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In this chapter, I argue, drawing primarily on passages from the Philebus, the Republic and the Laws, that Plato understands comedy to be, in essence, an imitation of laughable people, where the notion of the laughable, or to geloion, is a normative one that picks out what genuinely merits laughter, and not necessarily what people actually laugh at. According to Plato, the only thing that merits laughter is moral vice, in particular the vice of self-ignorance. I formulate four constraints on ideal comedy on Plato’s behalf: the veridical constraint, which holds that only what is genuinely laughable, that is, moral vice, should be imitated as laughable; the educative constraint, which holds that comedic imitation must aim at educating the audience by encouraging them to reject vice in their own lives; the emotional constraint, which holds that the comedic imitation should cause appropriate and appropriately moderate emotional reactions; and the political constraint, which holds that only moral and political enemies should be portrayed as laughable.
For Plato, tragedy and comedy are meaningful generic forms with proto-philosophical content concerning the moral character of their protagonists. He operates with a distinction between actual drama, the comedy and tragedy of the fourth and fifth centuries BCE, and ideal drama, the norm for what comedy and tragedy ought to be like. In this book Franco Trivigno reconstructs, on Plato's behalf, an original philosophical account of tragedy and comedy and illustrates the interpretive value of reading Plato's dialogues from this perspective. He offers detailed analyses of individual dialogues as instances of ideal comedy and tragedy, with attention to their structure and philosophical content; he also reconstructs Plato's ideals of comedy and tragedy by formulating definitions of each genre, specifying their norms, and showing how the two genres are related to each other. His book will be valuable for a range of readers interested in Plato and in Greek drama.
What is the relationship between forms of thought in literature, philosophy and visual art in ancient Greece, and how are these forms related to their socio-political and economic context? This is the question raised by Richard Seaford in his final book. His answer is framed in terms of the relationship between aggregation and antithesis. In Greece between the eight and fourth centuries BCE, Seaford traces a progressive and complex shift from aggregation to antithesis in literature, philosophy and visual art, and correlates this with the shift from a pre-monetary and pre-polis society to a monetised polis. In the Platonic metaphysics of being, he identifies a further move, the negation of antithesis, which he links with the non-circulating possession of money. In this characteristically ambitious and challenging study, Richard Seaford extends his socio-economic analysis of Greek culture to visual art and includes contrasts with Near Eastern society and art.
This Element offers the first comprehensive study of Hegel's views on European colonialism. In surprisingly detailed discussions scattered throughout much of his mature oeuvre, Hegel offers assessments that legitimise colonialism in the Americas, the enslavement of Africans, and British rule in India. The Element reconstructs these discussions as being held together by a systematic account of colonialism as racial domination, underpinned by central elements of his philosophy and situated within long-overlooked contexts, including Hegel's engagement with British abolitionism and Scottish four-stages theories of social development. Challenging prevailing approaches in scholarship, James and Knappik show that Hegel's accounts of issues like freedom, personhood and the dialectic of lordship and bondage are deeply entangled with his disturbing views on colonialism, slavery, and race. Lastly, they address Hegel's ambivalent legacy, examining how British Idealists and others adopted his pro-colonial ideas, while thinkers like C. L. R. James and Angela Davis transformed them for anti-colonial purposes. This title is also available as open access on Cambridge Core.
This chapter focuses on the domain of the vegetative soul that represents some of the simplest activities that distinguish the organic from the inorganic. It examines the central vegetative system consisting of the liver, the veins and their supporting organs, as well as the vegetative capacities present in all the tissues that are subservient to this system. The chapter not only discusses the relationship between the central parts and capacities in all of the body, but also examines the ways in which these capacities manifest themselves, arguing they represent Galen’s attempts to grapple with the notion of basic vitality. On some occasions, Galen also calls them ‘demiurgic’, implying a creative capacity. A discussion of how he engages with the pre-existing philosophical tradition and the notion of a biological demiurge helps to delineate the scope of these capacities.
The final chapter entitled Conclusions contains a summary of the findings of the study, explaining the key motivations and claims behind the Galenic understanding of bodily unity.
