The authors of this article consider the relationship in European prehistory between the procurement of high-quality stones (for axeheads, daggers, and other tools) on the one hand, and the early mining, crafting, and deposition of copper on the other. The data consist of radiocarbon dates for the exploitation of stone quarries, flint mines, and copper mines, and of information regarding the frequency through time of jade axeheads and copper artefacts. By adopting a broad perspective, spanning much of central-western Europe from 5500 to 2000 bc, they identify a general pattern in which the circulation of the first copper artefacts was associated with a decline in specialized stone quarrying. The latter re-emerged in certain regions when copper use decreased, before declining more permanently in the Bell Beaker phase, once copper became more generally available. Regional variations reflect the degrees of connectivity among overlapping copper exchange networks. The patterns revealed are in keeping with previous understandings, refine them through quantification and demonstrate their cyclical nature, with additional reference to likely local demographic trajectories.

This article explores the so far little explored animal dimension of the significant social, economic, and ecological transformations that occurred in Western Anatolia in the late Ottoman Empire. It focuses on how the use of the hybrid, one-humped “Turcoman” camel transformed the way in which trade and transport operated in the region. In light of Ottoman, Turkish, and European sources, it suggests that the camel was a visible yet often underestimated actor in the incorporation of Western Anatolia into global markets and integrating the camel as important history-shaping actor into the historical narrative allows us to better grasp the complex relationships that existed between humans, nature, and technology and to change the way we think about the Ottoman Empire.

In 1927, the Nationalist government launched an ambitious project to transform Nanjing into a modern capital. During this reconstruction process, private lands were seized in the name of public interest for the construction of public works. In the face of opposition from affected landowners, Nationalist leaders shifted the emphasis from ‘public interest’ (gonggong liyi) to ‘public obligation’ (shimin zeren), stressing the duty of urban residents to support capital reconstruction and stigmatizing opponents as anti-development. This article examines compulsory land expropriation in Nationalist China and shows how the government turned discourses of public interest and public obligation into modern land laws.

Yugoslavia’s military internationalism was one of the most practical expressions of the country’s policy of nonalignment. Beginning with Algeria in the 1950s until its demise in the 1990s, Yugoslavia was an ardent supporter of liberation movements and revolutionary governments in Africa and Asia. This article argues that Yugoslav military internationalism was at the heart of Yugoslavia’s efforts to reshape the post-1945 global order and represented an extension of Yugoslav revolution abroad. Military aid was an expression of personal identification of Yugoslavia’s “greatest generation” with decolonization struggle. However, Yugoslav military aid to other countries went beyond a single foreign policy issue. Yugoslav military internationalism touched upon many other issues that included problems related to finances, economic development, the acquisition and transfer of military technology, relations with the superpowers, national security, ideology and politics, and prestige and status in global affairs. By the end of the 1970s, with the departure of the World War II generation and the looming economic crisis, Yugoslav military involvement in the Global South became increasingly driven by economic reasons. Former Yugoslav republics, after a short hiatus in the 1990s during the wars for Yugoslavia’s succession, are still present in the arms trade in the Global South.

This article addresses the normative potential of the principle of sustainability to integrate the rules, principles, and procedures of international law applicable in the Arctic, so that Arctic international law can be posited more holistically and systematically. The holistic and integrative approach towards international law is particularly called for in the context of the Arctic, as the inextricable interconnectedness between its changing natural environments, its societal particularities, and its economic and industrial potential is the fundamental characteristic of the Arctic. In line with the purpose of the special issue, this article takes up a harder case of sustainability, in addressing Arctic mineral resource development. This article posits the principle of sustainability as a principle with an integrative function operating behind the primary norms relating to resource development at the international law level. In response to the claim of fragmented nature of the law at issue, this article calls for an academic examination into the normative function of the sustainability principle to forge the relevant and evolving norms applicable in the specific context of the Arctic mineral resource development towards an integral, coherent whole. This aim will be pursued using the analytical methodology employed by the International Law Commission’s (ILC) work on the “fragmentation of international law” (2006) and the “principle of integration” as identified by the International Law Association’s (ILA) work on the international law relating to sustainable development (2002–12). Finally, as an initial attempt to articulate the legal reasoning for such integration, this article examines the legal institution of environmental impact assessment (EIA) as a tool to present a holistic view of the international law on Arctic mineral resource development.

The last two decades have witnessed a dramatic rise in dissertations, theses, and other academic publications exploring hip-hop music, while college courses on hip-hop history have become commonplace. The growing prominence of hip-hop music in our curricular and research agendas, however, does not necessarily make the study of music at colleges and universities more inclusive. In fact, the increasing attention musicologists and music theorists are paying to rap paradoxically threatens to shore up the value of whiteness in the discipline. This contribution addresses the problem by seeking answers to three interrelated questions: (1) What can the incorporation of hip-hop teach us about the challenges of ‘diversity' in music departments primarily devoted to the study and performance of Western classical music? (2) Does the work of non-Black scholars who write about music made by Black bodies contribute to the freeing of those bodies, or merely represent yet another way that they are consumed by white supremacy? (3) How can popular music studies help to overcome ongoing racial inequality within schools and departments of music? The arrival of hip-hop in music departments represents an opportunity to move in bold new directions. If we want to create a more just future for musicology and music theory, then the study of hip-hop in these fields will need to be accompanied by efforts to introduce forms of ‘significant difference’ that transform our respective disciplines as well as the institutions within which we work.

