Book contents
- Samuel Beckett and the Language of Subjectivity
- Samuel Beckett and the Language of Subjectivity
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 The Old Credentials
- Chapter 2 This Cursed First Person
- Chapter 3 No Knowing Not Said
- Chapter 4 Whom Else
- Chapter 5 Rare Flickers
- Conclusion
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 18 July 2018
Book contents
- Samuel Beckett and the Language of Subjectivity
- Samuel Beckett and the Language of Subjectivity
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 The Old Credentials
- Chapter 2 This Cursed First Person
- Chapter 3 No Knowing Not Said
- Chapter 4 Whom Else
- Chapter 5 Rare Flickers
- Conclusion
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Samuel Beckett and the Language of Subjectivity , pp. 203 - 217Publisher: Cambridge University PressPrint publication year: 2018
References
Ackerley, C. J., and Gontarski, S. E. (2004), The Grove Companion to Samuel Beckett. New York, NY: Grove Press.Google Scholar
Agger, Inger, and Jensen, Søren Buus (1996), Trauma and Healing under State Terrorism. London: Zed Books.Google Scholar
Albright, Daniel (2003), Beckett and Aesthetics. Cambridge: Cambridge University Press.Google Scholar
Artaud, Antonin (1970), The Theatre and Its Double, trans. Corti, Victor. London: Calder and Boyer.Google Scholar
Asmus, Walter (1977), ‘Rehearsal Notes for the German Première of Beckett’s That Time and Footfalls at the Schiller-Theater Werkstatt, Berlin’, Journal of Beckett Studies, 2 (Summer), 82–95.Google Scholar
Austin, J. L. (1978), How to Do Things with Words, ed. Urmson, J. O. and Sbisa, Marina. London: Oxford University Press.Google Scholar
Badiou, Alain (2003), On Beckett, ed. Power, Nina and Toscano, Alberto. Manchester: Clinamen Press.Google Scholar
Baker, Cynthia (1999), ‘Language and the Space of the Feminine: Julia Kristeva and Luce Irigaray’, in Language and Liberation: Feminism, Philosophy, and Language, ed. Christina, Hendricks and Oliver, Kelly. Albany, NY: SUNY Press.Google Scholar
Baker, Phil (1994), ‘Beckett’s Bilingualism and a Possible Source for the Name of Moran in Molloy’, Journal of Beckett Studies, 3, 2 (Spring), 81–83.Google Scholar
Baldwin, Hélène L. (1981), Samuel Beckett’s Real Silence. University Park, PA: Pennsylvania State University Press.Google Scholar
Baroghel, Elsa (2016), ‘Samuel Beckett, Lecteur de Sade: Comment c’est est Les Cent vingt journées de sodome’, in La Violence dans l’oeuvre de Samuel Beckett: entre langage et corps, ed. Brown, Llewellyn. Caen: Lettres Modernes Minard.Google Scholar
Barthes, Roland (1977), Image, Music, Text, ed. and trans. Heath, Stephen. London: Fontana.Google Scholar
Bataille, Georges (1985), Literature and Evil, trans. Hamilton, Alastair. London: Calder & Boyars.Google Scholar
Beckett, Samuel (1975a), No’s Knife: Collected Shorter Prose 1945–1966. London: Calder and Boyars.Google Scholar
Beckett, Samuel (1976a), The Beckett Trilogy: Molloy, Malone Dies, The Unnamable. London: Picador.Google Scholar
Beckett, Samuel (1986), Samuel Beckett: The Complete Dramatic Works. London: Faber and Faber.Google Scholar
Beckett, Samuel (1987), Proust and Three Dialogues with Georges Duthuit. London: Calder.Google Scholar
Beckett, Samuel (1990), As the Story Was Told: Uncollected and Late Prose. London: John Calder.Google Scholar
Beckett, Samuel (1992b), Nohow On: Company, Ill Seen Ill Said, Worstward Ho. London: Calder.Google Scholar
Beckett, Samuel (1995b), Samuel Beckett: The Complete Short Prose 1929–1989, ed. Gontarski, S. E.. New York, NY: Grove Press.Google Scholar
Beckett, Samuel (2006a), Samuel Beckett: The Grove Centenary Edition, vol. I: Novels Murphy, Watt, Mercier and Camier, ed. Auster, Paul. New York, NY: Grove Press.Google Scholar
Beckett, Samuel (2006b), Samuel Beckett: The Grove Centenary Edition, vol. II: Novels Molloy, Malone Dies, The Unnamable, How It Is, ed. Auster, Paul. New York, NY: Grove Press.Google Scholar
Beckett, Samuel (2006c), Samuel Beckett: The Grove Centenary Edition, vol. III: Dramatic Works, ed. Auster, Paul. New York, NY: Grove Press.Google Scholar
Beckett, Samuel (2006d), Samuel Beckett: The Grove Centenary Edition, vol. IV: Poems, Short Fiction, and Criticism, ed. Auster, Paul. New York, NY: Grove Press.Google Scholar
Beckett, Samuel (2009), The Letters of Samuel Beckett 1929–1940, ed. Fehensfeld, Martha Dow and Overbeck, Lois More. Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2011), The Letters of Samuel Beckett 1941–1956, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More. Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2014), The Letters of Samuel Beckett 1957–1965, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More. Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2016), The Letters of Samuel Beckett 1966–1989, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More. Cambridge: Cambridge University Press.Google Scholar
Begam, Richard (1996), Samuel Beckett and the End of Modernity. Stanford, CA: Stanford University Press.Google Scholar
