Hostname: page-component-76fb5796d-zzh7m Total loading time: 0 Render date: 2024-04-26T00:50:41.178Z Has data issue: false hasContentIssue false

Victorian Lyric in the Anthropocene

Published online by Cambridge University Press:  01 November 2019

Extract

When Charles Lyell chronicles humankind's rise to geologic power in the Principles of Geology, he talks out of both sides of his mouth. Detailing the human species’ seemingly unmatched force as a terrestrial “levelling agent,” he ruminates on an unsettling possibility that haunts the present: “it admits of reasonable doubt whether, upon the whole, we fertilize or impoverish the lands we occupy.” Already at the time of Lyell's writing, the human species had “displaced” or altogether extinguished “a number of beasts of prey, birds, and animals of every class” (2:148) through deforestation, hunting, and the “progress of colonization” (2:150–51). But elsewhere in the Principles, Lyell puts into question what this history of environmental degradation otherwise seems to assert: that to be human is to possess a singular capacity for mastery. Thus, Lyell declares, “we ought always, before we decide that any part of the influence of man is novel and anomalous, carefully to consider all the powers of other animate agents which may be limited or superseded by him” (2:206). Tracing how swarms of insects gave dramatic and lasting shape to the German arboreal landscape in ways that humans could never replicate, he concludes: “[I]t does not follow that this kind of innovation”—human innovation—“is unprecedented” (2:206). Even as Lyell imagines humankind as “superior” in its capacity to act as “a single species,” he persistently lingers with the very real possibility that humans do not possess a “novel and anomalous” hold over the world (2:207, emphasis original). Instead, the Principles traces how the world is shaped by “physical causes” and nonhuman agencies that elude control and unmask the relative “insignifican[ce]” of humankind's “aggregate force” (2:207). Inasmuch as humans comprise only one part of an agential assemblage whose shifting interactions elude anthropogenic mastery, the Principles imagines humankind as interpenetrated by and profoundly susceptible to nonhuman life-forms and forces. According to Lyell, then, deep history speaks not only of the human species’ seemingly privileged capacity for action but also its nonintentionality, noninstrumentality, and vulnerability. That the Principles tells a story about the porous interfaces between human and nonhuman geologic agents is perhaps surprising, given that it emerged and participated in a moment which, for many, marks the zenith of imperial and anthropogenic power.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

Scholarship is a collective endeavor. I am especially grateful to Stacey Balkan, Julia Dauer, Devin Griffiths, Lenora Hanson, Nathan K. Hensley, Ashvin R. Kini, Caroline Levine, Jessie Reeder, and the anonymous readers for their generosity and insights.

