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13 results in Cambridge Elements

The Fabric of War

The Fabric of War
  • The Material Culture and Social Lives of Banners in Renaissance Europe
  • John Gagné, Timothy McCall
  • Published online:
    14 July 2025
    Print publication:
    14 August 2025
  • The Fabric of War traces the rich history of flags and banners in Renaissance Europe through a critical analysis of the cultural, ideological, material, and artistic histories of these complex and ubiquitous objects. It examines banners as numinous textiles that animated and adorned battle, energized and embellished armies, constructed and celebrated victory. Though flags are often investigated as mere symbols to be deciphered – as heraldic code revealing identity – they were vibrant and charismatic textiles whose mutability, movement, and multivalency constituted their appeal and salience. Banners propelled their viewers not only to decipher or identify, but to act.
Who Owns Literature?

Who Owns Literature?
  • Early Modernity's Orphaned Texts
  • Jane Tylus
  • Published online:
    09 January 2025
    Print publication:
    30 January 2025
  • Interest in material culture has produced a rigorous body of scholarship that considers the dynamics of licensing, permissions, and patronage - an ongoing history of the estrangement of works from their authors. Additionally, translation studies is enabling new ways to think about the emergence of European vernaculars and the reappropriation of classical and early Christian texts. This Element emerges from these intersecting stories. How did early modern authors say goodbye to their works; how do translators and editors articulate their duty to the dead or those incapable of caring for their work; what happens once censorship is invoked in the name of other forms of protection? The notion of the work as orphan, sent out and unable to return to its author, will take us from Horace to Dante, Montaigne, Anne Bradstreet, and others as we reflect on the relevance of the vocabularies of loss, charity, and licence for literature.
The Many Lives of Täsfa Ṣeyon

The Many Lives of Täsfa Ṣeyon
  • An Ethiopian Intellectual in Early Modern Rome
  • Matteo Salvadore, James De Lorenzi, Deresse Ayenachew Woldetsadik
  • Published online:
    12 December 2024
    Print publication:
    16 January 2025
  • This Element examines the life and legacy of the sixteenth-century Ethiopian intellectual Täsfa Ṣeyon. It reconstructs his formative years in the Horn of Africa and his diasporic life in the Holy Land and Italian peninsula, where he emerged as a prominent intermediary figure at Santo Stefano degli Abissini, an Ethiopian monastery within the Vatican. He became a librarian, copyist, teacher, translator, author, and community leader, as well as a prominent advisor to European humanist scholars and Tridentine Church authorities concerned with the emerging field of philologia sacra as it pertained to Ethiopian Orthodox (täwaḥedo) Christianity. The Element reconstructs his wide-ranging contacts with the Roman Curia and emerging orientalist academy, and then scrutinizes his editio princeps of the Ge'ez Gospels. A final section traces his modern influence, erasure, and rediscovery by later generations of European, Ethiopian, and Eritrean intellectuals.
The French Disease in Renaissance Italy

The French Disease in Renaissance Italy
  • Representation and Experience
  • John Henderson
  • Published online:
    27 November 2024
    Print publication:
    19 December 2024
  • This Element provides a fresh approach to the representation and experience of the French Disease, by reassessing a wide range of textual and visual sources through the lens of contemporary medical ideas. It analyses how knowledge about the Great Pox was transmitted to a literate and also a wider public through performance and the circulation of popular prints. Chronicles, satirical and moralistic poems and plays about prostitutes, along with autobiographical accounts, described symptoms and the experience of patients, reflecting how non-medical men and women understood the nature of this terrible new disease and its profound physical and psychological impact. The second major theme is how the French Disease was represented visually. Woodcuts and broadsheets showing the moral and physical decline of courtesans are analysed together with graphic medical illustrations of symptoms and their treatment together with images of the diseased body of St Job, patron saint of the French Disease.
Plague, Towns and Monarchy in Early Modern France

Plague, Towns and Monarchy in Early Modern France
  • Neil Murphy
  • Published online:
    25 April 2024
    Print publication:
    25 April 2024
  • This Element examines the emergence of comprehensive plague management systems in early modern France. While the historiography on plague argues that the plague of Provence in the 1720s represented the development of a new and 'modern' form of public health care under the control of the absolutist monarchy, it shows that the key elements in this system were established centuries earlier because of the actions of urban governments. It moves away from taking a medical focus on plague to examine the institutions that managed disease control in early modern France. In doing so, it seeks to provide a wider context of French plague care to better understand the systems used at Provence in the 1720s. It shows that the French developed a polycentric system of plague care which drew on the input of numerous actors combat the disease.
Senses of Space in the Early Modern World

Senses of Space in the Early Modern World
  • Nicholas Terpstra
  • Published online:
    28 February 2024
    Print publication:
    28 March 2024
    • Element
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  • How did early moderns experience sense and space? How did the expanding cultural, political, and social horizons of the period emerge out of those experiences and further shape them  This Element takes an approach that is both global expansive and locally rooted by focusing on four cities as key examples: Florence, Amsterdam, Boston, and Manila. They relate to distinct parts of European cultural and colonialist experience from north to south, republican to monarchical, Catholic to Protestant. Without attempting a comprehensive treatment, the Element aims to convey the range of distinct experiences of space and sense as these varied by age, gender, race, and class. Readers see how sensory and spatial experiences emerged through religious cultures which were themselves shaped by temporal rhythms, and how sound and movement expressed gathering economic and political forces in an emerging global order. This title is also available as Open Access on Cambridge Core.
Risks in Renaissance Art

