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Covering the earliest known Anglophone literature for children from its medieval forms, its evolution in the early modern period and towards its emergence in the world of print culture, this volume explores the very foundations of the field through to its establishment as a popular genre for nineteenth-century consumers. In-depth discussion of specific sub-periods is provided in the opening chapters, while the remainder trace both major and more subtle changes in genre and style over time, charting an age of experimentation in form including both successful innovations and frequent failed attempts. The geographical range primarily focuses on the British Isles, but chapters also investigate early developments in children's books from North America and the wider impacts of colonialism and slavery. The shifting currents of didacticism and reading for pleasure across a variety of genres, bolstered by Enlightenment educational ideals, intersect here with new thinking about politics, sex, science, and faith.
What is the moral foundation of human rights, justice, and the rule of law? In a time of deep cultural and political division, this volume charts the rich history of one of the most enduring ideas in Western thought: that moral and legal norms are rooted in human nature and accessible to reason. Spanning ancient, medieval, early modern, and contemporary traditions-including Islamic and African-American perspectives-the volume shows how Natural Law has evolved and how it continues to shape debates in ethics, politics, and jurisprudence. With chapters on Aristotle, Aquinas, Grotius, Locke, and the American Founders, as well as modern voices like Jacques Maritain and Martin Luther King, it offers both historical depth and philosophical clarity. Essential reading for students and scholars in philosophy, law, theology, and political theory, it invites readers to rediscover a tradition that speaks urgently to the moral challenges of our time.
Highlighting the vibrancy and courage of women's contributions to the Romantic era's cultural politics, this History explores – from the perspective of women – the period's British incarnations to demonstrate how female accomplishment challenged secondary social status and initiated an early form of feminist protest and gender study. Separate chapters examine the media that women used – including (but not limited to) song, music, needlework, drawing, and empirical experimentation – and the range of venues and locales where they performed their gender identities and cultural assessments. While making space for writers, writing, and textual literacy, the History resists prevalent bias toward these media as agents of social transformation, prioritizing instead collective, improvisatorial, and embodied modes of creativity and protest. Recognizing the contested nature of both 'British Romanticism' and 'women' in today's critical discourse, this major work puts these two constructed entities into dialogue to explore the history and evolution of their creative critical interactions.
Sixty years after their final collaboration Rodgers and Hammerstein remain central figures in the world of musical theatre, and their global influence continues to be felt. This Companion presents their iconic work for a new generation of students, teachers and fans, giving both historical context and new perspectives on the partners, the people with whom they collaborated, and the shows they created. A chapter is devoted to each musical, from Oklahoma! to The Sound of Music, providing key information about that work in both its staged and film versions, and analysis of its distinctive features including those that present challenges for practitioners, audiences and researchers today. The volume also introduces the early careers of both creators and Rodgers's work after Hammerstein's death. The contributions represent a variety of complementary disciplinary backgrounds that can serve as models for future study not just on Rodgers and Hammerstein but also on musical theatre more generally.
The first book in the English language to take a comparative look at the various roles played by all kinds of music and musicians in the fascist regimes of the twentieth century. It provides detailed overviews of musical life in Fascist Italy and Nazi Germany and identifies and challenges some of the stereotypes that became ingrained over the latter half of the twentieth century. Alongside comparative studies drawn from the German and Italian examples, the book presents case studies from a variety of regimes and situations. It analyses and compares numerous aspects of fascism (ideology, thought, practice, policy) in their interfaces with music and musicians across the twentieth century. Its broad range of topics expands the reader's horizons beyond a debate on 'music and totalitarianism' currently too often restricted to Stalinism on the one hand and Nazism on the other.
Volume II offers an authoritative new guide to life in the Crusader States of the Levant and the Eastern Mediterranean. Across nineteen chapters, leading experts explore how the crusaders not only imposed their own ideas and practices on the Levant but also adapted to its diverse landscapes and societies. With a strong emphasis on material culture, this volume offers a series of interpretative essays covering medicine, law, intellectual life and religious practice, while also providing a fresh treatment of topics including warfare, castles, the Military Orders, art, architecture, archaeology, and many aspects of daily life.