Benveniste, Émile (1971), Problems in General Linguistics, trans. Meek, Mary Elizabeth. Coral Gables, FL: University of Miami Press.Google Scholar
Ben-Zvi, Linda (1980), ‘Samuel Beckett, Fritz Mauthner and the Limits of Language’, PMLA 2, 95 (March), 183–200.Google Scholar
Ben-Zvi, Linda (1982), ‘The Schismatic Self in A Piece of Monologue’, Journal of Beckett Studies, 7, 7–17.Google Scholar
Ben-Zvi, Linda (1983), ‘Fritz Mauthner for Company’, Journal of Beckett Studies 9, 65–88.Google Scholar
Ben-Zvi, Linda (1985), ‘Samuel Beckett’s Media Plays’, Modern Drama, 28, 1 (March), 22–37.CrossRefGoogle Scholar
Ben-Zvi, Linda ed. (1990), Women in Beckett: Performance and Critical Perspectives. Urbana, IL: University of Illinois Press.Google Scholar
Bernal, Olga (1977), ‘Samuel Beckett: L’écrivain et le savoir’, Journal of Beckett Studies, 2, 59–62.Google Scholar
Birkett, Jennifer, and Ince, Kate (1999), Samuel Beckett (Longman Critical Readers). London: Routledge.Google Scholar
Bishop, Tom, and Federman, Raymond, eds. (1976), Samuel Beckett, Cahiers de L’Herne 31. Paris: Éditions de L’Herne.Google Scholar
Blanchot, Maurice (1986), ‘Where Now?, Who Now?’, trans. Howard, Richard, in On Beckett: Essays and Criticism, ed. Gontarski, S. E.. New York, NY: Grove Press, 141–49. Originally published as ‘Où maintenant?, qui maintenant?’, in Le Livre à venir (Paris: Gallimard, 1959), 256–64.Google Scholar
Blanchot, Maurice (1993), The Infinite Conversation, trans. Hanson, Susan. Minneapolis, MN: University of Minnesota Press. Originally published as L’Entretien infini (Paris: Gallimard, 1969).Google Scholar
Blanchot, Maurice (1995a), The Writing of the Disaster, trans. Smock, Ann. Lincoln, NE: University of Nebraska Press. Originally published as L’Écriture du désastre (Paris: Gallimard, 1980).Google Scholar
Blanchot, Maurice (1995b), The Work of Fire, trans. Mandell, Charlotte. Stanford, CA: Stanford University Press.Google Scholar
Blanchot, Maurice (2001), Faux Pas, trans. Mandell, Charlotte. Stanford, CA: Stanford University Press.Google Scholar
Blanchot, Maurice (2004), Lautréamont and Sade, trans. Kendall, Stuart and Kendall, Michelle. Stanford, CA: Stanford University Press.Google Scholar
Bloom, Harold, ed. (1985), Samuel Beckett Modern Critical Views. New York, NY: Chelsea House.Google Scholar
Bolin, John (2013), Beckett and the Modern Novel. Cambridge: Cambridge University Press.Google Scholar
Borg, Rubin (2012), ‘Putting the Impossible to Work: Beckettian Afterlife and the Posthuman Future of Humanity’, Journal of Modern Literature, 35, 4, 163–80.CrossRefGoogle Scholar
Boulter, Jonathan (2001), Interpreting Narrative in the Novels of Samuel Beckett. Gainsville, FL: Florida University Press.Google Scholar
Braidotti, Rosi (1989), ‘The Politics of Ontological Difference’, in Between Feminism and Psychoanalysis, ed. Brennan, Teresa. London: Routledge, 89–105.Google Scholar
Brater, Enoch (1982), ‘Light, Sound, Movement and Action in Beckett’s Rockaby’, Modern Drama, 25, 3, 342–48.Google Scholar
Brater, Enoch ed. (1986), Beckett at 80/Beckett in Context. New York, NY: Oxford University Press.Google Scholar
Brater, Enoch (1987), Beyond Minimalism: Beckett’s Late Style in the Theater. Oxford: Oxford University Press.Google Scholar
Brater, Enoch (1994), The Drama in the Text: Beckett’s Late Fiction. New York, NY: Oxford University Press.CrossRefGoogle Scholar
Breinza, Susan D. (1987), Samuel Beckett’s New Worlds: Style in Metafiction. Norman, OK: University of Oklahoma Press.Google Scholar
Breuer, Horst (1972), Samuel Beckett: Lernpsychologie und leibliche Determination. Munich: Fink.Google Scholar
Brown, Terence, and Grene, Nicholas. (1989), Tradition and Influence in Anglo-Irish Poetry. Totowa, NJ: Barnes and Noble Books.Google Scholar
Bryden, Mary (1993), Women in Samuel Beckett’s Prose and Drama: Her Own Other. London: Macmillan.Google Scholar
Bryden, Mary (1998), ‘Beckett and the Sound of Silence’, in Samuel Beckett and Music, ed. Bryden, Mary. Oxford: Clarendon Press.CrossRefGoogle Scholar
Butler, Lance St. John (1984), Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan.Google Scholar
Butler, Lance St. John, and Davis, Robin J., eds. (1990), Rethinking Beckett: A Collection of Critical Essays. London: Macmillan.Google Scholar
Büttner, Gottfried (1984), Samuel Beckett’s Novel Watt, trans. Dolan, Joseph P.. Philadelphia, PA: University of Pennsylvania Press.Google Scholar
Carnap, Rudolph (1967), The Logical Structure of the World and Pseudoproblems in Philosophy, trans. George, Rolf A.. Berkeley, CA: University of California Press.Google Scholar
Carville, Conor (2011), ‘Autonomy and the Everyday: Beckett, Late Modernism and Post-War Visual Art’, Samuel Beckett Today/Aujourd’hui, 23, 63–80.Google Scholar
Caselli, Daniela (2005), Beckett’s Dantes: Intertextuality in the Fiction and Criticism. Manchester: Manchester University Press.Google Scholar
Caselli, Daniela ed. (2010), Beckett and Nothing: Trying to Understand Beckett. Manchester: Manchester University Press.Google Scholar
