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Evidence for necrotising otitis externa (NOE) diagnosis and management is limited, and outcome reporting is heterogeneous. International best practice guidelines were used to develop consensus diagnostic criteria and a core outcome set (COS).
Methods
The study was pre-registered on the Core Outcome Measures in Effectiveness Trials (COMET) database. Systematic literature review identified candidate items. Patient-centred items were identified via a qualitative study. Items and their definitions were refined by multidisciplinary stakeholders in a two-round Delphi exercise and subsequent consensus meeting.
Results
The final COS incorporates 36 items within 12 themes: Signs and symptoms; Pain; Advanced Disease Indicators; Complications; Survival; Antibiotic regimes and side effects; Patient comorbidities; Non-antibiotic treatments; Patient compliance; Duration and cessation of treatment; Relapse and readmission; Multidisciplinary team management.
Consensus diagnostic criteria include 12 items within 6 themes: Signs and symptoms (oedema, otorrhoea, granulation); Pain (otalgia, nocturnal otalgia); Investigations (microbiology [does not have to be positive], histology [malignancy excluded], positive CT and MRI); Persistent symptoms despite local and/or systemic treatment for at least two weeks; At least one risk factor for impaired immune response; Indicators of advanced disease (not obligatory but mut be reported when present at diagnosis). Stakeholders were unanimous that there is no role for secondary, graded, or optional diagnostic items. The consensus meeting identified themes for future research.
Conclusion
The adoption of consensus-defined diagnostic criteria and COS facilitates standardised research reporting and robust data synthesis. Inclusion of patient and professional perspectives ensures best practice stakeholder engagement.
The outbreak of the Great War in 1914 marked the effective end of the nineteenth century, and with it the age of the great religious novel in Europe and its reflection on the shifting experience of Christianity after the Enlightenment and in the age of industrialisation, not least as the churches expanded globally with the growth of the colonial powers. The terrible years of the war destabilised and eroded theology and belief, and if the young English poet Wilfred Owen had already lapsed from his Christian faith even by 1913, his experiences at the front provoked a rage against the faith and a despair, later to be finely caught in Benjamin Britten’s setting of his poetry to music in the War requiem (1961), that was to herald the new century. At the same time the anxious literature of avant-garde modernism, with its attack on realism and mimesis, emerged in sceptical protest against the ‘totalizing religious and political frame-works of the nineteenth century’. Stephen, in James Joyce’s Stephen hero (1904-6) is told by a priestthat his essay on ‘Art and life’ ‘represents the sum of modern unrest and modern freethinking’. Twenty years later, E. M. Forster in A passage to India (1924) allows only a minor role for the European missionaries in Chandrapore, India, and their ‘poor, chattering Christianity’.