References

Works Cited

Agamben, Giorgio. “Pascoli and the Thought of the Voice.” In The End of the Poem: Studies in Poetics, translated by Heller-Roazen, Daniel, 6275. Stanford: Stanford University Press, 1999.Google Scholar
Agathocleous, Tanya. “In the Present of No Future.” Victorian Studies 59, no. 1 (2017): 9093.Google Scholar
Alfano, Veronica. “Technologies of Forgetting: Phonographs, Lyric Voice, and Rossetti's Woodspurge.” Victorian Poetry 55, no. 2 (2017): 127–61.Google Scholar
Aravamudan, Srinivas. “The Catachronism of Climate Change.” diacritics 41, no. 3 (2013): 630.Google Scholar
Armstrong, Isobel. “Tennyson, the Collapse of Subject and Object: In Memoriam.” In Language as Living Form in Nineteenth-Century Poetry, 172205. Brighton: Harvester, 1982.Google Scholar
Armstrong, Isobel. “The Victorian Poetry Party.” Victorian Poetry 42, no. 1 (2004): 927.Google Scholar
Armstrong, Isobel. Victorian Poetry: Poetry, Poetics, and Politics. New York: Routledge, 1993.Google Scholar
Balkan, Stacey. “Anthropocene.” In Global South Studies: A Collective Publication with the Global South, October 20, 2017, https://globalsouthstudies.as.virginia.edu/key-concepts/anthropocene.Google Scholar
Barton, Anna. “By an Evolutionist: Poetic Language in Chambers and Tennyson.” In The Evolution of Literature, edited by Saul, Nicholas and James, Simon J., 87100. Amsterdam: Rodopi, 2011.Google Scholar
Bonneuil, Christophe, and Fressoz, Jean-Baptiste. The Shock of the Anthropocene. Translated by Fernbach, David. London: Verso, 2016.Google Scholar
Cameron, Sharon. Impersonality: Seven Essays. Chicago: University of Chicago Press, 2007.Google Scholar
Chakrabarty, Dipesh. “Climate and Capital: On Conjoined Histories.” Critical Inquiry 41, no. 1 (2014): 123.Google Scholar
Christensen, Allan C.Navigating in Perilous Seas of Language: In Memoriam and ‘The Wreck of the Deutschland.’Victorian Poetry 47, no. 2 (2009): 379401.Google Scholar
Colebrook, Claire. Death of the PostHuman: Essays on Extinction. Vol. 1. Ann Arbor: Open Humanities Press, 2014.Google Scholar
Coombs, David Sweeney, and Coriale, Danielle. “V21 Forum on Strategic Presentism: Introduction.” Victorian Studies 59, no. 1 (2016): 8789.Google Scholar
Crist, Eileen. “On the Poverty of Our Nomenclature.” Environmental Humanities 3, no. 1 (2013): 129–47.Google Scholar
Culler, Jonathan. “Apostrophe.” In The Pursuit of Signs: Semiotics, Literature, Deconstruction, 149–71. New York: Routledge, 1981.Google Scholar
Culler, Jonathan. Theory of the Lyric. Cambridge, Mass.: Harvard University Press, 2015.Google Scholar
Dawson, Ashley. Extinction: A Radical History. New York: OR Books, 2016.Google Scholar
De Man, Paul. “Autobiography as De-Facement.” In The Rhetoric of Romanticism, 6782. New York: Columbia University Press, 1984.Google Scholar
François, Anne-Lise. “Ungiving Time: Reading Lyric by the Light of the Anthropocene.” In Anthropocene Reading: Literary History in Geologic Times, edited by Menely, Tobias and Taylor, Jesse Oak, 239–58. College Park: Pennsylvania State University Press, 2017.Google Scholar
Fuss, Diana. Dying Modern: A Meditation on Elegy. Durham: Duke University Press, 2013.Google Scholar
Geric, Michelle. “Tennyson's Maud (1855) and the ‘unmeaning of names’: Geology, Language Theory, and Dialogics.” Victorian Poetry 51, no. 1 (2013): 3762.Google Scholar
Ghosh, Amitav. The Great Derangement: Climate Change and the Unthinkable. Chicago: University of Chicago Press, 2016.Google Scholar
Gigante, Denise. “Forming Desire: On the Eponymous In Memoriam Stanza.” Nineteenth-Century Literature 53, no. 4 (1999): 480504.Google Scholar
Gold, Barri J. ThermoPoetics: Energy in Victorian Literature and Science. Cambridge, Mass.: MIT Press, 2010.Google Scholar
Gray, Erik. “Polyptoton in In Memoriam: Evolution, Speculation, Elegy.” SEL: Studies in English Literature, 15001900 55, no. 4 (2015): 841–60.Google Scholar
Haraway, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press, 2016.Google Scholar
Heise, Ursula K. Imagining Extinction: The Cultural Meanings of Endangered Species. Chicago: University of Chicago Press, 2016.Google Scholar