Chabert, Pierre (1982), ‘The Body in Beckett’s Theatre’, Journal of Beckett Studies, 8 (Autumn), 23–28.Google Scholar
Cixous, Hélène (1990), ‘Difficult Joys’, in The Body and the Text: Hélène Cixous, Reading and Teaching, ed. Wilcox, H., McWatters, K., Thompson, A. and Williams, L. R.. London: Harvester Wheatsheaf.Google Scholar
Cohn, Ruby (1960), ‘A Note on Beckett, Dante, Geulincx’, Comparative Literature, 12, 93–94.CrossRefGoogle Scholar
Cohn, Ruby (1962), Samuel Beckett: The Comic Gamut. New Brunswick, NJ: Rutgers University Press.Google Scholar
Cohn, Ruby (1964), ‘Philosophical Fragments in the Works of Samuel Beckett’, Criticism: A Quarterly for Literature and the Arts, 6, 33–43. Reprinted in Samuel Beckett: A Collection of Critical Essays, ed. Martin Esslin (Englewood Cliffs, NJ: Prentice Hall, 1965), 169–77.Google Scholar
Cohn, Ruby (1980), Just Play: Beckett’s Theatre. Princeton, NJ: Princeton University Press.Google Scholar
Connor, Steven (1989), Postmodernist Culture: An Introduction to Theories of the Contemporary. Oxford: Basil Blackwell.Google Scholar
Connor, Steven (1992a), ‘Between Theatre and Theory: Long Observation of the Ray’, in The Ideal Core of the Onion: Reading Beckett Archives, ed. Pilling, John and Bryden, Mary. Bristol: Beckett International Foundation.Google Scholar
Connor, Steven (2000), Dumbstruck: A Cultural History of Ventriloquism. Oxford. Oxford University Press.CrossRefGoogle Scholar
Connor, Steven (2007), Samuel Beckett: Repetition, Theory and Text [1988] Aurora, CO: Davies Group.Google Scholar
Connor, Steven (2010), ‘Preface’, in Beckett, Samuel, The Unnamable. London: Faber and Faber.Google Scholar
Connor, Steven (2014), Beckett, Modernism and the Material Imagination. Cambridge: Cambridge University Press.Google Scholar
Cordingley, Anthony (2010), ‘Samuel Beckett’s Debt to Aristotle: Cosmology, Syllogism, Space, Time’, Samuel Beckett Today/Aujourd’hui, 22, 181–95.Google Scholar
Courtney, Cathy (1993), Jocelyn Herbert: A Theatre Workbook. London: Art Books International.Google Scholar
Courtney, Cathy (1990), Critique, 46 (August–September): Samuel Beckett special issue.Google Scholar
Critchley, Simon (2004), Very Little, Almost Nothing: Death, Philosophy, Literature. London: Routledge.Google Scholar
Cuomo, Glenn R. (1989), Career at the Cost of Compromise: Günter Eich’s Life and Work in the Years 1933–1945. New York, NY: Rodopi.Google Scholar
Davidson, Donald (1984), Inquiries into Truth and Interpretation. Oxford: Clarendon Press.Google Scholar
Davidson, Donald (1986a), ‘A Nice Derangement of Epitaphs’, in Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson, ed. LePore, E.. Oxford: Basil Blackwell.Google Scholar
Davidson, Donald (1986b), ‘A Coherence Theory of Truth and Knowledge’, in Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson, ed. LePore, E.. Oxford: Basil Blackwell.Google Scholar
Davidson, Donald (1989), ‘The Myth of the Subjective’, in Relativism: Interpretation and Confrontation, ed. Krausz, Michael. Notre Dame, IN: University of Notre Dame Press.Google Scholar
Davis, Robin J., and Butler, Lance St. John (1988), Make Sense Who May: Essays on Samuel Beckett’s Later Works. Gerrards Cross: Smythe.Google Scholar
Deleuze, Gilles, and Guattari, Felix (1975), Kafka: Toward a Minor Literature, trans. Polan, Dana. Minneapolis, MN: University of Minnesota Press.Google Scholar
Deleuze, Gilles (1990), The Logic of Sense, trans. Lester, Mark with Stivale, Charles, ed. Boundas, Constantin V.. London: Athlone Press.Google Scholar
Deleuze, Gilles (1994), ‘He Stuttered’, trans. Boundas, Constantin V., in Gilles Deleuze and the Theatre of Philosophy, ed. Boundas, Constantin V. and Olkowski, Dorothea. London: Routledge.Google Scholar
Deleuze, Gilles (1998), Essays Critical and Clinical, trans. Smith, Daniel W. and Greco, Michael A.. London: Verso.Google Scholar
Dennis, Amanda (2015), ‘Radical Indecision: Aporia as Metamorphosis in Beckett’s The Unnamable’, Journal of Beckett Studies, 24, 2, 180–97.CrossRefGoogle Scholar
Derrida, Jacques (1973), Speech and Phenomena, trans. Allison, David B.. Evanston, IL: Northwestern University Press.Google Scholar
Derrida, Jacques (1980), ‘The Law of Genre’, trans. Ronell, Avital, in Glyph 7. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Derrida, Jacques (1981), Dissemination, trans. Johnson, Barbara. London: Athlone Press.Google Scholar
Derrida, Jacques (1982), Margins: Of Philosophy, trans. Bass, Alan. Brighton: Harvester Press.Google Scholar
Derrida, Jacques (1992), The Other Heading, trans. Brault, Pascale-Anne and Naas, Michael B.. Bloomington, IN: Indiana University Press.Google Scholar
Derrida, Jacques (1993), Aporias, trans. Dutoit, Thomas. Stanford, CA: Stanford University Press.Google Scholar
Derrida, Jacques (1995), The Gift of Death, trans. Wills, David. Chicago, IL: University of Chicago Press.Google Scholar
Dorival, Bernard (1944), Les Etapes de la peinture Française contemporaine: Le Fauvisme et la Cubisme.Google Scholar
Dowd, Garin (2007), Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari. Amsterdam: Rodopi.Google Scholar
