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Twenty-five essays showcase Malabou's rounded philosophical project: seventeen previously published and eight brand new. In them, Malabou carves a philosophical space between structuralism, deconstruction, cognitive psychology, psychoanalysis and speculative realism.
Requiring no prior knowledge of the series, Colby Dickinson explains why Agamben's Homer Sacer series is one of the most significant philosophical texts of the past century. He unpacks key concepts including sovereignty, potentiality, form-of-life, the state of exception, inoperativity, glory and the messianic as they appear and reappear.
Andrew Jampol-Petzinger pursues Gilles Deleuze's significantly under-discussed interpretation of Søren Kierkegaard. He presents a view of ethics and selfhood that responds to theories of moral judgment and selfhood based on stable, substance-orientated forms of identity.
Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions.
Tracking Loach presents a ground-breaking and unique contribution to the study of cinema. Archibald was granted unprecedented access to observe one of world cinema's most celebrated and controversial filmmakers, Ken Loach, while he was making the 2012 feature 'The Angels Share', which received The Jury Prize at the Cannes Film Festival.
This book draws on this knowledge to offer a first-hand account of the director's celebrated working methods, supplemented with insights gleaned from the British Film Institute's Loach archive, and analysis of his wider output and film-related political activity.
Archibald has been 'Tracking Loach' for over three decades, as film viewer, film critic and film academic, and this inside perspective not only offers fresh insights into Loach's films and how they are made, but also highlights the benefits of production studies to the understanding of cinema more broadly.
The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated.