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Despite recent challenges, global and transnational approaches continue to provide valuable insight and novel perspectives for scholars of South African history. This chapter examines recent contributions to transnational histories of colonialism and empire in South Africa, before engaging in a detailed examination of global histories of antiapartheid. Drawing on sources from a range of international organisations, it examines three specific themes that highlight the possibilities for a global history of South Africa. The role played by the entangled discourses of humanitarianism and human rights, registered in the language of international organisations such as the United Nations, illuminates continuities and transformations in the framing of South African politics and social relations at a global level. An exploration of concepts of ‘solidarity’, central to antiapartheid campaigns around the world, moreover, can help to navigate global historical approaches away from Eurocentric tendencies. And the testimonies of individual activists provide a necessary reminder that global and transnational histories reveal the multiple perspectives, subjectivities and connections that shape local historical experiences. The final section of the chapter considers possibilities for the future development of these approaches.
This chapter analyses the Pan-African career of Nigerian scholar-technocrat, Adebayo Adedeji, who headed the UN Economic Commission for Africa (ECA) between 1975 and 1991. The author also assesses his efforts at promoting economic development and regional integration across Africa, as well as his intellectual contributions to these two fields.
This chapter assesses the environmental and human rights activism of Kenyan Nobel peace laureate, Wangari Maathai, focusing especially on her Green Belt Movement.
This chapter examines the Pan-African career of Jamaica’s Dudley Thompson, a lawyer who put together the legal defence team that defended Kenya’s Jomo Kenyatta from charges of being an instigator of the Mau Mau rebellion against British colonial rule in 1952. Thompson was also a founder member of the Tanganyika African National Union (TANU), and served as his country’s ambassador to Nigeria, Senegal, Ghana and Namibia.
This chapter examines one of the early champions of African democracy: the only black Nobel prize winner in economics, St. Lucia’s Fabian intellectual, William Arthur Lewis. She assesses Lewis’s economic theories, his role as the economic adviser to Ghana’s Kwame Nkrumah, and his calls for multi-party democracy in Africa’s diverse states.
In the wake of the 2016 national elections in Ghana, the issue of cross-border voting triggered a nation-wide debate. But who exactly constitutes the electorate? Who is a national, who is a foreigner, and how are these distinctions identified in the Ghana-Togo borderlands? This study analyses how political belonging is constructed and how it interacts with the nation-state in the region, especially where communities lie across borders, or at another level than the nation-state. Based on archival research, interviews, oral tradition and newspaper analysis, Nathalie Raunet discusses a pattern based on legitimating narratives of indigeneity at local, regional and transnational scales. In doing so, this study offers a new interpretation of the relationship between the Ewe-speaking people (located across the south of the Ghana-Togo border), the Ghanaian and Togolese Republics, and their colonial predecessor states. Adopting an interdisciplinary approach, Nathalie Raunet connects the history of the region with contemporary power struggles and issues of belonging and citizenship since the turn of the twentieth century.
This volume offers literary histories and analyses of a wide range of genres in African literature and verbal arts. It provides a holistic and accessible presentation of African literary history that incorporates different types of texts, different regions of the continent, and different languages (English, French, Swahili, Hausa). Both genres with a longer history and those with more recent histories in Africa receive attention. The genres covered include memoirs, travelogues, Shairi, protest poetry, activist theatre, dictator novels, child soldier narratives, prison writing, speculative fiction, market literature, environmental literature, graphic narrative, and queer writing. The volume furnishes overviews of other genres such as campus narrative, crime fiction, and romance. Genres belonging to popular culture as well as those associated with high literary forms are discussed. This collection of literary histories also shows how popular and high literary cultures have intersected and diverged in different locations across Africa since the early 1900s.
What does the institutionalisation of a protest movement into an opposition party in an electoral autocracy mean for its members? This article examines this question by analysing the conversion of People Power, a political pressure group in Uganda, into the National Unity Platform (NUP), focusing on the dilemmas of organisation, strategy and identity. NUP sought to broaden and institutionalise People Power’s activities to be seen as a credible party capable of holding state power. Simultaneously, its initial political weight was closely tied to the defiant, extra-parliamentary energy of the grassroots – a resource the party needed to preserve. These tensions were intensified by Uganda’s authoritarian context, where state repression and demobilisation intersected with uneven access to resources and patronage, producing frictions between privileged actors and grassroots members. The paper shows how these dilemmas generated frustrations among bottom-up constituencies and highlights the importance of examining intra-party processes from a grassroots perspective.
This chapter explores the rise of the graphic narrative in Africa – starting with cartoons and comic strips and culminating in contemporary graphic novels and popular comics series. It outlines three key historical developments in the genre. It further argues that comic strips were vehicles for the colonial enterprise: they occurred in colonial journals and magazines in the 1930s/1940s and reflected colonial ideology through mimicry and racial stereotype. Second, cartoons and comics became important tools in anticolonial movements, such as in Nigeria in the 1950s/1960s and apartheid-era South Africa from the 1950s to the 1980s. Cartoons turned satire and mockery back on the colonizer, while comics were used to subvert the visual language of colonial oppression and to encourage resistance. Finally, didactic comics and graphic narratives (pamphlets, posters, and free-standing albums) have formed part of government policy and development work from the 1990s to the present day. This history has informed present day production. Contemporary graphic narratives combine rich local visual traditions with global trends to negotiate identity, politics, and social change. The chapter ends by examining four examples of more “serious” graphic novels, histories, and memoirs that are indicative, rather than representative, of the diversity of contemporary production.
Coetzee’s assimilation of photography in prose – through references to images, by way of ocular metaphors, or through an attentiveness to framing, point of view and lighting – owes a debt to a very early and enduring fascination with the camera. He grew up in a family in which photography was ubiquitous, with his mother, the family photographer, making a visual record of domestic life. The family photograph albums, now preserved in the Texas archive, are testimony to the way the family recorded their life across generations. In one of these albums, titled in Coetzee’s own handwriting ‘Photos Ancient and Modern’, there are pages full of photographs of the young Coetzee growing up. But the experience of the child being the object of the camera gaze was also inverted in at least one fascinating moment: it is a remarkable, imperfectly framed image of the mother, captioned ‘Snap of Mother, taken by John. 16th July 1942’. Already at the age of two years, if we take the caption at face value, we must assume that the young Coetzee was a photographer. In taking the Brownie camera – with which he was incessantly being snapped by his mother – into his own hands, the child reversed the roles and turned the lens back at the photographer.
This chapter applies the rent-conditional reform theory to the case of Nigeria across the first two decades of the twenty-first century. It illustrates how, under the banner of the Peoples Democratic Party (PDP), Goodluck Jonathan’s government coupled company creation liberalization for would-be entrepreneurs with generous awards and support for strategically placed business magnates and interest groups. Once the price of oil began to fall, and the disintegration of the PDP’s elite coalition gathered pace, Jonathan’s government quickly jettisoned the reform initiative within the Corporate Affairs Commission to placate rapidly defecting business magnates. Following the election of Muhammadu Buhari, the business creation reform agenda was similarly manipulated to develop an alliance between his nascent government and the elite business class. Once that relationship was in place, and oil rents were recovering, generous privileges were once again afforded to key magnates, and corporate regulatory liberalization went into overdrive in 2016, culminating in 2020 with the reform of the thirty-year-old Companies and Allied Matters Act.