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Confucianism presents the history and salient tenets of Confucian thought, and discusses its viability, from both a social and a philosophical point of view, in the modern world. Despite most of the major Confucian texts having been translated into English, there remains a surprising lack of straightforward textbooks on Confucian philosophy in any Western language. Those that do exist are often oriented from the point of view of Western philosophy - or, worse, a peculiar school of thought within Western philosophy - and advance correspondingly skewed interpretations of Confucianism. This book seeks to rectify this situation. It guides readers through the philosophies of the three major classical Confucians: Confucius (551-479 BC), Mencius (372-289 BC), and Xunzi (fl. 3rd cent. BC), and concludes with an overview of later Confucian revivals and the standing of Confucianism today.
Aristophanes' comic masterpiece Thesmophoriazusae has long been recognized amongst the plays of Old Comedy for its deconstruction of tragic theatricality. This book reveals that this deconstruction is grounded not simply in Aristophanes' wider engagement with tragic realism. Rather, it demonstrates that from its outset Aristophanes' play draws upon Parmenides' philosophical revelations concerning reality and illusion, employing Eleatic strictures and imagery to philosophize the theatrical situation, criticize Aristophanes' poetic rival Euripides as promulgator of harmful deceptions, expose the dangerous complicity of Athenian theatre audiences in tragic illusion, and articulate political advice to an audience negotiating a period of political turmoil characterized by deception and uncertainty (the months before the oligarchic coup of 411 BC). The book thereby restores Thesmophoriazusae to its proper status as a philosophical comedy and reveals hitherto unrecognized evidence of Aristophanes' political use of Eleatic ideas during the late fifth century BC.