Sir John Gladstone made a fortune as a Demerara sugar-planter and a key supporter of the British policy of amelioration in which slavery would be “improved” by making it more “humane.” Unlike resident planters in the British West Indies, who were firmly opposed to any alteration to the conditions of enslavement, and unlike abolitionists, who saw amelioration as a step toward abolition, Gladstone was a rare but influential metropolitan-based planter with an expansive imperial vision, prepared to work with British politicians to guarantee his investments in slavery through progressive slave reforms. This article intersects with recent historiography highlighting connections between metropole and colony but also insists on the influence of Demerara, including the effects of a large slave rebellion centered on Gladstone's estates (which illustrated that enslaved people were not happy with Gladstone's supposedly enlightened attitudes) on metropolitan sensibilities in the 1820s. Gladstone's strategies for an improved slavery, despite the contradictions inherent in championing such a policy while maintaining a fierce drive for profits, were a powerful counter to a renewed abolitionist thrust against slavery in the mid to late 1820s. Gladstone showed that that the logic of gradual emancipation still had force in imperial thinking in this decade.

Over the past decade, historians, journals, conferences, and even job advertisements have devoted attention to a new field of inquiry, “Britain and the world.” This emergent category is far from coherent but, despite a variety of approaches, shares a common assumption that Britain's interactions with the world beyond its shores enable us to better understand the histories of both Britain and the globe. Writing the history of Britain from a comparative, imperial, or transnational perspective is not wholly new. British historians have long worked comparatively in a predominantly European frame, while historians of empire and internationalism have also highlighted the importance of transnational and global frameworks. What, then, is signified by the articulation of “Britain and the world” as a new field? What do historians of Britain, and indeed historians of its empire and the world, stand to gain or lose from the promotion of Britain and the world as a field? What new skills, methodologies, and archives are required to become a historian of Britain and the world? We invited historians from different generations and national academies as well as with different ways of approaching the history of Britain in an extranational frame. Our hope is that these essays will open up debate and stimulate broader discussions about the changing nature of the field and our work as historians of Britain.

The clay tobacco pipe is a “British thing” distinct to its time, but that is a partial provenance. Although many thousands have been unearthed in Britain or described in British archival records, the pipe is also evidence of early globalized trade, imperial ventures, and material translation across cultures. Its Britishness is contingent. This small relic accompanied complex enterprises where a new-style masculinity arose, new racial categories were framed, and a new sociability took root.