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5 results

  • Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy

  • Andrew Dell'Antonio
  • Journal:
    Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
    Published online by Cambridge University Press:
    27 August 2008, pp. 271-284

  • In the early part of this century Italian musical critics were bemoaning the decadence of the national lyric stage. No inspired figure had come forth to claim the mande of Verdi; new Italian opera was becoming artistically irrelevant. In an effort to reclaim a ‘lyric spirit’ from Wagnerian Germany, Gabriele D'Annunzio ‘rediscovered’ the early seventeenth century as the birthplace of opera. Specifically, he fashioned Monteverdi – ‘il divino Claudio’ – as visionary proto-lyricist, a nostalgic move seconded by many other Italian authors through the 1920s and 30s.