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'Poetic speech is a pearl, connected to the king's ear.' This statement gestures to words as objects of material value sought by those with power and resources. The author provides a sense for the texture of the Persian world by discussing what made poetry precious. By focusing on reports on poets' lives, they illuminate the social scene in which poetry was produced and consumed. The discussion elicits poetry's close connections to political and religious authority, economic exchange, and the articulation of gender. At the broadest level, the study substantiates the interdependency between cultural and material reproduction of society.
The Global Middle Ages: An Introduction discusses how, when, and why a 'global Middle Ages' was conceptualized; explains and considers the terms that are deployed in studying, teaching, and researching a Global Middle Ages; and critically reflects on the issues that arise in the establishment of this relatively new field of academic endeavor. An Introduction surveys the considerable gains to be had in developing a critical early global studies, and introduces the collaborative work of the Cambridge Elements series in the Global Middle Ages.