Dowd, Garin (2011), ‘Beckettian Pain, in the Flesh: Singularity, Community and “the Work”’, in Samuel Beckett in Pain, ed. Tanaka, Mariko Hori, Tajiri, Yoshiki and Tsushima, Michiko. Amsterdam: Rodopi.Google Scholar
Duchamp, Marcel (1973), Salt Seller: The Writings of Marcel Duchamp, ed. Sanouillet, Michel and Peterson, Elmer. New York, NY: Oxford University Press.Google Scholar
Dummett, Michael A. E. (1974), ‘The Significance of Quine’s Indeterminacy Thesis’, Synthese: An International Journal for Epistemology, Methodology and Philosophy of Science, 27, 3–4 (July–August), 351–97.Google Scholar
Dummett, Michael A. E. (1978), Truth and Other Enigmas. Cambridge, MA: Harvard University Press.Google Scholar
Edwards, Steven D. (1990), Relativism, Conceptual Schemes and Categorical Frameworks. Aldershot: Avebury.Google Scholar
Elam, Keir (1986), ‘Not I: Beckett’s Mouth and the Ars(e) Rhetorica’, in Beckett at 80: Beckett in Context, ed. Brater, Enoch. New York, NY: Oxford University Press.Google Scholar
Esslin, Martin, ed. (1961), The Theatre of the Absurd. New York, NY: Doubleday, Anchor Books.Google Scholar
Esslin, Martin (1965), Samuel Beckett: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall.Google Scholar
Esslin, Martin (1976), ‘Voices Patterns Voices, Samuel Beckett’s Later Plays’, Gambit, 7, 28, 93–99.Google Scholar
Federman, Raymond (1965), Journey to Chaos: Samuel Beckett’s Early Fiction. Cambridge: Cambridge University Press.Google Scholar
Federman, Raymond, and Fletcher, John, eds. (1970), Samuel Beckett: His Works and His Critics: An Essay in Bibliography. Berkeley, CA: University of California Press.Google Scholar
Fehsenfeld, Martha (1982), ‘Beckett’s Late Works: An Appraisal’, Modern Drama, 25, 3 (September), 355–62.Google Scholar
Fehsenfeld, Martha (1986), ‘Everything Out but the Faces: Beckett’s Reshaping of What Where for Television’, Modern Drama, 29, 2 (June), 229–40.Google Scholar
Feldman, Matthew (2006), Beckett’s Books: A Cultural History of the Interwar Notes. London: Continuum.Google Scholar
Feldman, Matthew (2010a), ‘Beckett and Philosophy, 1928–1938’, in Samuel Beckett Today/Aujourd’hui 22. Samuel Beckett: Debts and Legacies, ed. Erik, Tonning, Feldman, Matthew, Engelberts, Matthijs and Van Hulle, Dirk. Amsterdam: Rodopi, 163–80.Google Scholar
Feldman, Matthew (2010b), ‘Beckett, Sartre and Phenomenology’, Limit(e) Beckett, 0, 1–26. Online (accessed January 2012).Google Scholar
Feldman, Matthew (2015), Falsifying Beckett: Essays on Archives, Philosophy, and Methodology in Beckett Studies. Stuttgart: Ibidem Verlag.Google Scholar
Ferguson, Margaret (2011), ‘Hymeneal Instruction’, in Masculinities, Childhood, Violence: Attending to Early Modern Women – and Men, ed. Leonard, Amy E. and Nelson, Karen L.. Lanham, MD: University of Delaware Press.Google Scholar
Fifield, Peter, and Addyman, David (2013), Samuel Beckett: Debts and Legacies. London: Bloomsbury.Google Scholar
Fifield, Peter (2010), ‘“Accursed Progenitor!”: Fin de partie and Georges Bataille’, in Samuel Beckett Today/Aujourd’hui 22. Samuel Beckett: Debts and Legacies, ed. Tonning, Erik, Feldman, Matthew, Engelberts, Matthijs and Van Hulle, Dirk. Amsterdam: Rodopi, 107–21.Google Scholar
Fifield, Peter (2013), Late Modernist Style in Samuel Beckett and Emmanual Levinas. New York, NY: Palgrave.Google Scholar
Figlerowiz, Marta (2011), ‘Bounding the Self: Ethics, Anxiety and Territories of Personhood in Samuel Beckett’s Fiction’, Journal of Modern Literature, 34, 2 (Winter), 76–96.Google Scholar
Finter, Helga (1983), ‘Experimental Theatre and Semiology of Theatre: The Theatricalization of Voice’, trans. Walker, E. A. and Grardal, Kathryn, Modern Drama, 26, 4 (December), 501–17.Google Scholar
Fitch, Brian T. (1977), Dimensions, structures et textualité dans le trilogie Romanesque de Beckett. Paris: Minard.Google Scholar
Fitch, Brian T. (1988), Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto: University of Toronto Press.Google Scholar
Fitch, Brian T. (1989), ‘The Status of the Second Version of the Beckettian Text: The Evidence of the Bing/Ping manuscripts’, Journal of Beckett Studies, 11–12, 16–26.Google Scholar
Foucault, Michel (1977), Language, Counter-Memory, Practice: Selected Essays and Interviews, ed. Bouchard, Donald F., trans. Bouchard, Donald F. and Simon, Sherry. Ithaca, NY: Cornell University Press.Google Scholar
Furlani, André (1996), ‘Samuel Beckett’s Molloy: Spartan Maieutics’, in Samuel Beckett et la Psychanalyse, ed. Houppermans, Sjef. Amsterdam: Rodopi, pp. 105–22.Google Scholar
Furlani, André (2015a), ‘The Contradictions of Samuel Beckett’, Modernism/Modernity, 22, 3, 449–70.Google Scholar
Furlani, André (2015b), ‘Earlier Wittgenstein, Later Beckett’, Philosophy and Literature, 39, 1, 64–86.Google Scholar
Gashé, Rudolphe (1977), ‘The Scene of Writing’, in Glyph 1 (Baltimore, MD: Johns Hopkins University Press.Google Scholar
Genette, Gérard (1980), Narrative Discourse, trans. Lewin, Jane E.. Oxford: Basil Blackwell.Google Scholar
