To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
The Introduction surveys the existing literature on musical salons and related institutions from cross-cultural perspectives, laying out the need for the present volume and placing it within the landscape of existing scholarship in historical musicology, ethnomusicology, women’s and gender studies, cultural studies, and other disciplines. It also provides a flexible, working definition of musical salons and related practices from c. 1600 to the present day. It provides a summary of each chapter in the volume.
The introduction sets out the book’s main arguments and interventions, methodology, and structure. It details how the book applies the concept of ‘active reading’ to classical translation while challenging the idea that translators had a unified political agenda that reflected that of their patrons. It also outlines how the book reinforces the centrality of the concept of counsel and the agency of translators in producing diverse interpretations and applications of ancient Greek and Roman texts. It draws on the concept of the public sphere to conceptualize the shared political import of classical translations. The book’s innovative methodology combines literary-textual, book historical, and historical-contextual approaches and expands the canon to bring out the full range of applications and interventions of early modern translations of the classics while connecting them to larger developments. It ends by explaining the organization of the book according to the main genres of ancient Greek and Roman prose in translation between 1530 and 1580: moral philosophy, history and biography, military manuals, and oratory.
Although most salonnières of the eighteenth century were members of the elite European classes, this was not always the case. In some instances, professional artists became salon hostesses themselves. This chapter discusses one such story – that of Marie-Emanuelle Bayon (1746–1825), a professional composer and keyboardist who went from being a salon habituée and participant to assuming the role of hostess herself. While the surviving evidence about Bayon’s life and career is scant, it seems that Bayon may have used the institution of the salon as part of a strategy to navigate the complexities of being a woman artist. On the one hand, she needed to make a living through her artistry, and for this, she attained the patronage of her wealthy contemporaries, as well as taking up opportunities for teaching and publication. On the other, she needed to balance displays of her creativity and talent with the strictures that were increasingly placed on women around public performance and participation in the public sphere. Thus, even as some women sought opportunities to perform at venues such as the Concert Spirituel, there is no record that Bayon ever performed publicly. This chapter suggests that this may have been a deliberate decision to avoid exposing herself to the scrutiny and criticism that sometimes resulted from such public activities. She appears to have used the institution of the salon, first as habituée and later as salonnière, to navigate these social constraints.
Historians of early twentieth-century British and American literary modernism have often portrayed the public sphere as a space that facilitates mass deception. Indeed, the Freudian psychoanalytic model upon which such arguments depend dominates accounts of modernist responses to advertising, propaganda, and mass media. Such representations overlook the significance of William James as a theorizer of a pluralistic public sphere. Based on an understanding of the self as a distributed aggregate of competing “selves” and private and public allegiances, James and an American modernist cohort saw the public sphere as likewise composed of plural, distributed entities. Confronted by a culture of group-think, crowd contagion, and global fascism, W.E.B. Du Bois, Jean Toomer, Walter Lippmann, and Katherine Anne Porter deployed a Jamesian variety of civic modernism based upon an ethics of estrangement, in which the internally conflicted “sick soul” is the means of both psychic and civic regeneration.
What counts as a human and as a proper human life has been a lifelong preoccupation of our species. Today it is digitalism, technology, and AI triggering renewed nightmares and hopeful dreams around being human. Through an examination of Samantha Schweblin’s novel “Little Eyes” (Kentukis in the original), I show how humanities are crucial to (i) keep track of what is new and old in these shifts and (ii) maintain a vigorous public sphere that is qualitatively different from gamified individual and social relations. The result is the defense of an idea of public life that stands beyond our individual private desires, marking a stark contrast with a vision of society in which we relate to others and the public as we would to toys we play with.
This essay traces the emergence of a linguistically and culturally bifurcated public literary-cultural sphere in Sri Lanka from the early twentieth century to the postcolonial present. It looks at key “moments” in the history of literary-cultural public discourse and argues that different visions of what a Sri Lankan identity could be jostled for influence. However, the colonial political economy under which this literary-cultural sphere developed, and the ensuing majoritarian political developments in post-independence Sri Lanka, overdetermined the linguistically and culturally segregated “form” this literary-public sphere eventually developed. Through the critical exploration of this history, this essay demonstrates that the literary and the political imaginations reproduce each other and that the literary-cultural public sphere is best understood as a contingent space shaped by ideological and political forces that can be both progressive and regressive rather than a normatively progressive or “open” space of public engagement.