This Cambridge Companion offers a rich range of contexts for studying the literary histories of New Orleans. Some of the essays offer a deep focus on the significance of iconic figures such as Tennessee Williams, William Faulkner, and Kate Chopin. Other essays detail long traditions of writing not widely known beyond the city but that complicate our understanding of American literary history in new ways, as in the chapters on queer writers or Mardi Gras or the Asian presence in the city's literary imagination or how deadly nineteenth-century epidemics continue to shape the ways the world has come to read the city as a capital of Gothic horror fiction. These fresh perspectives on one of the most storied cities in the world are an essential resource for those who seek to piece together their own understanding of New Orleans as an historic and living flashpoint in the global literary imagination.
The Cambridge History of Irish Poetry is a one-volume, multi-authored history of the poetic traditions on the island of Ireland and their relation to the courses of poetry beyond its shores. It attends to the crucial developments in the history of Irish poetry as well as the social, political, and cultural conditions underlying those developments, including the complex position of poets in Ireland during different historical eras. Individual chapters describe the ways in which formal, aesthetic, and compositional practices were inflected by political and social structures; provide expert accounts of the institutional and textual histories that have shaped the body of Irish poetry as we have it; and highlight the tradition's major texts, writers, and formations. Unparalleled in scope and depth, this book offers the most comprehensive and authoritative critical account of the Irish poetic tradition.
Volume III focuses on the evolution of crusading beyond the Holy Land, the ways in which crusading impacted the people of Europe, and the cultural, political and religious legacies that were left behind. As a major cultural driver of the medieval age, it did much to shape religious thinking and practices, as well as influencing royal, knightly and civic ideology. Across twenty-one chapters, leading experts reveal the impact the Crusades had on women, Jews and emphasises the prominent presence of the Military Orders. Further essays show the rapid diversification of crusading to encompass enemies of the Catholic Church in Iberia, the Baltic and eastern Europe, the heretical Cathars, as well as the Ottoman Turks in the sixteenth century. It concludes with extensive coverage of the vast and diverse legacies of the Crusades, revealing the complexity and contemporary relevance of these contrasting memories in the West and the Muslim world.
Volume I provides this generation's definitive account to crusading history, beginning with the First Crusade in 1095, through Richard the Lionheart, Saladin and the Third Crusade (1187–92), to the fall of the Holy Land in 1291. Across twenty-four chapters, leading experts also provide broad coverage of the source material, delivering fresh perspectives and interpretations. The volume brings together new insights into the establishment of crusader rule and the ongoing interaction of these new Christian territories – in military, religious, cultural and economic terms – with local societies and regimes, most notably the Muslims and the Byzantine Greeks.
The Cambridge History of the Irish Novel appears at a moment when the novel in Ireland is particularly vibrant, with new work by Irish novelists achieving global prominence. The Cambridge History of the Irish Novel offers the first full multi-author survey of the Irish novel to extend from the earliest Irish novels in the seventeenth century to the present. Each of its forty-seven chapters is written by a leading scholar in the field. Cutting across this chronological organisation, The Cambridge History of the Irish Novel also features more than 300 internal cross-references, allowing the reader to track, for instance, the recurrence of the gothic, or the transnational, across genres, across readerships, and across centuries. As such, The Cambridge History of the Irish Novel provides, quite simply, the most extensive view of one of the world's great cultures of the novel.
During the first four centuries of the common era, scholars and theologians laid the ground work for Christian doctrines that have shaped the faith and practice of believers for two millenia. This was the formative period of Christianity when the major theological tenets of the faith were articulated. The writings of the earliest Christians continue to serve as a vital source of inspiration and guidance for Christians around the world. This Companion offers an overview of Christianity's foundational beliefs and practices. Providing an historiographical overview of the topic, it includes essays on the key thinkers and texts, as well as doctrines and practices that emerged during early Christian era. The volume covers the range of texts produced over four centuries and written by theologians hailing from throughout the Mediterranean world, including the Latin West, North Africa, and the Greek east. Written by an international team of scholars, this Companion serves an accessible introduction to the topic for students and scholars alike.