Gibson, Andrew (1999), Postmodernity, Ethics, and the Novel: From Leavis to Levinas. London: Routledge.Google Scholar
Gibson, Andrew (2002), ‘Beckett and Badiou’, in Beckett and Philosophy, ed. Lane, Richard. London: Palgrave.Google Scholar
Gibson, Andrew (2005), ‘Badiou and Beckett: Actual Infinity, Event, Remainder’, Polygraph, 17, 175–203.Google Scholar
Gibson, Andrew (2006), Beckett and Badiou: The Pathos of Intermittency. Oxford: Oxford University Press.Google Scholar
Gidal, Peter (1986), Understanding Beckett: A Study of Monologue and Gesture in the Work of Samuel Beckett. London: Macmillan.Google Scholar
Gontarski, S. E. (1985), The Intent of Undoing in Samuel Beckett’s DramaticTexts. Bloomington, IN: Indiana University Press.Google Scholar
Gontarski, S. E. ed. (1995), Samuel Beckett: The Complete Short Prose 1929–1989. New York, NY: Grove.Google Scholar
Gontarski, S. E. (1999), The Theatrical Notebooks of Samuel Beckett: The Shorter Plays. London: Faber and Faber.Google Scholar
Gontarski, S. E. ed. (2014), The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh: Edinburgh University Press.Google Scholar
Gontarski, S. E. (2015), Creative Involution: Bergson, Beckett, Deleuze. Edinburgh: Edinburgh University Press.Google Scholar
Graver, Lawrence, and Federman, Raymond, eds. (1979), Samuel Beckett: The Critical Heritage. London: Routledge and Kegan Paul.Google Scholar
Grossman, Evelyne (2004), La Défiguration: Artaud – Beckett – Michaux. Paris: Éditions de Minuit.Google Scholar
Hale, Jane Alison (1987), The Broken Window: Beckett’s Dramatic Perspective. West Lafayette, IN: Purdue University Press.Google Scholar
Harmon, Maurice, ed. (1998), No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. Cambridge, MA: Harvard University Press.Google Scholar
Harvey, Samantha (2015), ‘The Age of Monologues’, The New Yorker, 6 March. www.newyorker.com/culture/cultural-comment/the-age-of-monologues.Google Scholar
Hassan, Ihab (1967), The Literature of Silence: Henry Miller and Samuel Beckett. New York, NY: Knopf.Google Scholar
Hassan, Ihab (1971), ‘Beckett: Imagination Ending’, in The Dismemberment of Orpheus: Toward a Postmodern Literature. New York, NY: Oxford University Press.Google Scholar
Hauck, Gerhard (1992), Reductionism in Drama and the Theatre: The Case of Samuel Beckett. Potomac, MD: Scripta Humanistica.Google Scholar
Hendricks, Christina, and Oliver, Kelly, eds. (1999), Language and Liberation: Feminism, Philosophy, and Language. Albany, NY: SUNY Press.Google Scholar
Hill, Leslie (1983), ‘The Name, the Body, the Unnamable’, Oxford Literary Review, 6, 1, 52–67.Google Scholar
Hill, Leslie (1990), Beckett’s Fiction: In Different Words. Cambridge: Cambridge University Press.Google Scholar
Hill, Leslie (2004), ‘Poststructuralist Readings of Beckett’, in Samuel Beckett Studies, ed. Oppenheim, Lois. Basingstoke: Palgrave Macmillan.Google Scholar
Hill, Leslie (2010), Radical Indecision: Barthes, Blanchot, Derrida and the Future of Criticism. Notre Dame, IN: University of Notre Dame Press.Google Scholar
Hird, Alastair (2010), ‘“What Does It Matter Who Is Speaking,” Someone Said, “What Does It Matter Who Is Speaking”: Beckett, Foucault, Barthes’, in Samuel Beckett Today/Aujourd’hui 22, ed. Tonning, Erik, Feldman, Matthew, Engelberts, Matthijs and Van Hulle, Dirk. Amsterdam: Rodopi, 289–99.Google Scholar
Hoefer, Jacqueline (1959), ‘Watt’, Perspective, 11 (Autumn), 166–82. Reprinted in Samuel Beckett: A Collection of Critical Essays, ed. Martin Esslin. Englewood Cliffs, NJ: Prentice Hall, 62–76.Google Scholar
Hubert, Marie-Claude (1994), ‘The Evolution of the Body in Beckett’s Theatre’, Journal of Beckett Studies, 4, 1 (Autumn), 55–65.Google Scholar
Israel, Nico (2015), Spirals: The Whirled Image in Twentieth-Century Literature and Art. New York, NY: Columbia University Press.Google Scholar
Jacobs, Carol (1978), The Dissimulating Harmony: The Image of Interpretation in Nietzsche, Rilke, Artaud and Benjamin. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Jakobson, Roman (1971), ‘The Dominant’, trans. Eagle, Herbert, in Readings in Russian Poetics: Formalist and Structuralist Views, ed. Matejka, Ladislav and Pomorska, Krystyna. London: MIT Press.Google Scholar
Jewinski, Ed (1990), ‘Beckett’s Company, Post-Structuralism, and Mimetalogique’, in Rethinking Beckett: A Collection of Critical Essays, ed. Butler, Lance St. John and Davis, Robin J.. London: Macmillan.Google Scholar
Jones, David Houston (2008), ‘From Contumacy to Shame: Reading Beckett’s Testimonies with Agamben’, in Beckett at 100: Revolving It All, ed. Ben-Zvi, Linda and Moorjani, Angela. Oxford: Oxford University Press.Google Scholar
Jones, David Houston (2011), Samuel Beckett and Testimony. London: Palgrave Macmillan.Google Scholar
Kalb, Jonathan (1987), ‘Rockaby and the Art of Inadvertent Interpretation’, Modern Drama, 30, 4, 466–79.Google Scholar
Kant, Immanuel (1998), Critique of Pure Reason, trans. and ed. Guyer, Paul and Wood, Allen. Cambridge: Cambridge University Press.Google Scholar
Katz, Daniel (1999), Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett. Evanston, IL: Northwestern University Press.Google Scholar
