The main object of this paper is to consider the treatment of the organ in accompanying chorus and orchestra in combination. A word may be said first, however, as to the organ and the orchestra in instrumental compositions. Handel, as we know, wrote concertos for organ and orchestra, of some importance in their day, in which the organ was treated—as the pianoforte is treated in a modern concerto—as a solo instrument alternating with the orchestra, or partially accompanied by it. This combination, however, does not seem to have been often attempted since.