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Edited by
Rosa Andújar, Barnard College, Columbia University,Elena Giusti, University of Cambridge,Jackie Murray, State University of New York, Buffalo
The Spanish missionary Bartolomé de Las Casas wrote his ‘Defense of the Indians’ in response to the theologian and philosopher Juan Ginés De Sepúlveda’s ‘On the Just Causes of War against the Indians’. Both Casas and Sepúlveda point to Aristotle as a source for their arguments. This chapter approaches the debate as a way to think through the relationships between race and Indigeneity. First, I introduce the concept of Indigeneity and the ways it has been negotiated between Indigenous peoples and settler-colonialists. I then move to critically analysing Casas’ arguments, showing how his understanding of Aristotle’s notion of ‘barbarians’ has had a lasting legacy on the definition of Indigeneity. Finally, I turn to the absence of Indigenous voices in Casas’ account as a broader moment to consider Indigenous future(s) in Classics and possible areas for re-negotiating reception and Indigenous scholars’ agency in those negotiations.
Chapter 4 continues the theme of the European Mythology of the Indies (II), exploring the intellectual framework employed by Europeans (specifically Spanish, French, and British) to situate native peoples within a European worldview, taking the narrative from the sixteenth century, through the seventeenth century, and into the early eighteenth century. The chapter considers the use of the terms “civilization” and “barbarism” to characterize indigenous peoples, traditions of millennial thought and prophecy among the Franciscan friars, theories of demonology and witchcraft as applied to native inhabitants, and the myth of the so-called pre-Hispanic evangelization of the Americas and the identification of the Christian St. Thomas with the Mesoamerican god Quetzalcoatl, the myth of indigenous peoples as descendants of the Lost Tribes of Israel, and finally the myth of the noble savage.
Let us begin by looking at a tragedy that is largely choral. Aeschylus’ Persians was staged at the Great Dionysia in 472, only one year after the Battle of Salamis, where the Athenian fleet had defeated Xerxes’ armada. The Great King had invaded continental Greece, and on reaching Athens had set fire to the Acropolis and destroyed the temple of its tutelary deity Athena, the Old Parthenon. Aeschylus’ choregos was none other than Pericles. Here we follow the dramatic – and choral – unfolding of this tragedy whose action takes place in Susa, the capital of Persia.
Chapter 6 has three interrelated aims. First, to identify the relationship between the modern nation-state, international humanitarian law (IHL), and notions of civility; second, through a historical exploration of the relationship between military necessity, proportionality, and discrimination in IHL, to make the argument that the claimed shift from sovereignty to humanitarianism is not as complete as often argued, and that rather, raison d’état continues to be a motivating factor informing constraint during combat; and third, through an exploration of ‘the standard of civilisation’, to identify how this relationship informs discord between the universal underpinnings of contemporary IHL, and ongoing violations of the law. The chapter concludes by proposing that the oft-maligned concept of a ‘standard of civilisation’ remains valuable in exploring continuities of double standards as they relate to protections afforded by the modern laws of war.
This paper investigates Philomela's metamorphosis into a swallow as inferred from Sophocles’ fragmentary Tereus. The first part focusses on the association between the swallow and barbaric language, casting new light on Philomela's characterization in the play. The second investigates the shuttle, the weaving tool which prompts the recognition of Philomela, arguing that the mention of its ‘voice’ in fr. 595 Radt refers not only to the tapestry which it created, but also to the actual sound of the shuttle, which ancient Greeks associated with the swallow, and thus anticipates Philomela's metamorphosis. The representation of Philomela as a speech-impeded and yet vocal character supports the Dionysiac background of the act of vengeance which she and her sister commit.
The roles language played in shaping and articulating one’s identity in Greco-Roman and Jewish antiquity constitute a backdrop against which the new developments attested in early Christianity can be measured. The ways in which foreign language speakers appeared in the Jewish Bible and Classical literature provided tropes, references, and allusions widely employed by early Christian authors. The chapter starts with an analysis of ancient Greek literary, historical, and philosophical compositions, from Homer to Aristotle, and investigates why the thought universe of the Classical Greek literati was virtually monolingual. It then proceeds to an overview of developments in the Hellenistic and early Roman eras and traces how the monolingual antiquity of Classical Greece gradually became the bilingual universe of the Roman empire, where Latin always shared its prestigious status as a vehicle of culture with Greek. The final section focuses on how early Jewish traditions depicted foreign languages and their speakers and how this culture adapted multilingual self-expression. In the conclusion, we discuss why language was rarely a decisive factor of group identity in these cultures and problematize the idea that the presence of linguistic differences by itself is a sufficient factor to trigger the processes of identity consolidation and objectification.
A decorated copper-alloy key handle was recovered during excavation of a town house in Roman Leicester (Ratae Corieltavorum). The decoration comprises two groups of figures modelled in high relief: a bearded, unarmed man fighting with a lion, arranged above four naked male youths embracing one another in a protective manner. This decoration cannot be paralleled among other similarly elaborate Roman key handles and is best interpreted as a scene of damnatio ad bestias, although it does not directly replicate other known scenes of this punishment and spectacle. Other readings of the image are possible, depending on the context and perspective of the viewer as they handled the object.
Apocalyptic literature of the early fifth century demonstrates renewed awareness of impending catastrophe, divine judgment, and a wide variety of possibilities for sociopolitical and cosmic transformation or restoration (apokatastasis). This chapter focuses on specific cases of systems-collapse in North Africa and southern Gaul.
Codex Theodosianus 3.14.1, issued in the early 370s, has been understood in the past to indicate a ban on all marriages between ‘Romans’ and ‘barbarians’. But this interpretation contradicts evidence that Roman-barbarian marriages occurred with great frequency, and the lack of any other evidence for such a ban. This study argues that the specific wording of the law, referring to gentiles (barbarian soldiers) and provinciales (residents of provinces), suggests that the ban was imposed to ensure the continued performance of specific duties incumbent upon these two classes of individuals, and had nothing to do with ethnicity-qua-ethnicity.
Formal status, more precisely the degrees of generosity in the dispensation of citizenship to the various peoples of the empire, offers only one measurement of membership in that larger city, the patria communis, that the empire pretended to be. The spread of citizenship, and of Roman-style urban communities with which citizenship was correlated, was an uneven process. The extension of citizenship and urban developments of Roman-type in the western Mediterranean was marked by considerable successes in the plains regions of the general geographic area. As with all historical portraits of the 'barbarian', the negative side of the Roman image of the foreigner was rooted in the proven inferiority of the external society. Surrounded by the twin worlds of ethnicity and rusticity were the urban centres that constituted the core of Roman society. Each town and village, depending on the wider regional and ethnic context in which it was embedded, had its own spectrum of unacceptable persons, of social outcasts.
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