This chapter looks at the ways in which Galen posits the theoretical unity among the discrete physiological system, especially with a reference to tripartition. Unlike Platonic, the tripartition that is motivated by psychological conflict, Galen’s tripartition of physiological domains shows the three domains to be highly cooperative and co-dependent on each other. The respective material fluxes they control are together necessary for continued functioning. The chapter looks at Galen’s adoption of the popular philosophical idea that identity persists because of the form, and at his analysis of different causes, strongly influenced by the ideas of his contemporary Middle Platonists. While more popular analyses of causes explain that the body is unified in its design, it is the notion of cohesive cause, the chapter argues, that accounts for unified physiological functioning.
Galen employs several different taxonomies of body parts, dividing the body up in various ways. This chapter looks at some of the more prominent ones, especially those that either define parthood or shed light on Galen’s theorization of parthood in other ways. The central question guiding this discussion arises from claims about (in)expendability of various parts: why is it the case that, according to him, the loss of a bone leads to a complete loss of activity the bone supports (voluntary motion in a limb), but the loss of the stomach does not lead to the loss of the activity of nutrition. One of the key preoccupations emerging from various ways in which Galen differentiates bodily parts is the proper activity of parts, which shape his understanding of the role of parts and their significance relative to each other. The final sections of the chapter sketch out the difference between normative and functional understandings of a parthood.
This chapter opens with the discussion of vital unity, a problem at the intersection of medicine and philosophy. Broadly speaking, medicine is concerned with the preservation of a living whole, but for many ancient thinkers, like Galen, the practice of medicine was informed by a highly theoretical understanding of the relationship between the parts and the whole. The first section of the Introduction sets out the key preoccupation of the study: Galen’s understanding of the role that different body parts and systems have in maintaining the functioning of the living whole. Subsequent sections contextualise Galen’s work within the phusiologia tradition, as well the debate between empiricism and rationalism, and briefly outline key classifications to be discussed in later chapters, before turning to the content of individual chapters, situating the present study within the existing scholarship and, finally, briefly explaining how this work approaches the much-debated problem of the substance of the soul.
While the preceding two chapters focused on the physiological domains whose motions take place ‘by nature’, that is, involuntarily, this chapter looks at the activities of the physiological system responsible for the motion ‘by will’. Galen depends on Hellenistic anatomists, especially Herophilus, for much of what he knows about the nervous system, but this chapter looks at both inherited knowledge and polemic interaction. In a rare case of disagreement, Galen criticizes Herophilus regarding the claims about the inherent sensitivity of the nerve tissue. The fact that Galen does not accept Herophilus’ experiments and maintains that nerves only receive capacity from the brain shapes his understanding of this physiological domain. The activities of the nervous system encompass not only voluntary motion but also sense perception and pain, and this chapter argues that each of them has distinctive implications for the unity of the living body as a whole.
This chapter deals with the cardiac system that underpins animal vitality that is more complex than the vegetative one discussed in the previous chapter. The central activity of this system is breathing, and the chapter outlines different types of breathing posited by Galen, the anatomy underpinning them, and his explanation of why the deprivation of breath leads to the loss of life. The chapter also focuses on the three types of pneuma theorized by Galen, discussing their proper activities and properties enabling these activities. The focus on pneuma also brings attention to yet another Galenic division of parts into solids, fluids and pneumata. This division of tissues according to their texture and speed of movement offers an important glimpse into how Galen conceives of interaction between parts. Moreover, the rapid alterations in the pneumatic tissues underpin the physiological understanding of animal vitality.
This Element examines the arguments advanced by the Tübingen-Milan School in support of the claim that Plato had Unwritten Doctrines (agrapha dogmata), revealed in Aristotle and other testimonia and indicated – but not explicitly treated – in some of his dialogues. The Unwritten Doctrines are primarily concerned with Plato's Theory of Principles of (the One and the Indefinite Dyad) which accounts for unity and multiplicity respectively. This Element considers two opposing approaches to reading Plato: that of sola scriptura (through the writings alone) or via the tradition. While it may appear counter-intuitive to privilege other sources over Plato's own works, his criticism of writing in the Phaedrus and the 'deliberate gaps', where he teases the reader with the possibility of a fuller response than that provided on the current occasion, firmly indicate the existence of doctrines not committed to his dialogues.