French political science remains an enigma for the rest of our discipline. Despite its early involvement in establishing the study of politics, today it is relatively small, fraught with internal difficulties and largely unknown in the rest of the world. Notwithstanding these traits, this article argues that, over the last three decades, political science in France has institutionalized, internationalized and deepened its engagement with the public sphere. Indeed, not only are student numbers expanding, but colleagues in our discipline consistently produce original and robust data and publications. Based upon statistics and participatory observation over the last 30 years, this piece’s central claim is that although much could of course be improved, contemporary French political science is now well positioned to make more sustained contributions to our discipline as a whole. Understanding better and highlighting the positive aspects of its trajectory provide ways of striving towards this goal.
The editorial to the symposium briefly contextualises current debates on the European ‘public sphere’ and/or on absence thereof. In light of concern with the EU's so-called ‘democratic deficit’, the issue of how to create a polis without a demos has focused, in part, on the role of the public sphere (Öffentlichkeit) with respect, for example, to the mass media, law, and organisations within civil society. The editorial introduces the individual papers and seeks to identify their potential contributions to academic and policy debate within and beyond the EU.
The diffusion of social media has profoundly transformed the nature and form of the contemporary public sphere, facilitating the rise of new political tactics and movements. In this article, I develop a theory of the social media public sphere as a “plebeian public sphere” whose functioning is markedly different from the traditional public sphere, described by Jürgen Habermas. Differently from Habermas’ critical-rational publics, this social media public sphere is dominated by online crowds that come together in virtual gatherings made visible by a variety of social media reactions and metrics that measure their presence. It can be best described as a “reactive democracy,” a plebiscitary form of democracy in which reactions are understood as an implicit vote indicating the mood of public opinion on a variety of issues.
In many African countries, youths' participation in the public sphere is still limited despite the creation of legal instruments such as the African Youth Charter and myriad youth-centered national policies. Across the continent, marginalized youths face various constraints in accessing the public sphere. This article examines how one voluntary sports association, the Mathare Youth Sports Association, uses sports as an alternative public sphere to engage with government actors and the community on social justice issues.
This article offers the first empirical and cross‐national analysis of citizens’ views about the democratic importance of the public sphere. We first identify three normative functions that public spheres are expected to perform in representative democracies: they provide voice to alternative perspectives, they empower citizens to criticise political authorities and they disseminate information on matters of public interest. We then argue that citizens develop differentiated views about the importance of these democratic functions, depending on (1) their ability to influence political decisions through public debate, and (2) the extent to which voice, critique and information address democratic problems they particularly care about. Drawing on Wave 6 of the European Social Survey, the statistical analysis indicates that citizens in most European countries consider the public sphere very important for democracy, especially its role as a supplier of reliable information. However, certain groups tend to care more about different aspects of the public sphere. More educated citizens are more likely to assign greater importance to all three functions. Members of cultural and sexual minorities are more likely to emphasise the importance of giving voice to alternative perspectives, while citizens dissatisfied with the government are more likely to prioritise public criticism and access to reliable information. Finally, in countries with more democratic public spheres, differences based on education and minority status are wider, while differences based on government satisfaction disappear. These findings support the claim that citizens care more about the public sphere when they can effectively influence political decision making through public debate or when the public sphere addresses democratic problems that are especially important to them. Moreover, our results indicate that citizens see some of the functions that public spheres perform as core aspects of democracy, comparable in importance to free and fair elections and the rule of law. The article thus advances an empirically grounded defence of the centrality of public debate for democracy.
The emergence of a pan-European public sphere based on a common language, discourse and media sphere is generally held to be unlikely, if not impossible. Research has therefore mainly focused on measuring different degrees of Europeanisation of existing national media spheres. In applied research however, the notion of ‘Europeanisation’ often remains very fuzzy. The new agenda of ‘Europeanisation’ has been mainly applied as a pragmatic research strategy. As such, it still lacks theoretical grounding and methodological coherence. With this in mind, the article will raise the question of standards. This regards first of all theoretical standards to determine how Europeanisation relates to the transformation of the national public sphere. Second, methodological standards indicating how to measure Europeanisation must be set. Finally, public-sphere research must critically address the question of normative standards to determine whether Europeanisation meets the criteria of democratic legitimacy.