In the foreword to the first issue of Popular Music and Society, published in 1971, Ray B. Browne wrote that, ‘until very recently … academics, with a few notable exceptions, were by and large indifferent to the role of popular music in their world’; he then recounted a rejection he had received from an academic journal, whose editor had written that, ‘although this might be interesting, we both had to admit that popular songs really had no academic significance’. Today, exactly fifty years later, the position of popular music studies within the academy is far removed from Browne's experience: there are multiple academic journals and scholarly press book series devoted solely to popular music, scholars regularly present papers on popular music topics at academic conferences, and departments across colleges and universities offer an increasingly wide variety of popular music courses. Popular music has even become a viable area of interest within music scholarship.

This contribution reflects on the historical and present condition of the academic field of popular music studies' relationship to the non-academic public, particularly within the context of increased institutional demands for scholarly ‘public engagement'. I begin by discussing various reasons why a continued, sustained engagement with non-academic voices and communities should remain a central priority of popular music studies. I then move to a discussion of certain vantage points and modes of expertise that popular music scholars can offer to broader musical publics, particularly as relating to the political economy of commercial music media and urgent necessities of historical archiving and preservation. In closing, I argue that a renewed commitment to ‘public engagement' also offers a more robust engagement with our field’s own history, and might serve as a way of honouring its intellectual pioneers, many of whom did foundational work well outside the traditional boundaries of the academy.

This article makes the case for a ‘holistic’ approach to human rights due diligence, arguing that such a standard must be interpreted in the light of mutually reinforcing principles of environmental law, climate law and human rights law. Through a review of emerging climate change-related litigation, it shows how a concept of ‘climate due diligence’ is gradually consolidating. Building on the United Nations Guiding Principles on Business and Human Rights, the article explores climate due diligence both as a standard of conduct and as a business process, presenting its main features. It argues that corporations should integrate climate due diligence into their processes and policies to be best prepared for likely regulatory and judicial developments, such as the upcoming European Union’s regulation on human rights and environmental due diligence.

This Afterward reflects upon the three articles of the symposium by Francesca Royster, Jack Hamilton, and Loren Kajiwaka. The author considers the contemporary ramifications of popular music studies being overlooked by the field of musicology at large in the United States.

Inspired by Brittany Howard's solo album Jaime (2019), this contribution creates a conversation between music studies, queer studies, African American Literature, and memoir to think about lived ways of understanding, performing, and participating in music to create a future of inclusion. I argue that Black queer strategies of listening and musicking contributes to a new layer of music, the dream space, which helps us understand the impact of music on everyday life.

While migration is a policy field that is fairly state-centric, the prominent role of the EU in the development of international migration law and policy has been acknowledged, to some extent, by the international community. This paper scrutinises the EU's role and impact during the preparatory and inter-governmental talks leading to the adoption of the Global Compact for Safe, Orderly and Regular Migration (GCM). A central question is the degree to which the EU influenced negotiations and their outcome; and how the international community received the EU's external action in this matter. Next to mapping the EU's substantive input shaping the process, the EU's internal machinery to formulate its position and the challenges faced within the bloc are also explored. The GCM process also illustrates the willingness of the international community – or the lack of it – to elevate European standards to the global level in the highly complex and politicised domain of migration.

In this contribution, I examine the links between the human rights basis of the UN Global Compact for Safe, Orderly and Regular Migration (GCM) and its embeddedness in the UN Sustainable Development Agenda 2030. While the GCM grew out of a development framework, it was rapidly incorporated into the UN human rights system. Even during the negotiation of the GCM, human rights took priority over development. The resistance that was manifested against the GCM on its endorsement by the UN General Assembly was directed not against its development links, but rather concerns about its human rights impact. This paper examines the placing of migration in this dual framework and the ways in which outcomes compatible with both are achievable.

The paper discusses the (unsteady) evolution of multilateral processes on migration since the 1980s, with a focus on immigration detention as a growing response to migratory movements. It identifies distinct periods leading up to the Global Compact for Migration (GCM). The paper exposes double standards in the treatment of migration at the UN and beyond, connected with states’ view of migration as a toxic topic. While the GCM put the issue of migration back on the global agenda, the paper argues against the claim that the GCM is the first-ever inter-governmentally negotiated agreement covering all dimensions of international migration. This description better fits the 1990 Migrant Workers Convention. Furthermore, the paper illustrates how the GCM poses a threat to human rights protection in the area of migration: given its focus on co-operation and a state-led non-binding approach, it may overshadow existing international norms and widely endorsed standards monitored by UN bodies.

The Global Compact for Safe, Orderly and Regular Migration has prompted an intense political debate at both the international and domestic levels. Most controversies focus on its legal stance and highlight the hybrid character of the Compact as a soft-law instrument. While acknowledging the political nature of the Compact, this paper delves into its legal dimensions from the perspective of international law. This inquiry into its normative content discloses three main features: (1) the Compact is not a codification of international legal norms governing migration; it is an instrument of both (2) consolidation and (3) expansion of international law to foster inter-governmental co-operation and promote safe, orderly and regular migration.