Kennedy, Seán, ed. (2010), Samuel Beckett and Ireland. Cambridge: Cambridge University Press.Google Scholar
Knowlson, James (1972), Light and Darkness in the Theatre of Samuel Beckett. London: Turret Books.Google Scholar
Knowlson, James (1977), ‘George Reavey and Samuel Beckett’s Early Writing’, Journal of Beckett Studies, 2 (Summer).Google Scholar
Knowlson, James (1996), Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury.Google Scholar
Knowlson, James, and Knowlson, Elizabeth (2006), Beckett Remembering/Remembering Beckett. London: Bloomsbury.Google Scholar
Knowlson, James, and Pilling, John (1979), Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett. London: Calder.Google Scholar
Kofman, Sarah (1988), ‘Beyond Aporia?’, in Post-Structuralist Classics, ed. Benjamin, Andrew. New York, NY: Routledge.Google Scholar
Kristeva, Julia (1976), Cahier de L’Herne: Samuel Beckett, ed. Bishop, Tom and Federman, Raymond. Paris: L’Herne.Google Scholar
Kristeva, Julia (1980), ‘The Father, Love, and Banishment’, in Desire in Language: A Semiotic Approach to Literature and Art, ed. Roudiez, Leon S., trans. Gora, Thomas, Jardine, Alice and Roudiez, Leon S.. New York, NY: Columbia University Press.Google Scholar
Kristeva, Julia (1994), Le Temps sensible: Proust et l’expérience littéraire. Paris: Gallimard.Google Scholar
Lacan, Jacques (1977), Écrits: A Selection, trans. Sheridan, Alan. New York, NY: Norton.Google Scholar
Langlois, Christopher (2014), ‘Literature in the Archive of Terror: Badiou, Blanchot, Beckett,’ PhD thesis, University of Western Ontario, available at http://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=3741&context=etd.Google Scholar
Lawley, Paul (1983), ‘Counterpoint, Absence and the Medium on Beckett’s Not I’, Modern Drama, 26, 4 (December), 407–14.Google Scholar
Laws, Catherine (2010), ‘Beckett and Unheard Sound’, in Beckett and Nothing, ed. Caselli, Daniela. Manchester: Manchester University Press.Google Scholar
Laws, Catherine (2013), Headaches among the Overtones: Music in Beckett/Beckett in Music. Amsterdam: Rodopi.Google Scholar
Lecercle, Jean-Jacques (2010), Badiou and Deleuze Read Literature. Edinburgh: Edinburgh University Press.Google Scholar
Lecercle, Jean-Jacques (2016), Philosophy through the Looking Glass: Language, Nonsense and Desire. London: Routledge (1st ed. 1985).Google Scholar
LePore, Ernest, ed. (1986), Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson. Oxford: Basil Blackwell.Google Scholar
Lernout, Geert (1994), ‘James Joyce and Fritz Mauthner and Samuel Beckett’, in In Principle, Beckett Is Joyce, ed. Rathjen, Friedhelm. Edinburgh: Split Pea Press.Google Scholar
Locatelli, Carla (2005), ‘Delogocentering Silence: Beckett’s Ultimate Unwording’, in The Theatrical Gamut: Notes for a Post-Beckettian Stage, ed. Brater, Enoch. Ann Arbor, MI: University of Michigan Press.Google Scholar
Lyons, Charles (1987), ‘Beckett’s Fundamental Theatre: The Plays from Not I to What Where’, in Beckett’s Later Fiction and Drama: Texts for Company, ed. Acheson, James and Arthur, Kateryna. London: Macmillan.Google Scholar
Lyotard, Jean-François (1988), The Differend: Phrases in Dispute. Manchester: Manchester University Press.Google Scholar
Lyotard, Jean-François (1993), Libidinal Economy, trans. Grant, Iain Hamilton. London: Athlone.Google Scholar
Lyotard, Jean-François (1994), Lessons on the Analytic of the Sublime: Kant’s Critique of Judgement, trans. Rottenberg, Elizabeth. Stanford, CA: Stanford University Press.Google Scholar
Lyotard, Jean-François (2011), Discourse, Figure, trans. Hudek, Antony and Lydon, Mary. Minneapolis, MN: University of Minnesota Press.Google Scholar
Massumi, Brian (1992), A User’s Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari. London: MIT Press.Google Scholar
Masuga, Katy (2011), ‘Beckett, Wittgenstein and Blanchot: Language Games from Text to Theatre’, Miranda (online), 4, 11, available at http://miranda.revues.org/1981 (accessed January 2017).Google Scholar
Maude, Ulrika (2009), Beckett, Technology and the Body. Cambridge: Cambridge University Press.Google Scholar
Maude, Ulrika, and Feldman, Matthew, eds. (2009), Beckett and Phenomenology. London: Continuum.Google Scholar
Mauthner, Fritz (1921), Beiträge zu einer Kritik der Sprache. Stuttgart: J. G. Cotta’sche Buchhandlung Nachfolger.Google Scholar
Mauthner, Fritz (1923), Beiträge zu einer Kritik der Sprache, 3rd ed., 3 vols. Leipzig. Reprint Hildesheim: Georg Olms, 1967.Google Scholar
McMillan, Dougald, and Fehsenfeld, Martha (1988), Beckett in the Theatre: The Author as Practical Playwright and Director, vol. I. London: John Calder.Google Scholar
McMullan, Anna (1993), Theatre on Trial: Samuel Beckett’s Later Drama. London: Routledge.Google Scholar
McMullan, Anna (2010), Performing Embodiment in Samuel Beckett’s Drama. London: Routledge.Google Scholar
McTighe, Trish (2013), The Haptic Aesthetic in Samuel Beckett’s Later Drama. London: Palgrave Macmillan.Google Scholar