Although it has gained wide currency in the analysis of African politics, civil society remains a “mysterious” concept in need of proper grounding and understanding as an integral part of African social formation. This paper argues that one of the widely acclaimed canonical works in African studies, Peter Ekeh’s theory of colonialism and the two publics in Africa provides one of the most original perspectives for locating and understanding the character of modern civil society as a product of colonialism. In particular, the theory provides an explanation for why primordial attachments have remained fundamental to the structuration of civil society and why state–civil society relations have largely been fractured, instrumentalist, and dialectical in the post-colonial period.
The article examines problematic aspects of contemporary theoretical thinking about civil society within a Western liberal-democratic context. The impact of neo-liberalism upon narratives of civil society, the assumption that civility resides more conspicuously within the world of associational life, and the tendency to conflate ‘civil society’ with the ‘third sector’ are areas critically discussed. Such conceptual incongruities, it is argued, obscure the path to a more radical theoretical understanding of civil society. In the second part of the article an alternative model of civil society is proposed. Supporting Evers premise that ‘every attempt to narrow down civil society to the third sector seriously impoverishes the very concept of civil society’ (Evers, Voluntary Sector Review 1:116, 2010), it is argued that civil society is best understood as a normative political concept, as being contingent in nature and distinct from the third sector.
The introduction of Education for Citizenship into the Spanish school system has given rise to a strong controversy with the Catholic Church and other conservative actors in Spanish society, who claim that the students’ moral education is an exclusive realm, reserved for families. Challenging these criticisms, this article points to the reasons that justify both the substantive content of the subject and the competence of democratic government with regard to civic education.
This article examines the idea that the EU could export its promotion of the public sphere. The Commission perception of the public sphere is unclear and the EU is not exporting a public sphere paradigm in any comprehensive manner. The EU nevertheless continues to attempt to export its integration experience. The concept of a public sphere is particularly pertinent to certain advanced democratic societies. Its exportability and relevance for other parts of the world are limited.
A little over a month after the storming of the Bastille, the royal theatre censor was keen to highlight that the Declaration of the Rights of Man and Citizen may have seemingly abolished censorship, but like a phoenix from the ashes, it would rise again at the hands of his fellow citizens. He was proved right. This study explores why that was the case, opening with an examination of contemporaneous definitions of censorship, an overview of the theatrical world at the time in France, and an analysis, using archival material from the regimes from 1788 to 1818, of how theatre could shape the public consciousness. The central argument here is that theatre censorship allowed contemporaries to influence what thousands of people saw (or not), and thus the internalized effects of these plays to shape the world around them.
While pointing to poetry’s diminishing role as a public medium and its increasing absence from major addresses by Australian heads of State, this chapter considers how critical discussions of events that have drawn poetry and the State together often focus on the poet’s politics rather than examining the poetry itself. An example of this is Prime Minister John Howard’s invitation to poet Les Murray to assist in drafting a Preamble to the Australian Constitution. Instead, the chapter focuses on the ideology underpinning the relationship between poetry and the State through three examples from different historical periods. It reads Douglas Stewart’s ‘The Silkworms’ as an allegory for the citizens of a modern, industrialised State in the post-war 1950s. It considers Vicki Viidikas’s ‘Weekend in Bombay’ as engaging with progressive liberalism in the 1980s, and Chloe Wilson‘s ‘Ice’ as articulating the spiritual need and helplessness felt by Australians in light of political and environmental crises and perpetual uncertainty.
Chapter 5 begins with a trans-colonial view of the settler empire in the 1870s as a critical decade of consolidating settler sovereignty. At this point of the nineteenth century, the contradictions of imperial liberalism were more clearly evident around the British Empire. British subjecthood was still projected as the glue to imperial citizenship, and the liberal values of freedom and justice still figured as distinctive British virtues. But Britishness itself was increasingly conceived as a racial rather than legal category, especially in the self-governing settler states. Against this backdrop of political shift in the empire, Chapter 5 addresses how Chinese settlers in the Australian colonies practiced everyday citizenship through good neighbourly relations, participation in the public sphere, and interracial domesticity. Some Chinese settlers were British subjects, reflecting the expanding boundaries of British subjecthood in the nineteenth-century empire. However, British subjecthood was not a precondition for everyday citizenship as a practice that was capable of encompassing different peoples and cultures.