This article explores the formation of the University of California amidst widespread populist agitation against university leaders in the 1870s. These complaints were rooted in corruption by the Board of Regents as well as their failure to honor the requirement of the 1862 Morrill Act to offer practical training in “agriculture and the mechanic arts.” It argues that Yosemite served as a vehicle through which representatives of the University of California countered charges of elitism and fostered a reputation for trustworthy stewardship of public land. These efforts were visible to the public through literary texts, newspapers, public lectures, nature writings, and other forms of popular literature. By positioning Yosemite as a site of middlebrow intellectual exchange and an alternative to the demonstration farms established at other land grant institutions, professors such as Joseph LeConte helped quell populist critiques and strengthen affective ties to the university. The resulting shift in popular sentiment helped secure public trust in the university for the remainder of the Gilded Age and Progressive Era.

Commonly regarded as one of the pioneers of motion-picture technology, Eadweard Muybridge carried out several photographic studies of animal and human movement in the late nineteenth century. One of Muybridge's lesser-known commissions was an album of interior photographs that he created in 1880 for his friends Kate and Robert Johnson. This article offers a close reading of this album and argues that it has more in common with Muybridge's motion studies than historians have previously recognized. Far from being a commercial outlier, the album offered Muybridge an opportunity to experiment with the technological and cultural possibilities of photography in a new way. Through ghosts, mirrors, and other forms of representational excess, these images make visible Muybridge's handiwork as a photographer and the intellectual complexity of his collaboration with Kate and Robert Johnson.