Risks in Renaissance Art
  • Production, Purchase, and Reception
  • Jonathan K. Nelson, Richard J. Zeckhauser
  • Published online:
    11 January 2024
    Print publication:
    21 March 2024
  • This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.
Elite Women and the Italian Wars, 1494–1559

Elite Women and the Italian Wars, 1494–1559
  • Susan Broomhall, Carolyn James
  • Published online:
    11 January 2024
    Print publication:
    11 April 2024
  • The Element analyses the critical importance of elite women to the conflict conventionally known as the Italian Wars that engulfed much of Europe and the Mediterranean between 1494 and 1559. Through its considered attention to the interventions of women connected to imperial, royal and princely dynasties, the authors show the breadth and depth of the opportunities, roles, impact, and influence that certain women had to shape the course of the conflict in both wartime activities and in peace-making. The work thus expands the ways in which the authors can think about women's participation in war and politics. It makes use of a wide range of sources such as literature, art and material culture, as well as more conventional text forms. Women's voices and actions are prioritized in making sense of evidence and claims about their activities.
Measuring in the Renaissance

Measuring in the Renaissance
  • An Introduction
  • Emanuele Lugli
  • Published online:
    12 July 2023
    Print publication:
    03 August 2023
  • During the Renaissance, measuring played a critical role in shaping trade, material production (ranging from architecture to tailoring), warfare, legal studies, and even our understanding of the heavens and hell. This study delves into the applications of measuring, with a particular emphasis on the Italian states, and traces its wide-ranging cultural effects. The homogeneization of measurements was endorsed as a means to achieve political unity. The careful retrieval of ancient standards instilled a sense of connection and ownership toward the past. Surveying was fundamental in the process of establishing colonies. This study not only examines the perceived advantages of measuring, but it also highlights the overlooked distorting aspect of this activity. Measuring was not just a neutral quantification process but also a creative one. By suppressing or emphasizing information about the material world, measuring influenced people's perceptions and shaped their ideas about what was possible and what could be accomplished.
The Renaissance on the Road

The Renaissance on the Road
  • Mobility, Migration and Cultural Exchange
  • Rosa Salzberg
  • Published online:
    19 June 2023
    Print publication:
    13 July 2023
  • The Renaissance was a highly mobile, turbulent era in Europe, when war, poverty, and persecution pushed many people onto the roads in search of a living or a safe place to settle. In the same period, the expansion of European states overseas opened up new avenues of long-distance migration, while also fuelling the global traffic in slaves. The accelerating movement of people stimulated commercial, political, religious, and artistic exchanges, while also prompting the establishment of new structures of control and surveillance. This Element illuminates the material and social mechanisms that enacted mobility in the Renaissance and thereby offers a new way to understand the period's dynamism, creativity, and conflict. Spurred by recent 'mobilities' studies, it highlights the experiences of a wide range of mobile populations, paying particular attention to the concrete, practical dimensions of moving around at this time, whether on a local or a global scale.
Cinderella's Glass Slipper

Cinderella's Glass Slipper
  • Towards a Cultural History of Renaissance Materialities
  • Genevieve Warwick
  • Published online:
    03 October 2022
    Print publication:
    20 October 2022
  • Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life's vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
The World in Dress

The World in Dress
  • Costume Books across Italy, Europe, and the East
  • Giulia Calvi
  • Published online:
    29 August 2022
    Print publication:
    15 September 2022
  • In the early modern period costume books and albums participated in the shaping of a new visual culture that displayed the diversity of the people of the known world on a variety of media including maps, atlases, screens, and scrolls. At the crossroads of early anthropology, geography, and travel literature, this textual and visual production blurred the lines between art and science. Costume books and albums were not a unique European production: in the Ottoman Empire and the Far East artists and geographers also pictured the dress of men and women of their own and faraway lands hybridizing the Renaissance western tradition. Acknowledging this circulation of knowledge and people through migration, travel, missionary and diplomatic encounters, this Element contributes to the expanding field of early modern cultural studies in a global perspective.
Paradoxes of Inequality in Renaissance Italy

Paradoxes of Inequality in Renaissance Italy
  • Samuel K. Cohn, Jr.
  • Published online:
    15 July 2021
    Print publication:
    05 August 2021
  • This Element explores the longest spell that can be computed from quantifiable fiscal records when the gap between rich and poor narrowed. It was the post-Black-Death century, c. 1375 to c. 1475. Paradoxically, with economic equality and prosperity on the rise, peasants, artisans and shopkeepers suffered losses in political representation and status within cultural spheres. Threatened by growing economic equality after the Black Death, elites preserved and then enhanced their political, social, and cultural distinction predominantly through noneconomic means and within political and cultural spheres. By investigating the interactions between three 'elements'-economics, politics, and culture-this Element presents new facets in the emergence of early Renaissance society in Italy.