McTighe, Trish (2017), ‘Vessel and Nation: Company SJ’s Beckett’s in the City, The Women Speak’, Performance Ireland: Journal for the Irish Society of Theatre Research, ed. Hill, Shonagh and O’Brien, Cormac, 4, 1 (June) (Kindle edition).Google Scholar
Merleau-Ponty, Maurice (1968), The Visible and the Invisible, ed. Lefort, Claude, trans. Lingis, Alphonso. Evanston, IL: Northwestern University Press.Google Scholar
Miller, Tyrus (2000), ‘Beckett’s Political Technology: Expression, Confession, and Torture in the Later Drama’, in Samuel Beckett Today/Aujourd’hui 9, ed. Bryden, Mary, Butler, Lance St. John, Boxall, Peter, Buning, Marius, Engelberts, Matthijs and Kosters, Onno. Amsterdam: Rodopi.Google Scholar
Mooney, Sinéad (2010), ‘Beckett in French and English’, in A Companion to Samuel Beckett, ed. Gontarski, S. E.. London: Wiley-Blackwell.Google Scholar
Mooney, Sinéad (2011), A Tongue Not Mine: Beckett and Translation. Oxford: Oxford University Press.Google Scholar
Moorjani, Angela (1982), Abysmal Games in the Novels of Samuel Beckett. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Morin, Emilie (2017), Beckett’s Political Imagination. Cambridge: Cambridge University Press.Google Scholar
Nixon, Mark (2010), ‘Beckett and Germany of the 1930s’, in A Companion to Samuel Beckett, ed. Gontarski, S. E.. London: Wiley Blackwell.Google Scholar
Nixon, Mark (2014), ‘Beckett’s Unpublished Canon’, in The Edinburgh Companion to Samuel Beckett and the Arts, ed. Gontarski, S. E.. Edinburgh: Edinburgh University Press.Google Scholar
Nixon, Mark, and Feldman, Matthew, eds. (2009), The International Reception of Samuel Beckett. London: Continuum.Google Scholar
Nixon, Mark, and Van Hulle, Dirk (2013), Samuel Beckett’s Library. Cambridge: Cambridge University Press.Google Scholar
O’Brien, Eoin (1986), The Beckett Country: Samuel Beckett’s Ireland. London: Faber & Faber.Google Scholar
O’Gorman, Kathleen (1992), ‘“But this other awful thought”: Aspects of the Female in Beckett’s Not I’, Journal of Beckett Studies, 1, 1–2, 77–98.Google Scholar
Oppenheim, Lois (1990), ‘Female Subjectivity in Not I and Rockaby’, in Women in Beckett, ed. Ben-Zvi, Linda. Urbana, IL: University of Illinois Press.Google Scholar
Perloff, Marjorie (1996), Wittgenstein’s Ladder: Poetic Language and the Strangeness of the Ordinary. Chicago, IL: University of Chicago Press.Google Scholar
Perloff, Marjorie (2005), ‘In Love with Hiding: Samuel Beckett’s War’, The Iowa Review 35, 1, 76–103.Google Scholar
Perry, John (1994), ‘Davidson’s Sentences and Wittgenstein’s Builders’, Proceedings and Addresses of the American Philosophical Association, 68, 2, 23–37.Google Scholar
Pilling, John ed. (1994), The Cambridge Companion to Beckett. Cambridge: University of Cambridge.Google Scholar
Pilling, John (2006), ‘Beckett and Mauthner Revisited’, in Beckett after Beckett, ed. Gontarski, S. E. and Uhlmann, Anthony. Gainseville, FL: University Press of Florida.Google Scholar
Pilling, John, and Bryden, Mary, eds. (1992), The Ideal Core of the Onion. Reading: Beckett International Foundation.Google Scholar
Pilling, John, and Knowlson, James (1979), Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett. London: John Calder.Google Scholar
Plato, (1921), Plato in Twelve Volumes, vol. XII, trans. Fowler, Harold N.. Cambridge, MA: Harvard University Press; London: William Heinemann.Google Scholar
Plato, (1967) Meno 84a, Plato in Twelve Volumes, vol. III, trans. Lamb, W. R. M.. Cambridge, MA: Harvard University Press; London: William Heinemann.Google Scholar
Pountney, Rosemary (1988), Theatre of Shadows: Samuel Beckett’s Drama 1956–79. Gerard’s Cross: Colin Smythe.Google Scholar
Quine, Willard von Orman (1953), From a Logical Point of View: Nine Logico-Philosophical Essays. Cambridge, MA: Harvard University Press.Google Scholar
Rabaté, Jean-Michel (2005), ‘Unbreakable B’s: From Beckett and Badiou to the Bitter End of Affirmative Ethics’, in Alain Badiou: Philosophy and Its Conditions, ed. Riera, Gabriel. Albany, NY: SUNY Press.Google Scholar
Rabaté, Jean-Michel (2011), ‘Beckett’s Three Critiques: Kant’s Bathos and the Irish Chandos’, Modernism/Modernity, 18, 4 (November), 699–719.Google Scholar
Rabaté, Jean-Michel (2013), ‘Think, Pig!: Beckett’s Animal Philosophers’, in Beckett and Animals, ed. Bryden, Mary. Cambridge: Cambridge University Press.Google Scholar
Rabaté, Jean-Michel (2016), Think Pig!: Beckett at the Limit of the Human. New York, NY: Fordham University Press.Google Scholar
Rabinowitz, Rubin (1983), ‘Fizzles and Samuel Beckett’s Earlier Fiction’, Contemporary Literature, 24, 3 (Autumn), 307–21.Google Scholar
Rabinowitz, Rubin (1992), Innovation in Samuel Beckett’s Fiction. Urbana, IL: University of Illinois Press.Google Scholar
Ramberg, Bjørn T. (1989), Donald Davidson’s Philosophy of Language: An Introduction. Oxford: Basil Blackwell.Google Scholar
Robinson, Michael (1969), The Long Sonata of the Dead: A Study of Samuel Beckett. London: Hart-Davis.Google Scholar
Sakellaridou, Elizabeth (1988), Pinter’s Female Portraits: A Study of Female Characters in the Plays of Harold Pinter. London: Palgrave Macmillan.Google Scholar
