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Tusculans 1 offers a multi-faceted refutation of the proposition ‘death is an evil’, accomplished in part through a detailed doxography of a wide range of philosophers of different schools. This survey is far from a jumble of contradictory views, however: Cicero avoids dogmatic insistence on the arguments of any single school and has instead crafted a minimally sectarian protreptic designed to convince readers of any philosophical persuasion that death is not an evil, an approach whose origin he traces back to Socrates’ reflections on death in Plato’s Apology. Furthermore, I argue that this approach amounts to a direct challenge to Cicero’s philosophical rivals, a group of Epicurean authors writing in Latin – including, I speculate, Lucretius – whom Cicero had criticiaed in several prefaces for their narrow-minded dogmatism. In Book 1 Cicero therefore tackles a topic of perennial interest, illustrates how philosophy can and should be written, and attempts to marginalise his Epicurean opponents.
In Tusculans 1 Cicero gives a lengthy rebuttal of the thesis that death is an evil. This raises a puzzle: how can such a one-sided presentation aspire to reveal whether it is more plausible that death is or is not an evil? Invoking the Tusculans’ practical aim – the removal of emotional disturbance – does not fully satisfy, since it is unclear how effective persuasion can be if the contrary position does not receive a fair hearing. I show that as main speaker in the book Cicero warns against over-confidence in embracing positions that one wishes to be true; and I argue that as author Cicero portrays the interlocutor of Tusculans 1 as a salutary example of how not to approach the kind of questions about death with which the work engages. We are encouraged to see the interlocutor’s failure as one not of character but of inexperience in philosophical method.
The definitions of the emotions in Cicero’s Tusculan Disputations 3 which refer to magnitude are not meant to represent Stoic orthodoxy, and should not be read as direct evidence for the Stoic theory. Cicero’s aims and methods in the Tusculans led him to use non-Stoic accounts of the emotions, in order to offer a kind of consolation that is neutral between Stoic and Peripatetic theories of value. This chapter also discusses the structure of the Tusculans as a unified whole.
The final book of the Tusculans is intended to bring together the results of the preceding books in two ways. It concludes the argument that virtue is sufficient for happiness, where that is understood as invulnerable tranquillity and peace of mind. The book also fills out its opening praise of philosophy, understood as Academic sceptical method. However, the forceful final coda raises problems of philosophical consistency which, when examined carefully, cannot be reconciled with the book’s initial aims.
In Tusculans 2 the interlocutors discuss the value of physical pain. They swiftly agree that it is not the greatest evil but take longer to consider whether it is bad or, as the Stoics think, merely indifferent. Enduring pain is taken to be an indication of courage and manliness (virtus) and this is undermined by the claim that physical pain is not bad. Therefore neither the Epicureans nor the Stoics provide a wholly satisfactory account of the value of physical pain and its relationship to virtue.
This chapter focuses on Cicero’s treatment of the emotions in Books 3 and 4, and more specifically on his account of the dispute between the Stoics and the Peripatetics. At first sight, the dispute seems uncomplicated: the Stoics advocate the complete absence of emotions whereas the Peripatetics hold that emotions should rather be moderated or controlled. But Cicero’s stress on the idea that emotions are beliefs seems to come at the expense of other central parts of the theory of emotions, most prominently the theory of action. I argue that these features of his presentation serve him in securing a thesis that he is keen to defend in Book 5: that virtue guarantees happiness and that this happiness is invulnerable to the accidents of fortune.
An introduction to the historical and philosophical context of Cicero’s Tusculan Disputations and an overview of some general questions to be investigated in the volume, particularly: the question of Cicero’s ‘Socratic method’, his use of dialogue, his claim to argue on both sides of a question, and the relationship between this and his Academic scepticism.
The Tusculan Disputations can be read as a complex of four projects: (1) a set of formal exercises in the schola genre; (2) a therapeutic operation directed against the emotions, and fear in particular, with an agonistic relation to Epicurean predecessors; (3) a project of edification, aiming to reinforce the reader’s commitment to virtue; and (4) an exhibition or advertisement of the powers of philosophy and its advantages to Rome. Together, these dimensions of the Tusculans explain the peculiarities of its argumentation and literary approach. It is plausibly the aspiration to advertise philosophy to Rome (4) which is most fundamental: therapy (2) and edification (3) are projects in which philosophy can usefully display its powers, and the schola form (1) is convenient for doing so. These projects are to be distinguished from that of philosophical inquiry; the Tusculans is informed more by Cicero’s patriotic pragmatism than by his scepticism.
The aim of this chapter is to investigate the teaching of the so-called Peripatetics in the Tusculan Disputations with regard to their views on passions. Such views serve Cicero’s dialectical purposes and his wish to present the debate in Books 3–5 as primarily a dialectical exchange between Stoic ‘lack of passions’ (apatheia) and Peripatetic ‘moderation of passions’ (metriopatheia). Moreover, the Peripatetics are presented as siding with the early followers of Plato, and in particular with Crantor, in a unified camp against the Stoics. I argue that, despite the polemical features of Cicero’s presentation of the Peripatetics in the work, the metriopatheia view merits serious consideration, being much more than just a foil for an argument in favour of Stoicism.
Cicero composed the Tusculan Disputations in the summer of 45 BC at a time of great personal and political turmoil. He was grieving for the death of his daughter Tullia earlier that year, while Caesar's defeat of Pompey's forces at Munda and return to Rome as dictator was causing him great fears and concerns for himself, his friends and the Republic itself. This collection of new essays offers a holistic critical commentary on this important work. World-leading experts consider its historical and philosophical context and the central arguments and themes of each of the five books, which include the treatment of the fear of death, the value of pain, the Stoic account of the emotions and the thesis that virtue is sufficient for happiness. Each chapter pays close attention to Cicero's own method of philosophy, and the role of rhetoric and persuasion in pursuing his inquiries.
This chapter focuses on presocratic thinkers living in Magna Graecia (Sicily and southern Italy) in the sixth and fifth centuries bce. The main theme is the unity of opposites (a form of antithesis), treated in various ways by these thinkers, and the economic, political and mystic influences on their treatments. Parmenides’ radical separation between the one and plurality (or the paths of truth and opinion) reflects the contrast between possession of money and its circulation. This is informed by Parmenides’ aristocratic outlook; his account of the two paths is also modelled on mystic initiation. The Pythagoreans and Empedokles both adopt a more inclusive framework that embraces opposites within an overall unity, symbolising both the possession and circulation of money and a broad political structure. The Pythagorean cosmos, conceived in terms of fire, harmony and order or calculation, accommodates both poles in their table of opposites. Empedokles’ cosmic cycle includes the opposed subjectivities (with political connotations) of love and strife, while reincarnation accommodates divergent and opposed states of selfhood within an overall wholeness. Unity of opposites is framed by these thinkers in terms of the (introjected) inner self and (projected) cosmos, matching the wholeness offered by mystic initiation.