To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Spain has until recently been almost absent from traditional operatic histories and guidebooks, yet its lyric theatre boasts a rich heritage dating back to the early 1620s, which still flourishes four centuries later. The History offers a comprehensive survey from the Baroque to the modern musical, taking in such important theatrical patterns as the romantic zarzuela (1850s–1950s), which remains hugely popular throughout the Hispanic world. The volume is organised chronologically, providing readers with a panoramic overview, while in-depth Interchapters and case studies focus on topics of special interest, including individual composers, works and performers, using a 'transatlantic lens' to examine Spanish-language lyric theatre in the Americas and beyond. It offers a fresh summation of the best modern scholarship from academics, writers and performers, encouraging readers to think in terms of changing musico-dramatic patterns –'living theatre' rather than fixed 'genres' – while pointing forward to the global dissemination of these remarkable Spanish repertoires.
The Cambridge History of Mythology and Mythography offers a comprehensive overview of the history, theory, and practice of mythic analysis. From antiquity to the present day, and from the Americas to Africa, Eurasia, and Oceania, it demonstrates how mythic traditions have played a seminal role in a variety of cultures and civilizations. It also traces the origins and earliest expression of various mythic traditions, their similarities and differences, mutual influences, and their evolution. In addition, this History explores the key roles that literary figures, oral traditionalists, ethnologists, and cinematographers have played in collecting, cataloguing, interpreting, and reinterpreting the mythic traditions. It demonstrates how their work has influenced the transmission and perception of those traditions and enables an appreciation of the similarities and differences between mythological traditions. This comprehensive reference volume also brings an inter- and multi-disciplinary perspective to the topic, revealing how the interaction of various approaches contributes to the study of mythology across the world.
The Cambridge History of Mythology and Mythography offers a comprehensive overview of the history, theory, and practice of mythic analysis. From antiquity to the present day, and from the Americas to Africa, Eurasia, and Oceania, it demonstrates how mythic traditions have played a seminal role in a variety of cultures and civilizations. It also traces the origins and earliest expression of various mythic traditions, their similarities and differences, mutual influences, and their evolution. In addition, this History explores the key roles that literary figures, oral traditionalists, ethnologists, and cinematographers have played in collecting, cataloguing, interpreting, and reinterpreting the mythic traditions. It demonstrates how their work has influenced the transmission and perception of those traditions and enables an appreciation of the similarities and differences between mythological traditions. This comprehensive reference volume also brings an inter- and multi-disciplinary perspective to the topic, revealing how the interaction of various approaches contributes to the study of mythology across the world.
What is the moral foundation of human rights, justice, and the rule of law? In a time of deep cultural and political division, this volume charts the rich history of one of the most enduring ideas in Western thought: that moral and legal norms are rooted in human nature and accessible to reason. Spanning ancient, medieval, early modern, and contemporary traditions-including Islamic and African-American perspectives-the volume shows how Natural Law has evolved and how it continues to shape debates in ethics, politics, and jurisprudence. With chapters on Aristotle, Aquinas, Grotius, Locke, and the American Founders, as well as modern voices like Jacques Maritain and Martin Luther King, it offers both historical depth and philosophical clarity. Essential reading for students and scholars in philosophy, law, theology, and political theory, it invites readers to rediscover a tradition that speaks urgently to the moral challenges of our time.
Covering the earliest known Anglophone literature for children from its medieval forms, its evolution in the early modern period and towards its emergence in the world of print culture, this volume explores the very foundations of the field through to its establishment as a popular genre for nineteenth-century consumers. In-depth discussion of specific sub-periods is provided in the opening chapters, while the remainder trace both major and more subtle changes in genre and style over time, charting an age of experimentation in form including both successful innovations and frequent failed attempts. The geographical range primarily focuses on the British Isles, but chapters also investigate early developments in children's books from North America and the wider impacts of colonialism and slavery. The shifting currents of didacticism and reading for pleasure across a variety of genres, bolstered by Enlightenment educational ideals, intersect here with new thinking about politics, sex, science, and faith.