Heringman, Noah. “Deep Time at the Dawn of the Anthropocene.” Representations 129, no. 1 (2015): 5685.Google Scholar
Hsiao, Irene. “Calculating Loss in Tennyson's In Memoriam.” Victorian Poetry 47, no. 1 (2009): 173–96.Google Scholar
Jackson, Virginia, and Prins, Yopie. “Lyrical Studies.” Victorian Literature and Culture 27, no. 2 (1999): 521–30.Google Scholar
Johnson, Barbara. Persons and Things. Cambridge, Mass.: Harvard University Press, 2008.Google Scholar
Jones, Stephen. “Orb.” In A General Pronouncing and Explanatory Dictionary of the English Language. London, 1804.Google Scholar
Knowles, James. “Aspects of Tennyson II.” The Nineteenth Century: A Monthly Review (January 1893): 164–88.Google Scholar
Lutz, Deborah. Relics of Death in Victorian Literature and Culture. New York: Cambridge University Press, 2015.Google Scholar
Lyell, Charles. Principles of Geology (1830–33). 3 vols. Chicago: University of Chicago Press, 1990.Google Scholar
Menely, Tobias. The Animal Claim: Sensibility and the Creaturely Voice. Chicago: University of Chicago Press, 2015.Google Scholar
Mill, John Stuart. “Thoughts on Poetry and Its Varieties.” 1860. In Dissertations and Discussions Political, Philosophical, and Historical, 1:63–94. London: J. W. Parker, 1859.Google Scholar
Moore, Jason, ed. Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism. Oakland: PM Press, 2016.Google Scholar
Morton, Timothy. “Victorian Hyperobjects.” Nineteenth-Century Contexts 36, no. 5 (2014): 489500.Google Scholar
Prins, Yopie. “Voice Inverse.” Victorian Poetry 42, no. 1 (2004): 4359.Google Scholar
Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: University of Chicago Press, 1994.Google Scholar
Reed, Anthony. “The Erotics of Mourning in Recent Experimental Black Poetry.” Black Scholar 47, no. 1 (2017): 2337.Google Scholar
Rosenberg, John. Elegy for an Age: The Presence of the Past in Victorian Literature. London: Anthem Press, 2005.Google Scholar
Sacks, Peter. The English Elegy: Studies in the Genre from Spenser to Yeats. Baltimore: Johns Hopkins University Press, 1985.Google Scholar
Soule, Richard. “Orb.” In A Dictionary of English Synonymes. Boston: Little, Brown, 1871.Google Scholar
Steffen, Will, et al. “The Anthropocene: Conceptual and Historical Perspectives.” Philosophical Transactions: Mathematical, Physical, and Engineering Sciences 369 (2011): 842–67.Google Scholar
Stewart, Susan. Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2001.Google Scholar
Stewart, Susan. “Preface to a Lyric History.” In The Uses of Literary History, edited by Brown, Marshall, 199218. Durham: Duke University Press, 1995.Google Scholar
“tangle, n.2 ” and “tangle, n.3.” Oxford English Dictionary, www.oed.com.Google Scholar
Taylor, Jesse Oak. The Sky of Our Manufacture: The London Fog from Dickens to Woolf. Charlottesville: University of Virginia Press, 2016.Google Scholar
Taylor, Jesse Oak. “Tennyson's Elegy for the Anthropocene: Genre, Form, and Species Being.” Victorian Studies 58, no. 2 (2016): 224–33.Google Scholar
Tennyson, Alfred Lord. The Poems of Tennyson. Ed. Ricks, Christopher. 3 vols. Berkeley: University of California Press, 1987.Google Scholar
Tennyson, Hallam. Alfred Lord Tennyson: A Memoir by His Son. Vol. 1. London: Macmillan, 1897.Google Scholar
Tomko, Michael. “Varieties of Geological Experience: Religion, Body, and Spirit in Tennyson's In Memoriam and Lyell's Principles of Geology.” Victorian Poetry 42, no. 2 (2004): 113–33.Google Scholar
Vendler, Helen. Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery. Princeton: Princeton University Press, 2007.Google Scholar
Wolfe, Cary. What Is Posthumanism? Minneapolis: University of Minnesota Press, 2009.Google Scholar
Wordsworth, William. Preface to Lyrical Ballads with Pastoral and other Poems, 1:i–lxiv. London, 1802.Google Scholar
Yusoff, Kathryn. “Geologic Subjects: Nonhuman Origins, Geomorphic Aesthetics and the Art of Becoming Inhuman.” Cultural Geographies 22, no. 3 (2015): 383407.Google Scholar
Zimmerman, Virginia. Excavating Victorians. Albany: State University of New York Press, 2009.Google Scholar