Salisbury, Laura (2010), ‘Art of Noise: Beckett’s Language in a Culture of Information’, Samuel Beckett Today/Aujourd’hui, 22, 355–72.Google Scholar
Salisbury, Laura (2012), Samuel Beckett: Laughing Matters, Comic Timing. Edinburgh: Edinburgh University Press.Google Scholar
Salisbury, Laura (2014), ‘Gloria SMH and Beckett’s Linguistic Encryptions’, in The Edinburgh Companion to Samuel Beckett and the Arts, ed. Gontarski, S. E.. Edinburgh: Edinburgh University Press.Google Scholar
Scarry, Elaine (1985), The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press.Google Scholar
Serres, Michel (1994), Eclaircissements: cinq entretiens avec Bruno Latour. Paris: Flammarion.Google Scholar
Sheehan, Paul (2009), ‘A World without Monsters: Beckett and the Ethics of Cruelty’, in Beckett and Ethics, ed. Smith, Russell. London: Continuum.Google Scholar
Sherzer, Dina (1976), Structure de la trilogie de Beckett: Molloy, Malone meurt, L’Innommable. The Hague: Mouton.Google Scholar
Sherzer, Dina (1987), ‘Words about Words: Beckett and Language’, Beckett Translating / Translating Beckett, ed. Friedman, Alan Warren, Rossman, Charles and Sherzer, Dina. University Park, PA: Pennsylvania State University Press.Google Scholar
Skerl, Jennie (1974), ‘Fritz Mauthner’s “Critique of Language” in Samuel Beckett’s Watt’, Contemporary Literature, 15, 4, 474–87.Google Scholar
Skerl, Jennie (1980), ‘Beckett and Mauthner’s Influence: To the Editor’, PMLA 95, 5 (October), 877–78.Google Scholar
Smith, James (2007), Ireland’s Magdalen Laundries and the Nation’s Architecture of Containment. Notre Dame, IN: University of Notre Dame Press.Google Scholar
Stewart, Paul (2006), Zone of Evaporation: Samuel Beckett’s Disjunctions. Amsterdam: Rodopi.Google Scholar
Stewart, Paul (2014), ‘Suffering Fiction in The Unnamable’, in Samuel Beckett Today/Aujourd’hui 26, ed. Tucker, David, Nixon, Mark and Van Hulle, Dirk.Google Scholar
Swanson, Eleanor (1971), ‘Samuel Beckett’s Watt: A Coming and a Going’, Modern Fiction Studies, 17, 264–68.Google Scholar
Szafraniec, Asja (2007), Beckett, Derrida, and the Event of Literature. Stanford, CA: Stanford University Press.Google Scholar
Tajiri, Yoshiki (2007), Samuel Beckett and the Prosthetic Body. London: Palgrave Macmillan.Google Scholar
Tanaka, Mariko Hori, Tajiri, Yoshiki and Tsushima, Michiko, eds. (2012), Samuel Beckett and Pain. Amsterdam: Rodopi.Google Scholar
Trezise, Thomas (1990), Into the Breach: Samuel Beckett and the Ends of Literature. Princeton, NJ: Princeton University Press.Google Scholar
Tucker, David, and McTighe, Trish, eds. (2016), Staging Beckett in Great Britain. London: Bloomsbury.Google Scholar
Uhlmann, Anthony (1999), Beckett and Poststructuralism. Cambridge: Cambridge University Press.Google Scholar
Uhlmann, Anthony (2006), Samuel Beckett and the Philosophical Image. Cambridge: Cambridge University Press.Google Scholar
Uhlmann, Anthony ed. (2013), Samuel Beckett in Context. Cambridge: Cambridge University Press.Google Scholar
Van Hulle, Dirk (1999), ‘Beckett – Mauthner – Zimmer – Joyce’, Joyce Studies Annual 10 (Summer), 143–83.Google Scholar
Van Hulle, Dirk ed. (2015), The New Cambridge Companion to Samuel Beckett. Cambridge: Cambridge University Press.Google Scholar
Van Hulle, Dirk, and Weller, Shane (2014), The Making of Samuel Beckett’s L’Innommable/The Unnamable. Beckett Digital Manuscript Project, vol. II. Brussels: University of Antwerp Press; and London: Bloomsbury.Google Scholar
Watson, David (1991), Paradox and Desire in Samuel Beckett’s Fiction. London: Macmillan.Google Scholar
Weiler, Gershon (1970), Mauthner’s Critique of Language. Cambridge: Cambridge University Press.Google Scholar
Weller, Shane (2005), A Taste for the Negative: Beckett and Nihilism. Oxford: Legenda.Google Scholar
Weller, Shane (2008), ‘The Anethics of Desire: Beckett, Racine, Sade’, in Beckett and Ethics, ed. Smith, Russell. London: Continuum.Google Scholar
White, David A. (1978), Heidegger and the Language of Poetry. Lincoln, NE, and London: University of Nebraska Press.Google Scholar
Whorf, Benjamin Lee (1940), ‘Science and Linguistics’, Technology Review, 42, 6, 229–31, 247–48.Google Scholar
Wittgenstein, Ludwig (1974), Tractatus Logico-Philosophicus, trans. Pears, D. F. and McGuinness, B. F.. London: Routledge and Kegan Paul.Google Scholar
Worth, Katherine, ed. (1975), Beckett the Shape Changer: A Symposium. London: Routledge and Kegan Paul.Google Scholar
Worth, Katherine (1981), ‘Beckett and the Radio Medium’, in British Radio Drama, ed. Drakakis, John. Cambridge: Cambridge University Press.Google Scholar
Worth, Katherine (1999), Samuel Beckett’s Theatre: Life Journeys. Oxford: Clarendon Press.Google Scholar
Zeifman, Hersh (1987), ‘“The Core of the Eddy”: Rockaby and Dramatic Genre’, in Beckett Translating: Translating Beckett, ed. Friedman, Alan W., Rossman, Charles and Sherzer, Dina. University Park, PA: Pennsylvania State University Press.Google Scholar
Zizek, Slavoj (1995), ‘La voix dans la difference sexuelle’, La Cause freudienne, 31 (October), 82–92.Google Scholar