The development of African studies in our time has unearthed what is regarded as a storehouse of esoteric lore, a happy hunting ground for ethnologists, anthropologists, and linguists, a paradise for the mythopoeic and archetypal critic. But as literature? Indeed, some ‘civilised’ people still feel a strange unease that the black man should have a literature at all. Yet African oral and written materials, even a decade or two ago regarded primarily as of ethnological and anthropological interest, are today being investigated as authentic literature, part of the international mainstream. Black literature has arrived.