In an age when both the traditional book form and the world that the British Empire made are arguably in crisis, it is remarkable that big books on British imperialism abound. Contributors to this roundtable assess scale and genre as well as content in their discussion of the claims and impact of John Darwin's tome, The Empire Project. John Darwin's response is also included.

In an age when both the traditional book form and the world that the British Empire made are arguably in crisis, it is remarkable that big books on British imperialism abound. Contributors to this roundtable assess scale and genre as well as content in their discussion of the claims and impact of John Darwin's tome, The Empire Project. John Darwin's response is also included.

In an age when both the traditional book form and the world that the British Empire made are arguably in crisis, it is remarkable that big books on British imperialism abound. Contributors to this roundtable assess scale and genre as well as content in their discussion of the claims and impact of John Darwin's tome, The Empire Project. John Darwin's response is also included.

From the mid-twentieth century, England's coroners were crucial to the supply of organs to transplant, as much of this material was gleaned from the bodies of people who had been involved in accidents. In such situations the law required that a coroner's consent first be obtained lest removing the organs destroy evidence about the cause of the person's death. Surgeons challenged the legal requirement that they seek consent before taking organs, arguing that doing so hampered their quick access to bodies. Some coroners willingly cooperated with surgeons while others refused to do so, coming into conflict with particular transplanters whom they considered untrustworthy. This article examines how the phenomenon of “spare part” surgery challenged long-held conceptions of the coroner's role.

In an age when both the traditional book form and the world that the British Empire made are arguably in crisis, it is remarkable that big books on British imperialism abound. Contributors to this roundtable assess scale and genre as well as content in their discussion of the claims and impact of John Darwin's tome, The Empire Project. John Darwin's response is also included.

This paper proposes the importance of television, the televisation of US and British race politics, and the framing of “Black Power” in this television coverage, for race politics in Britain in the late 1960s and early 1970s. British politics and culture was “re-racialized” in the postwar era, and television, for white and black Britons, became a site of racial knowledge, racial identification, and racial dislocation. The rise of television as a central medium of everyday life saw it emerge, too, as a central site for the imagination of community. As critics have long noted, the community imagined in British television programming of this era was overwhelmingly white, and black people were featured most often only as a marker of social difference or social “problems.” Many black Britons, excluded from the national “everyday” as it was constituted on television, and facing increasing institutional and interpersonal racism in daily life, found in coverage of the burgeoning black liberation movements of the United States a useable politics through which to articulate new sites of identification, community, and solidarity. For others, though, coverage of race politics in the United States could be a source of anxiety and alarm. The televisation of US race politics was central to the growth of cultures and politics of radical blackness in Britain, but it also reconstituted the politics of white racism, recasting blackness in Britain as a sign of violence and impending social disorder.