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The Aztec (Mexica) city of Tenochtitlan was transformed after the Spanish invasion of 1519–21 into a staging ground for Habsburg colonial experiments. Indigenous response is glimpsed in this essay through the lens of annals, written in Nahuatl, that document urban festivals celebrating Spanish Habsburg monarchs. I argue that the redeployment of particular spaces—long charged with meaning by Indigenous residents—was crucial to the public legitimacy of the Habsburg festival. These festivals promoted new means of temporal orientation, thus disrupting Indigenous orientations in time, at the same moment that Indigenous calendars were coming under scrutiny for their heretical potentials.
This article investigates how and why scholars began to systematically examine and record ancient inscriptions in fifteenth-century Italy. Finding evidence in the revolutionary work of Ciriaco d'Ancona, it shows that this change emerged from the synthesis of several cultural traditions. Ciriaco learned to observe antiquities from the Italian elite living in the Greek colonies and to record inscriptions from an early Christian pilgrim's practice. He introduced a new degree of precision in his records, learned partly from humanists. These facts suggest that a new culture of observing, discussing, and writing about antiquities was developing in the early Renaissance Mediterranean.