□Netflix
Netflix is a true leader in innovation. So successfully and seamlessly has it integrated itself into people's lives, many don't even register it as an innovative technology, which adds credit to its democracy and disruption as a business model.
Netflix's success is rooted in its compassion for its customers and its ‘constructive anarchy’, as Megan Quinn, one of the co-founders of Net-a-Porter, asserts (MCEC Open Space Program, 2016). This compassionate constructive anarchy demonstrates itself through Netflix's initial start-up model as a DVD rental-by-mail service. This service appealed to ‘movie buffs who did not care about new releases, early adopters of DVD players, and online shoppers’ (McAlone, 2015) – or, rather, the people that video rental chains such as Blockbuster under-served. It offered them affordable content that was readily available (Gordon, 2015).
This initial service did not have widespread appeal and lacked the resources of the Netflix we know today. But by knowing its customer base and delivering a reliable and high-quality service, Netflix was able to rally against the likes of Blockbuster. A ‘disruptive’ company targets segments of the population that have been overlooked by its competitors, delivering an alternative often at a lower price, and this is exactly what Netflix did and continues to do.
True disruption occurs when mainstream customers adopt the alternative offering en masse. The company will quickly move up-market on a mass scale and start to deliver a service that not only appeals to its initial market but to the mainstream market as well (Christensen, Raynor & McDonald, 2015). It maintains the advantages it had at the beginning but adds things that appeal to the mainstream. (McAlone, 2015) Then – all of a sudden – there is no room in the market for companies like Blockbuster, which went bankrupt in 2010 (Gordon, 2015).
Netflix has forever changed the way that we engage with media and has rendered many previous forms redundant, or has challenged their existence and forced them to innovate. For example, the emergence of catch up/on-demand services for many freeto- air television channels, and pay-TV services such as Foxtel needing to find ways to cut costs, offer exclusive content and challengemedia licensing laws to remain relevant.