Victorian women's writing was a global project, offering platforms of expression to authors of wildly different perspectives, cultures, and life experiences. While conventional accounts of Victorian women's writing emphasize modest domestic ideals, this volume places that familiar narrative in conversation with voices that tell very different stories, including those that challenge, reject, reform, subvert, and sometimes reinforce received assumptions about what Victorian women thought, did, and wrote. Engaging sources from the 1830s to the dawn of the Great War in 1914 and beyond, this multi-authored history emphasizes the differences and the connections – both formal and thematic –linking those international, interdisciplinary, and transgeneric voices. Gathering cutting-edge contributions by scholars from across a rich variety of disciplinary perspectives, this History redefines what Victorian women's writing made possible in the modern world.
Highlighting the vibrancy and courage of women's contributions to the Romantic era's cultural politics, this History explores the period's British incarnations from the perspective of women to demonstrate how female accomplishment challenged women's secondary social status and initiated an early form of feminist protest and gender study. Separate chapters examine the media that women used – including (but not limited to) song, music, needlework, drawing, and empirical experimentation – and the range of venues and locales where they performed their gender identities and cultural assessments. While making space for writers, writing, and textual literacy, the History resists prevalent bias toward these media as agents of social transformation, prioritizing instead collective, improvisatorial, and embodied modes of creativity and protest. Recognizing the contested nature of both 'British Romanticism' and 'women' in today's critical discourse, this major work puts these two constructed entities into dialogue to explore the history and evolution of their creative critical interactions.
Volume II offers an authoritative new guide to life in the Crusader States of the Levant and the Eastern Mediterranean. Across nineteen chapters, leading experts explore how the crusaders not only imposed their own ideas and practices on the Levant but also adapted to its diverse landscapes and societies. With a strong emphasis on material culture, this volume offers a series of interpretative essays covering medicine, law, intellectual life and religious practice, while also providing a fresh treatment of topics including warfare, castles, the Military Orders, art, architecture, archaeology, and many aspects of daily life.
Volume III focuses on the evolution of crusading beyond the Holy Land, the ways in which crusading impacted the people of Europe, and the cultural, political and religious legacies that were left behind. As a major cultural driver of the medieval age, it did much to shape religious thinking and practices, as well as influencing royal, knightly and civic ideology. Across twenty-one chapters, leading experts reveal the impact the Crusades had on women, Jews and emphasises the prominent presence of the Military Orders. Further essays show the rapid diversification of crusading to encompass enemies of the Catholic Church in Iberia, the Baltic and eastern Europe, the heretical Cathars, as well as the Ottoman Turks in the sixteenth century. It concludes with extensive coverage of the vast and diverse legacies of the Crusades, revealing the complexity and contemporary relevance of these contrasting memories in the West and the Muslim world.
Volume I provides this generation's definitive account to crusading history, beginning with the First Crusade in 1095, through Richard the Lionheart, Saladin and the Third Crusade (1187–92), to the fall of the Holy Land in 1291. Across twenty-four chapters, leading experts also provide broad coverage of the source material, delivering fresh perspectives and interpretations. The volume brings together new insights into the establishment of crusader rule and the ongoing interaction of these new Christian territories – in military, religious, cultural and economic terms – with local societies and regimes, most notably the Muslims and the Byzantine Greeks.
The Cambridge History of the Irish Novel appears at a moment when the novel in Ireland is particularly vibrant, with new work by Irish novelists achieving global prominence. The Cambridge History of the Irish Novel offers the first full multi-author survey of the Irish novel to extend from the earliest Irish novels in the seventeenth century to the present. Each of its forty-seven chapters is written by a leading scholar in the field. Cutting across this chronological organisation, The Cambridge History of the Irish Novel also features more than 300 internal cross-references, allowing the reader to track, for instance, the recurrence of the gothic, or the transnational, across genres, across readerships, and across centuries. As such, The Cambridge History of the Irish Novel provides, quite simply, the most extensive view of one of the world's great cultures of the novel.
War and society scholarship has changed how historians understand the Korean War, reinterpreting the concept of civil-military relations to broaden its reach, introduce new voices, and incorporate fresh perspectives. The traditional model of civil-military relations centers on the linear interactions between a policy maker, who outlines objectives, and the senior commander tasked with implementing military actions to achieve those desired ends. The clash between President Harry S. Truman and General Douglas MacArthur is the most iconic example of this conventional approach and has held sway over much of the literature. However, there are numerous more subtle instances of civil-military relations during the Korean War that illuminate the valuable contributions that war and society scholarship has made to our understanding of this conflict and that highlight the significant possibilities of expanding our conception of civil-military relations writ large. This chapter explores how unpreparedness for the Korean War collided with the structural racism inherent in the nation’s segregated military, producing significant consequences for both the U.S. military and American society.
Throughout U.S. history, women have served and participated in war efforts in both official and unofficial capacities, playing central roles in furthering U.S. war aims and achieving the mission at hand. At times, military authorities have acknowledged women’s unofficial contributions by offering payment for services and access to postwar benefits. Military leaders have also recognized the value of servicewomen when personnel needs required them. Since the end of the Vietnam War-era draft in 1973, the U.S. armed forces have gradually opened military occupation specialties, including combat positions, to women. Yet in the civilian world and within the military ranks, resistance to women’s service remained steady over the decades. Critics have cited unit cohesion and readiness as reasons to keep women out of the forces, and they have also made cultural arguments grounded in the links between gender, power, and military service to oppose the mobilization of women. Although U.S. military leaders have opened opportunities for women due to pragmatic needs for personnel, Americans have held on to the notion that soldiers are men, and women belong on the homefront.
It's soldiers who fight battles, rearrange landscapes, traumatize populations, reshape families, and build military institutions. Making sense of soldiers’ choices means exploring who soldiers were, how they got into the fighting, how they imagined war, what they experienced, and how they remembered it. This chapter divides the study of soldiers into five analytical lenses: compositional, experiential, motivational, behavioral, and memory, and introduces a new one: the soldiers' universes—a set of distinct but overlapping networks. They had their squad or “mess” (the primary group). The regiment added bureaucracy and a hierarchical officer corps. Further up lay the institution, and its universe of training, indoctrination, and so on. Outside the army there was both a soldier-enemy universe, and a soldier-civilian universe. Finally, links to home front and family remained, even at war. Each person-to-person link within these and other possible universes was shaped by infrastructure and interest. Ultimately history flows from soldiers' choices on battlefields, and those choices emerged from the universe of connections among soldiers, to their leaders, to their enemies, and back home.
Union veterans faced significant challenges returning to civilian life. The war had removed them from civil society, collected them into vast armies where new social norms prevailed, subjected them to hardship, introduced them to different geographies and climates, and often exposed them to combat trauma. Readjusting to civilian norms was difficult in a society that expected them to quietly resume their prewar lives. As a result, many veterans left their antebellum communities and moved west. Those who reinvented themselves on the frontier differed from the overall Union veteran population. They were more mobile both before and after the war, served longer enlistments, were more likely to have been wounded or have encountered wartime trauma, and often either consciously or unconsciously compensated for their exposure to trauma when choosing where to settle and with whom to interact. The frontier provided the mechanism they needed to reclaim their lives. The nuances of veteran migration to the frontier cannot be fully understood without accounting for both the war and its aftermath, blurring the line between “military history” and “war and society” as paradigms of analysis.
In lieu of a traditional introduction, the editors elected to invite leading scholars to open the volume with a roundtable, inviting discussion and debate over the value, limits, and contributions of war and society studies to understanding the American experience of war. In a robust conversation prompted by questions from the editors, these prominent scholars tackled the question at the very heart of the volume—what defines the study of war and society? Their conversation is followed by commentary from a scholar who offers a counterpoint from the vantage point of military history. The introduction closes with some concluding thoughts from the editors and a roadmap for the volume that follows. The volume’s subsequent essays grapple, explicitly or implicitly, with the ideas laid out in the opening roundtable. The authors collectively aim to help define and elevate the field of war and society by showcasing its approaches, its promise, its sensitivities, and its possibilities. The volume overall stands as a collaborative declaration of the ambitions, character, and future of the field of war and society.