This paper analyzes a specific genre of colonial Maya literature: the prophecies found in the so-called Books of Chilam Balam, written in the Maya language during the colonial period. These texts predict events related to 20-year periods known as k’atun. A comparative examination of these prophecies reveals that while some are of clear Maya origin, others gradually incorporate Christian concepts and even direct references to Catholic texts. I propose a typology of three distinct kinds of prophecies: traditional, transitional Christianized, and overtly Christianized. This classification is supported by linguistic and structural analysis, including the presence of loanwords, shifts in grammatical constructions, changes in prophetic structure, and the semantic transformation of key terms. Traditional Maya prophecies primarily express concerns with good governance by local rulers; in contrast, Christianized prophecies reinterpret similar passages to foretell the authority of a universal Christian God. Rather than approaching these texts from a purely historical or philological perspective, this study adopts an anthropological–linguistic lens. It considers the prophecies as literary and ideological efforts by Maya authors and scribes to reframe their pre-Hispanic past and make sense of their transformed world under colonial rule.

This study identifies two textual strata in the “Zhao shijia” of the Shi ji: the “wo 我 stratum” and the “legendary stratum.” While the “wo stratum” points to the existence of Zhao local historical records, the “legendary stratum” reveals an interpretive framework that guides the chapter's presentation of the Zhao history toward the central concern and anxiety over the succession of lineage and power. The series of prophetic dreams and supernatural encounters that were emplotted in the narrative of Zhao history comprise this “legendary stratum” and point toward a key figure, King Wuling of Zhao, during whose time the Zhao state reached its pinnacle of power and prosperity. Accounts that are clearly fabrications, such as the story of the orphan of Zhao and later prophecies of the decline of the Zhao, show hidden connections to the personal experience of Sima Qian and to possible political dissent and discourses criticizing Emperor Wu of Han. In identifying such fabricated “empty writing” hidden in the chapter's framework of interpretive emplotment, this article aims to offer one way to read the Shi ji's account for the hereditary house of Zhao that follows a coherent pattern on the meta-level of historical narrative.