomical elements known to modern science, and to retell, in his own attractive and picturesque form, the history of the universe.

Two slightly conflicting points of view emerge from this preface written by Verne, and revised by the publisher. One undeniably corresponds with Hetzel's intentions: ‘to bring together all the … elements known to modern science’. The emphasis is placed on education, but in an ‘attractive and picturesque form’. The second point of view is that of Verne himself, and shares the ideas of Flaubert, Zola and Hugo on the subject of literature being exposed to its period, thus in contrast with romantic theories: ‘for science to take its rightful place in literature’.

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Jules Verne
Narratives of Modernity
, pp. 40 - 45
Publisher: Liverpool University Press
Print publication year: 2000

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