The Cambridge Companion to Modern Arabic Literature redefines how we engage with Arabic literary traditions in a global context. This comprehensive and accessible companion situates modern Arabic literature at the forefront of debates about time, language, geography, and media. Through incisive case studies and close readings, leading scholars explore the dynamic intersections of Arabic literature with postcolonial, feminist, and ecological thought, as well as its transnational and translational dimensions. From the Nahda to the Anthropocene, from fuṣḥā to ʿāmmiyya, and from the Maghrib to the Arab diaspora, the companion maps the evolving contours of Arabic literary production. Far from being peripheral, Arabic literature emerges as a vital force in reimagining the dynamics of comparative and world literary studies. This companion is an essential resource for scholars, students, and readers seeking to understand the transformative power of modern Arabic literature.
This volume provides the most expansive interrogation to date of the field of war and society, offering a magisterial overview of the American experience of war from the colonial era to the War on Terror. It brings together leading scholars to examine how societies go to war, experience it, and invest it with meaning. Those ideas unfold across three thematic sections entitled 'War Times,' 'War Societies,' and 'War Meanings.' The essays scrutinize the symbiotic relationship between warfare and the armed forces on one side, and broader trends in political, social, cultural, and economic life on the other. They consider the radiating impact of war on individuals, communities, culture, and politics – and conversely, the projection of social patterns onto the military and wartime life. Across three sections, thirty chapters, and a roundtable discussion, the volume illuminates the questions, methodologies, and sources that exemplify war and society scholarship at its very best.
The archive of Romantic studies is every day expanding far beyond its Anglo-European confines, incorporating an ever-volatile constellation of works that, like World Literature, understands itself not in any monolithically Western sense but instead as a rhizomatic, polycentric expansion of temporalities, histories, and cultures. Here, a diverse cast of expert scholars reflect on how key concepts in Romantic literary and philosophical writings – periodicity, revolution, empire and settler culture, modernity, abolition, and the problem of language – inspire World Literature's conception of its own methodologies and texts. Covering writers ranging from Lord Byron, Immanuel Kant, Percy Bysshe Shelley, Lord Byron, and John Clare to Simon Bolivar, Hérard Dumesle, Hafez, Rabindranath Tagore, and Ocean Vuong, this collection showcases how the fields of Romanticism and World Literature interact in ways that create new horizons for the study of planetary culture.
The Cambridge History of African American Poetry provides an authoritative chronicle of the unifying world-building practices of community and artistry of African American poets in the United States since the arrival of Africans on these shores. It traces the evolution and cohesion of the tradition from the religious songs and written publications of enslaved poets who have come to be some of the most important figures in American literary culture. It conveys the stories of individual well-known figures in new ways and introduces less-well known writers and movements to clarify what makes African American poetry a cohesive tradition. It also presents a comprehensive and unique account of literary communities and artistic movements. Written by leading scholars in the field, The Cambridge History of African American Poetry offers an ambitious history of the full artistic range and social reach of the tradition.
This engaging Cambridge Companion introduces readers to the richness, complexity and diversity of one of the most important periods in Chinese history: the Song dynasty, 960–1279 CE. Bringing together leading scholars from Asia, Europe, and the United States, it provides an overview of key institutions, political, economic and military history, while also delving into the everyday lived experience of medieval China. Together, the authors create a vividly detailed and intimate portrayal of people, places, ideas, and material culture at both the 'centre' and 'margins' of Song society. They explore the lives of people and groups from diverse backgrounds, as well as places and things from the Yellow River to the publication of Buddhist prints and medical formularies. This volume highlights the brilliant accomplishments of Song scholarship in recent decades and provides an inspirational introduction for future researchers.
The Cambridge Companion to the Byzantine Church explores the intricate dimensions of the Church in Byzantium-its emergence, theology, art, liturgy and histories-and its afterlife, in captivity and in the modern world. Thirty leading theologians and historians of eastern Rome examine how people from Greece to Russia lived out their faith in liturgies, veneration of the saints, and other dimensions of church life, including its iconic art and architecture. The authors provide a rich overview and insights from the latest scholarship on the lives and beliefs of emperors and subjects across the Byzantine empire. The volume thereby fills a prominent gap in current offerings on the development and continuing impacts of the Byzantine church from the fourth to fifteenth centuries, and will serve as a valuable resource for scholars, a companion for students and an introduction for the wider community to this fascinating chapter in the history of Christianity.